Ming, Zhang Ruitu's "Biyun Temple Poems" axis, National Museum of China collection. This axis is a poem by Zhang Ruitu's "Seven Laws of Biyun Temple", on paper, 187.5 cm in length and 64 cm in width, about the third year of the Ming Dynasty (1623) after Wei Zhongxian rebuilt the Biyun Temple.
The poem says: "Cui Ge Dan Lou does not count weight, and the Stone Forest Luo Trail is muddy." The heavens but said to travel for three days, the two Ning knew all over the peak. Birds outside the flowers chirp in the rain, and the monks in front of the curtains have several pines. At dusk, the tower moves to the East Xuan sitting, and the yamabei Shannanji Temple Bell. Biyun Temple, Guoting Mountain People Ruitu. "Zhang RuituYin" and Zhu Wen "University Scholar's Medal".
Zhang Rui's book Fa Qiyi, in addition to Chung Sui and the "Two Kings", has found another way and becomes a family of its own. This book uses a square structure with a pen, and it has repeatedly appeared in a strange and dangerous posture, through the thick dryness and wetness of the pen and ink and the denseness of the layout, it presents a state of jumping and ups and downs, dense but not suffocated, sparse but not empty. In contrast to Zhao Mengfu's inheritance of the "Second King" since the "Second King", the book style of the circle and flow of beauty, and the substitution of wanton indulgence and stubbornness, reflecting the transformation and diversity of the aesthetic atmosphere in the late Ming Dynasty.
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![Zhang Ruitu | calligraphy is strange, and in addition to Zhong and Wang, another way is found[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)