In recent years, the Peking Opera circle has also been in turmoil, and the more storms there are, the more it can show that the art of Peking Opera has really begun to decline, because these people have gone from studying art to studying fame and fortune, so what about art!
Today, Xiaobian will talk about Guo Degang, a controversial figure in the Peking Opera circle in the past two years.
Guo Degang's Peking Opera has been controversial in recent years, almost two extremes, and people who like Guo Degang will praise him as the savior of Peking Opera and the master of Peking Opera. Then some authentic Peking Opera fans denounced it as "four unlikes" with biased Peking Opera.
And Wang Peiyu, a once professional Peking Opera actor, once questioned Guo Degang's artistic level in the show, in fact, this is no problem, but it has attracted the dissatisfaction of many people.
In fact, I think Wang Peiyu just said the truth, and everyone knows how Guo Degang's Peking Opera level is.
In fact, the Peking Opera circle does not value shi cheng so much, but the cross-talk industry pays more attention to this kind of prostration and worship of the teacher. Peking opera masters such as Xi Xiaobo, Li Zongyi, Wang Yutian, Li Shiji and other Peking opera masters are all ticket holders who go to the sea, and no one says that they are "Haiqing".
On the contrary, these ugliness in the cross-talk circle entered the Peking Opera circle, and a few years ago, the cross-talk actor Li Jiacun worshiped the late Peking Opera master Yuan Shihai, who was more than ten years old, and held a grand ceremony.
In the past two years, Guo Degang has paid homage to the famous Peking Opera performance artist Zhao Lintong in front of the photo, of course, perhaps it is Guo Degang's admiration for Mr. Guo, or it may be his love for the Art of Peking Opera Qipai.
But there is no need to love the master, and the master has passed away, how can the relationship between the master and the disciple survive?