There are two actresses in the Hong Kong film industry surnamed "Ye" who are the most hot and fragrant, and they are famous in the field of wind and moon films, and have become goddesses in the minds of many male audiences.
A "Ye" is "Qing Ben Beauty" Ye Yuqing, a pair of charming eyes to seduce the soul, the gentleness of the East and the rush of the West are vividly reflected in Ye Yuqing.
She and Xu Shaoxiong, Fang Zhongxin, Cao Charlie respectively cooperated in the "Can't Help It", "Qing Ben Beauty" and "I Am Crazy for Qing" three wind and moon films, so that Ye Yuqing won the public audience, a hit, Ye Yuqing also became a first-line actress in Hong Kong wind and moon films, repeatedly mentioned.
Unlike other vases, in addition to her beautiful face and the courage to dedicate herself to art, Ye Yuqing also clearly knows how to plan her own acting path.
Taking advantage of his own limelight, Ye Yuqing retreated bravely and put on the clothes he had taken off one by one. With a series of works such as "Moonlight on the Roof" and "Red Roses and White Roses", he showed the audience his good acting skills.
In 1996, After filming "The Amazing Young Girl of the Ghost Theater", Ip Yuk-ching announced her marriage and became a legend among Hong Kong actresses.
Another "leaf" is the leaf frieze with an unforgettable figure. Unlike Ye Yuqing, whose wind and rain are smooth and the whole body retreats, Ye Zilin has never been able to get rid of the title of "Wind Moon Actress", such as "Female Robot" and "Special Zone Love Slave" are his representative works of wind and moon.
Although the works participating in the performance have a bottom line of reservations, Ye Zilin is more of a vase girl number two in the movie.
Such as the cabaret dancer Apple in "Love Saint".
May, a socialite in Lu Liangwei's movie "Lame Hao", which attracts men to be jealous.
Although her figure is impressive, Ye Zilin is not as good as Ye Yuqing's life, she has been trying to get rid of the positioning of the vase, but it backfired, until 1994, when "Underground Ruling" was announced, Ye Zilin's acting career still had no award record.
Coincidentally, for both Ye Yuqing and Ye Zilin, in 1991, both ushered in a turning point in their acting careers. Ye Yuqing filmed the Fengyue trilogy, which was crucial to her acting career, in this year;
Ye Zilin ushered in the explosion period of his own works, co-starring with Aoyama Zhikezi in "Female Robot", and cooperating with Zhou Xingchi in two films, "Descendants of the Dragon" and "Love Saint".
But to say that the works that are really important to Ye Zilin must be released in the same year, the gangster gangster biographical film "Lame Hao" starring Lu Liangwei, Ye Tong and Zheng Zeshi has won many awards such as the Academy Awards for Best Film, Best Screenwriter and so on. The film involves Wu Xihao, Leiluo and other people who have real character archetypes.
The 143-minute film is a magnificent story of the struggle between the four inspectors, the four families, and the black and white dragons and snakes colluded between the 1960s and 1970s. Its excitement is even more praised as the Hong Kong version of "The Godfather".
The dancer May, played by Ye Zilin, has become the center of men's power trade, which has promoted the development of the film's plot, and several rival scenes between her and Wu Qihua and Zheng Zeshi have increased the strange viewing of the film and become the talk of many audiences.
Due to the success of the film, films depicting the theme of the 1960s were all the rage in the 1990s:
Andy Lau starred in "The Biography of Inspector Leiluo of 500 Million",
Li Xiuxian and Ren Dahua's "Four Detective Chiefs",
"The First Blow of Integrity", starring Dillon, Li Zixiong and Maggie Cheung, all set the story in the dark years of Hong Kong before the establishment of the Independent Commission Against Corruption.
Even now, Wang Jing has also filmed "Chasing the Dragon" as a tribute to the Kowloon City Walled, Crippled Hao, Leiluo and other elements of the heroic film. It can be seen that the status of "Lame Hao" in Hong Kong films.
However, also in 1991, there was a wind moon film in which Ye Zilin took on the responsibility of the big responsibility.
Different from other small love and little love wind and moon films, this film focuses on the wind and moon places such as dance halls and night scenes, and the heroine falls from the waitress of the tea house step by step into the happy place of sound and color dogs and horses, and unifies the night scene in Hong Kong through her own struggle, becoming a generation of tyrants.
This movie has also become one of the few works that Ye Zilin really picks the beam and does not fiddle with his own body, even if he still looks at it now, many netizens still rate this movie as a "female version of lame Hao", which is a rare female owl male film.
In addition to the bridge section that the Wind moon film should have, Shan Liwen, a "Ximen Qing professional household", and Chen Baolian, who has just entered the film world, ensure the quality of the film.
Ye Zilin and Li Zi's several humiliating scenes are still full of tension, which is shocking and depressing.
What is even more surprising is That Lu Liangwei in "Lame Hao", Qin Pei and Wu Mengda in "The Biography of Inspector Leiluo" made a friendly cameo appearance, and this film realized the dream linkage of "Lame Hao" and "The Biography of Inspector Leiluo", which is absolutely unprecedented.
Nonsense less, let the fork bring you this leaf frieze, starring Cheng Kui'an, many stars cameo "Nightlife Queen's Sister Legend"
Wang Xia, who was originally a waiter at the tea house, did not do anything more, and under the rhetoric of the little Ah Lun, Wang Xia quickly fell.
In that era of laughing at poverty and not laughing at prostitutes, Ah Lun encouraged Wang Xia to make money for him by buying and selling meat and skin. Not long after Wang Xia became pregnant, Ah Lun suspected that the child in Wang Xia's belly was not his own punch and kick, and even forced her to hand over the ninety-nine thousand and nine-nine parting fee.
