Every year during the summer vacation and the end of the year, two golden files, many film and television works compete to go online, as long as the timing of the drama is good, it is not a problem to create a "blockbuster".
To talk about the recent hot costume dramas with high topic discussion, "Lady Hu Zhu" must be on the list.
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Starring Yang Mi, Chen Weiting and others, "Lady Hu Zhu" takes the growth of the Qi Woman HaiShi as the main line, telling the story of Emperor Xu, the powerful minister Fang Zhu and Hai Shi in the court and harem of the Dazheng Dynasty on the Kyushu Mainland, facing the complicated power struggle and firmly guarding peace.
And "Lady Hu Zhu" stands out with its highly sadistic story plot, and successfully "debuts" in the "BE Aesthetics" costume drama family.
"BE Aesthetics"
The so-called BE, or Bad Ending, is the opposite of a happy ending, while the "BE aesthetic" refers to the audience's feelings about tragic beauty triggered by the tragic ending of love/CP in fiction or reality.
Yuji Sakamoto
Yuji Sakamoto, a screenwriter known as the god of BE aesthetics.
In high school, Yuji Sakamoto, because he liked to listen to the radio, came across the Japanese comedy artist group The Tunnels at that time. As a minor, in order to have the opportunity to meet his idols, he participated in the script contest of the TV station and wrote his first debut work, and since then, he has become famous in the first battle.
He entered the industry at the age of 19 and wrote "Tokyo Love Story" at the age of 23 – the name of Yuji Sakamoto is still a guarantee of quality.
Tokyo Love Story
People always say to the people they like and don't say I like you, but say I miss you;
Don't say I miss you to the people you want to meet, but say whether you want to have a meal together;
What is said on the lips is different from what is thought in the heart,
That's what it means.
| Yuji Sakamoto, Quartet
"Bouquet of Love"
Yuji Sakamoto's new work "Bouquet of Love" still continues the BE aesthetic of his unique temperament.
The tone of the story is simple, the process of a couple played by Jun Arimura and Shoki Sugata from love to separation is heartwarming and heart-wrenching to watch.
Through delicate observation and profound thinking, Yuji Sakamoto used the most ordinary and sincere and moving lines to earn enough tears from the audience, perhaps only in his pen can he outline such a flesh-and-blood character.
After introducing Yuji Sakamoto, maybe you also have a little understanding of "BE aesthetics", so let's continue to talk about the protagonist of today's topic - the BE aesthetics in "Lady Huzhu".
The sea market × all sides
As the main CP of this drama, with the development of the ups and downs of the story, the love journey between Haishi and Fang Zhu is also full of ups and downs.
The town where the Fisher Girl Sea Market grew up was slaughtered because of its inability to pay the pearl tax levied by the emperor. At the time of life and death, Haishi was saved by the powerful courtiers around the emperor, and Haishi, who bore the hatred of the family, chose to worship under his door.
However, in the process of assisting Fang Zhu in protecting the dynasty, after getting along day and night, the maiden Haishi gradually developed secret feelings for her master.
Unlike Haishi, Fang Zhu does not have the right to choose, his lifelong mission is to protect Di Xu, from birth, and this also implies that the fate of the two Haishi will eventually go different ways...
The ending you thought:
Actual outcome:
In the story of Haishi and Fang Zhu, Mei Jie can only be said to be a big BE who is abusive and miserable! After the TV series was adapted, the ending was much more human:
One person became the empress dowager, presiding over the government with one hand and raising children with the other; one person became an imperial master, secretly and silently cultivating Emperor Xu's children.
But in the end, it was impossible to have both, and only one song was finally dispersed.
DiXu x Tilan
If the ending of Haishi and Fang Zhu makes people sigh with regret, then the story of Di Xu and Ti Lan does not have to go through the process, just cry.
Di Xu, played by Xu Kaicheng, lost his beloved Zi Hao due to palace turmoil, and Zi Hao died in order to protect Di Xu, which was something he could not forgive himself in his life, and at the same time became abnormal in temperament.
Ti Lan, played by Chen Xiaolun, was used as a pawn to suppress Di Xu and was arranged into the palace, because she had almost the same appearance as Zi Hao.
But Tiran has a completely different personality from the cheerful purple hairpin, and she has not been valued since she was a child, and she is cautious and cautious, and she always has a little sadness in her eyes. Tiran became a substitute for the purple hairpin, but she was not the purple hairpin after all...
Chen Xiaolun played two roles alone, but he also really played both of them "alive", Zi Qiu was playful and cute, TiLan was gentle and tolerant, and Chen Xiaolun's strength circled a wave of powder.
This time, her costume appearance is also very colorful, and she has also won unanimous praise from the audience, tilan is really beautiful!
Although the "stand-in literature" of marriage and love has been seen countless times, the plot is reasonable, the actor's acting skills are online, and this old-fashioned terrier can also be played. "Imperial Princess CP" can be said to have earned enough tears from the audience, and the classic BE scene came:
The final outcome of Di Xu and Ti Lan, when the rebels forced the palace, Ti Lan, who had just given birth to a child, saw that Di Xu was dying, and finally chose to accompany Di Xu to walk together, and both of them were martyred.
Those beautiful expectations and sincere promises are still in the ears, but in the end they cannot fulfill their wishes. Life and death are impermanent, and fate is difficult to resist, but as long as the loved one is around, there will be no regrets and no regrets in this life.
This familiar scene, the familiar feeling of heartache, makes people instantly dream back to the chasing time of "East Palace".
As well as the "bloodbath" of the major social platforms "Zhou Sheng as Old" BE aesthetic famous scenes:
"The beginning is the beginning of the end, and encounters are always accompanied by parting"
- "Bouquet of Love"
The figures are all derived from the network and are invaded and deleted