Deyun Club swept seven countries and eight cities, Guo Degang led an overseas tour: cultural export or commercial circle money?
Guo Degang, this name can be described as thunderous in the cross talk world. As the head of Deyun Club, a top cross talk club in China, his every move can always cause an uproar in the entertainment industry. No, recently, he took a group of disciples to start an overseas tour, vowing to carry forward the traditional Chinese art. However, this seemingly beautiful tour has aroused heated discussions and questions among netizens: Is this a cultural output or commercial circle money?
First of all, we have to admit that Guo Degang and Deyun Club's status in the cross talk industry is unparalleled. With their exquisite skills and unique style, they have won the love and pursuit of countless audiences. In China, their special performances are full, and it is difficult to find a ticket. Now, they have moved the stage overseas, so that more people can feel the charm of Chinese cross talk. Such a feat is undoubtedly worthy of our praise and applause.
However, while we applaud Deyun Club's overseas tour, we also had to face some practical problems. First of all, the ticket price for this tour is not cheap. According to reports, tickets for overseas tours are generally higher than those in China, which discourages many domestic audiences. Could it be that Guo Degang and Deyun Club only focus on the benefits of overseas markets and ignore the feelings of domestic audiences?
Secondly, it is also debatable whether this tour has really achieved the effect of cultural output. Although cross talk, as a part of traditional Chinese culture, has high artistic value and cultural connotation. However, on the foreign stage, how to convey these contents to the audience, so that they can truly understand and accept them, is a big challenge. If it is performed only to make money, and the transmission and exchange of culture is neglected, then such a tour loses its meaning.
In addition, whether Deyun Club truly respects the local culture and customs during its overseas tour is also a matter of concern. Different countries and regions have different cultural backgrounds and values, and if Deyun Club does not pay attention to and respect it in the performance, it is easy to cause unnecessary controversy and conflict. Such a result will not only affect the image and reputation of Deyun Club, but also have a negative impact on the spread of Chinese culture.
Of course, we can't deny the efforts and achievements of Deyun Club in overseas tours. Through careful planning and preparation, they presented wonderful performances to overseas audiences. These performances not only show the unique charm of Chinese cross talk, but also promote the exchange and integration of Chinese and foreign cultures. Such efforts are undoubtedly worthy of recognition and praise.
However, we should not be blindly optimistic because of temporary success. In the process of overseas touring, Deyun Club also needs to constantly reflect and summarize, and constantly improve and improve. They should pay more attention to the dissemination and exchange of culture, respect local culture and customs, and face different cultures and values with a more open and inclusive attitude. Only in this way can they truly achieve the goal of cultural export and make greater contributions to the spread of Chinese culture.
In short, although Deyun Club's overseas tour has achieved certain results, there are also many problems and controversies. We can neither blindly worship and boast, nor can we beat us to death and deny them with a stick. We should look at this tour with an objective and rational attitude, not only to see its positive aspects, but also to see its problems and shortcomings. Only in this way can we better promote the spread and development of Chinese culture.
In the end, I would like to say that neither cultural output nor business circle money is a point that we should be overly entangled. The important thing is that Deyun Club can continue to grow and progress in overseas tours, and contribute to the inheritance and development of Chinese cross talk. At the same time, we also hope that they can pay more attention to the feelings and needs of the audience, and repay the love and support of the audience with better works and performances.
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