Wang Xia deeply resented Ah Lun, who was desperate, but fortunately, with the help of the police officer Ah Guang, Ah Lun was taught a good lesson, and Wang Xia also married Ah Guang.
With the police husband's network, Wang Xia's night business is getting bigger and bigger. And through his own tea house, he met Brother Lard, who had a lot of right to speak. Brother Lard helped Wang Xia solve many difficult guests, and Wang Xia was willing to recognize him as a dry father.
The good times did not last long, Wang Xia bumped into her husband Ah Guang and other women's private affairs, Ah Guang even tied Wang Xia up, injured Wang Xia's daughter, and in a hurry, Wang Xia stabbed Ah Guang.
Fortunately, Brother Lard offered advice, and Wang Xia escaped by bribing Ah Guang's boss, Inspector Yan Tong, which also made Wang Xia's business bigger and bigger.
Through her own mind, Wang Xia smoothed the police obstacles and committed herself to a senior British police officer, becoming the queen of the black and white nightclub.
Faced with the indecent actions of the british high-ranking officials she relied on to her daughter, Wang Xiafen fought back in spite of herself. Her daughter's lack of remorse is Wang Xia's only weakness, and she does not quit for her daughter.
However, this precious daughter knew the ten evil little bastards Shuai Chao, and the daughter who was confused by Shuai Chao and Wang Xia's sword were fierce.
Her daughter's experience of being deceived by the scumbag reminds Wang Xia of her previous experience, she drove away Shuai Chao through the gangster she befriended, and her daughter also ran away from home because of Wang Xia's actions.
Years later, the daughter found Wang Xia again and told her the good news of her imminent marriage. But before Wang Xia could be happy, Shuai Chao, who had made a comeback, found the mother and daughter again.
The daughter was insulted inhumanly, and Shuai Chao filmed the whole process and forced Wang Xia to kneel down and beg for forgiveness, but when Wang Xia was tortured by Shuai Chao and finally got the videotape, she found that the video tape was not only one volume, and the daughter committed suicide in disgrace, crushing Wang Xia's last straw.
Nowadays, there are many handsome supermen, and Wang Xia's underworld patron has long been unable to fight Shuai Chao. Forced to take Brother Xiang and a group of sisters to personally design and support Shuai Chao's men.
Brother Xiang was killed, and Wang Xia dealt with Shuai Chao alone. At the moment of crisis, Wang Xia's sisters arrived in time, and Shuai Chao, who had always despised women, was beaten to death by the women he despised the most.
Wang Xia, who has won revenge, has also become a legend and is admired by the younger generations, shaping the myth of the ups and downs of the night queen.
"The Legend of XiaJie" is an alternative feminist film.
Unlike Ye Zilin's other works, "The Legend of Xiajie" has never let Ye Zilin wear revealing and hot costumes, and some of the film's bridges are handed over to the fledgling Chen Baolian and Otomo Li Nai.
According to different age groups, the film designs different shapes for the leaf frieze, the youth and beauty of youth, the aura of middle age is fully open, and the gentleness of old age is vividly interpreted by Ye Zilin.
Whether it is beaten by the boyfriend or humiliated by the police husband in person, Ye Zilin has a good interpretation of the heroine's weak and courageous character, which also makes a plot advancement for the female tyrant who later becomes a unified night show.
In addition to weighing the black and white forces in the business field, the daughter played by Li Zi has become the core of the second half of the film, and the mother is worried about the safety and desperation of her daughter, which makes people have to be impressed by the fact that the 25-year-old Ye Zilin can have such an acting skill.
As the highlight of the film, when Ye Yuqing performed the scene of bowing his knees and abandoning his dignity to take back the videotape, he faced the humiliating scenes such as Kneeling down and learning to climb a dog, which made people feel painful. Ye Zilin's concealment of a strong woman is particularly eye-catching for the sake of family affection.
Fork fork wonders why this film is defined as a comedy, no matter from what point of view, the heroine's life is full of ups and downs, and the setting of Li Zi's daughter being insulted by Handsome Chao is even more physiologically uncomfortable.
However, it is precisely because of the heroine's bumpy life that the film is more sadistic.
If it is placed in the 94 annual Academy Awards, which is more inclusive of the film, Ye Zilin can get a nomination for best actress. It should be known that that year, Huang Qiusheng won the film emperor with the restrictive movie "Eight Immortals Hotel"; Wu Jiali was also nominated for the large-scale movie "Lang Heart Like Iron".
In addition to describing the ups and downs of the heroine Wang Xia's life, the lame Hao played by Lu Liangwei, the lard brother played by Wu Mengda, and the Inspector Yan Tong of Qin Pei became the finishing touch of "The Legend of Sister Xia", which also made the heroine's era background more convincing.
In the face of the soft and hard handsome super forced palace, lame Hao unexpectedly appeared, and the film instantly had the temperament of a gangster film.
Coincidentally, Lu Liangwei and Ye Zilin also cooperated in "Lame Hao", which is also a classic case of Hong Kong filmmakers helping each other and dream linkage.
In addition to the actor cameos of the two films "Lame Hao" and "The Biography of Inspector Leiluo", the appearance of Shan Liwen, Cao Charlie, Cheng Dong, Zheng Jiasheng, Ke Shouliang and other golden supporting roles also made this film full of surprises.
Don't look at "The Legend of Sister Xia" is a wind and moon film that can't go to the table, but it condenses half of the Hong Kong movies.
And just 18-year-old Chen Baolian first entered the film world, the first film to be filmed is "The Legend of Sister Xia", which has since opened her tragic life.
To some extent, "The Legend of Xiajie" has been forgotten because of the identity of the wind and moon film, but it cannot hide the temperament of the gangster epic film.
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