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As TVB's last Taiwanese drama "King of Fighters" this year, I actually did not expect that the ratings would be so poor, only about 16 points.
It's only better than June's "Criminal Investigation Diary," which was TVB's worst-rated this year.
But "Criminal Investigation Diary" was not the premiere of Jade Tv.
If you look at it this way, "King of Fighters" is actually inferior to "Criminal Investigation Diary".
The King of Fighters
In addition to the factors of the premiere, there is also a plot that affects the ratings of "Criminal Investigation Diary".
The "multiple personality" setting of "Criminal Investigation Diary" makes the plot complicated, but this is not brain-burning, but obscure.
In a sense, "The King of Fighters" is actually exactly the same as "Criminal Investigation Diary".
Although "King of Fighters" is not as complicated as "Criminal Investigation Diary", there are many inexplicable plots.
However, "Criminal Investigation Diary" is a police drama, which is complex and conforms to the positioning of the play.
And "King of Fighters" is a martial arts drama, the plot is simple and better, which is conducive to the performance of the martial arts scene, because the martial arts scene is the main selling point.
First of all, Li Yaoxiang, as the first protagonist.
The most puzzling thing is why "drag racing" is always used to express Li Yaoxiang's emotions?
It is also a supercar, and there is a very arrogant feeling of "high-profile show-off".
Secondly, why is Lai Yaoxiang always dressed in a black leather coat?
Is the shape of the "King of Power" the style of the black leather coat?
Also, what is the positioning of the relationship between Li Yaoxiang and Yao Ziling.
The two seem to be ordinary partnerships, but why do they always like to use some romantic slow mirrors to show the encounter between the two.
In the latest plot, there is also a passage where Li Yaoxiang picks up Yao Ziling's earrings, and Yao Ziling begins to understand and support Li Yaoxiang.
The development of the plot seems to be moving in the direction of emotional drama.
Don't forget, there are also two people in the relationship between the two characters, Lai Weiling and Huang Ziheng.
And Zheng Zicheng, who has "money and sunshine", how the latest plot suddenly wrote him an emotional line with Zhen Yongshan.
And I can't understand, what is the significance of Zheng Zicheng's musician identity setting? Is it related to Muay Thai?
There is also the story line of Zhu Minhan.
If nothing else, Zhu Minhan should finally punch Zhang Zhenlang and be defeated by Zhang Zhenlang.
But whether it's for women or for dads, that's worth keeping.
However, Zhu Minhan's positioning is also very vague.
His father-son story with Lai Yao-cheung is not as useful for Li Yaoxiang's character development as Li Yaoxiang's one-eyed look.
If you really want to say it, there is only a triangle with Zhang Zhenlang and Cai Jie.
The last thing that has to be mentioned is another protagonist, Zhang Zhenlang.
Now that the plot is halfway through, it is still impossible to understand Zhang Zhenlang's motives for revenge on Li Yaoxiang.
Even if there are perfecting this story point later, at least it seems too far-fetched for now.
What Zhang Zhenlang can't stand most is that he speaks like a child who has just learned to speak, and the tone rhythm of each word is the same, and there is no change in the height of ups and downs.
Even in some emotional scenes, such as declaring war on Li Yaoxiang at the beginning and huang Ziheng learning to win the championship, Zhang Zhenlang's speech is unhurried and uninspiring.
The pictures in the text are from the screenshots in the play, and if there is infringement, it must be deleted