The guqin, also known as the seven-stringed qin, has a history of more than 3,000 years. In the process of circulation, the guqin has appeared several peaks. The oldest guqin that can be seen at present is the Tangqin, and it can even play a moving rhythm. The Song Dynasty was the peak of the development of the guqin, and Emperor Huizong of Song painted a "Diagram of listening to the qin". He used a very advanced aesthetic point of view ,"Qin Fun", through a guqin without strings, which prompted people to associate with the sound of the piano.
The Ming Dynasty was another peak in the development of the guqin, and because the Ming painters liked to add story threads to landscape paintings, they created a very classic painting theme of "Visiting Friends with the Qin". Later generations realized that the epochal themes of landscape painting could help form a personal style, and they paid more and more attention to related creations. Since then, this theme has been created and continues to this day. This painting is a modern famous artist Zhang Shiyuan's "Visiting Friends with a Piano", which looks beautiful.
Zhang Shiyuan visited friends with Qin
It looks beautiful, which means that Zhang Shiyuan does not reject decorative techniques or formalism in his creations. At first glance, decorative techniques and formalism do not seem to be good words to praise. In fact, the aesthetic essence of landscape painting is the simultaneous use of a variety of formalistic expression methods. For example, the method of piling, dyeing, pen handling, aesthetic taste, etc., are all affected by the method of expression.
Landscape painting can reflect the cultural inheritance and artistic spirit, and the theme of "visiting friends with the piano" can be fully reflected. Express the interaction between literati and scholars because of their preferences, and express the profound influence of liturgical music on the lives of the ancients. The painter painted this theme not only to show technical achievements, but also to express the richness of the spiritual world.
Zhang Shiyuan visited friends with qin locally
Zhang Shiyuan does not reject gorgeous colors in his creation, red leaves, peacock blue glazed tiles, cinnabar red beams and pillars, ochre colored mountain stones, earth yellow slope stones, dark green pine needles. With so many colors used in a painting, consider their combination with ink colors. Zhang Shiyuan used a clever method, using white, that is, floating clouds and flowing water as a transition of color, to alleviate the conflict between color differences. Attaching importance to color and using color wisely has become Zhang Shiyuan's unique skill in creation.
Zhang Shiyuan is a native of Jiangsu and lived in Shanghai as an adult, with a distinctive style of Haipai painting. Unlike other Painters of the Shanghai School, Zhang Shiyuan likes to paint magnificent mountains, and there is a domineering spirit in his paintings. Rigid and soft, majestic mountains with literati feelings, Zhang Shiyuan found his own direction.
"Visiting Friends with the Qin" has the shadow of the Wumen school studying the Southern Song Dynasty Li Tang in the middle of the Ming Dynasty, the Zhejiang school style of Lan Ying in the late Ming Dynasty, and the temple atmosphere in the paintings of Wang Yi in the early Qing Dynasty. From this point of view, Zhang Shiyuan belongs to the "set of masters" in the art world. From the three aspects of technique, charm and realm, he integrated the essence of traditional culture and painted a new style of landscape that was both quaint and bright.
Tradition is the foundation of Zhang Shiyuan's creation, and integration is the direction of innovation he explores. The exploration of the artistic conception stems from his profound technical skills. It is indeed a very magical thing that such a delicate and delicate painting has not failed. The mood can be captured, and the mood is built on the technique.
After watching Zhang Shiyuan's works, I have a feeling that I can walk first, and then learn to run. Technique is always the foundation of creation, and the power of technique cannot be ignored at any time. The technique is in place, and it will be more precise when you want to express emotions. The mood follows.