Text/Ma Jiajun
The Yellow Emperor of Xuanyuan is the humanistic ancestor of all ethnic groups in China, the common ancestor of hundreds of millions of Chinese sons and daughters and overseas Chinese, and the pioneer of Chinese culture. The inherent centripetal force and cohesion of the Chinese nation mostly come from the core and powerful magnet of Xuanyuan Huangdi. Ancient and modern, Chinese and foreign, across time and space, countless descendants of Yanhuang always miss their ancestors during the New Year's Festival, Qingming and Chongyang, and there are always many representatives who climb the Bridge Mountain and sacrifice the Yellow Tomb. Many people have written beautiful poems, or expressed their determination to respect their ancestors and dedicate themselves to the motherland and the nation, or praised the merits and graces of the Yellow Emperor, or described the scenery of the Bridge Tomb to express their mourning, or drew nourishment from the spirit of the Yellow Emperor and swore to struggle for the reunification of the motherland, the construction of the four modernizations, and the revitalization of China. Although these tens of millions of poems are written by a celebrity or ordinary person, they express the deep affection of all the sons and daughters of China. The review of these psalms is an important activity in reverence for Regulus. There are many poems, incomplete collections, and because of the writing, more are eliminated, and it is a deep regret that there are thousands of omissions. The following categories are as follows:
First, I recommend Xuanyuan with my blood -- the hearts of Chinese people in the world are xuanyuan
Hundreds of millions of people of the Chinese nation around the world, as a descendant of Huang Yan, even if he goes to the end of the world, he always has his heart set on his homeland and remembers his ancestors. When they encounter suffering, they remember that they are the descendants of Xuanyuan and must be determined to strengthen themselves and struggle indomitably; in their study and work, they are determined to work hard, determined to serve the motherland, and dedicate themselves to the land of the Yellow Emperor with their blood and sincerity; the wanderers at the end of the world who are wandering in a foreign land, and the overseas people who hope to return home, during festivals and moons and nights, they will always remember where their roots are and where their souls are. Xuanyuan Yellow Emperor is the beacon in the hearts of hundreds of millions of people of the Chinese nation, the source of strength, the target of root-seeking, and the destination of nostalgia. This is the consensus of the people of the past.
Lingtai has no plan to escape the god arrow,
The wind and rain are like the old garden.
Wishing that the cold star Tsuen did not notice,
I recommend Xuanyuan with my blood.
This "Self-Titled Portrait" is a poem written by Lu Xun (Zhou Shuren, 1881-1936) when he studied in Japan. The poem was written between 1901 and 1902, and in 1903 (the twenty-ninth year of Guangxu), when he was studying at the Hongbun Academy in Tokyo, he inscribed it on the back of his photograph and gave it to his classmate Xu Shousheng. The "lingtai" in the poem refers to the mind, which originates from the Buddhist saying "the heart is like a mirror platform". "Divine Arrow" refers to the divine arrow in the hands of the little god of love in ancient Greco-Roman mythology, which hits the heart of whoever falls in love. This is to say that Lu Xun's love for the motherland cannot be separated. At that time, the "old garden" was the motherland; "the wind and rain were like a rock", and the old garden was very dark. The "rock" is a big stone, and the big stone of feudal despotism and the big stone of aggression by the great powers are pressed on the heads of the Chinese people, and the motherland cannot see the light of day. At that time, the people were not yet enlightened, and Lu Xun, who was far away in Japan, was lonely, but he looked up at the night sky, missed the motherland, and placed a patriotic heart on the cold star. "Tsuen" is a kind of vanilla, and the Chu poet Qu Yuan during the Warring States period compared vanilla to a king who could not listen to his advice. Lu Xun used vanilla as a metaphor for the people, but the people who were not yet enlightened at that time did not understand the patriotic spirit of the volunteers. Despite this, Lu Xun still confessed that he would dedicate his blood to Xuanyuan, that is, devote himself to the struggle for the liberation of the motherland.
Thirty years later, in February 1931, Lu Xun re-inscribed this "Self-Titled Portrait" to express the emotion of offering Xuanyuan to the Yellow Emperor with blood. This emotion represents the patriotism of all Chinese with conscience.
Ma Junwu (1882-1940), a Guilin man who studied in Japan at the same time as Lu Xun, joined Sun Yat-sen's League in Japan. After returning to China, in order to escape the arrest of the Qing government, he studied in Germany. He was one of the first translators in our country to introduce European poetry. He translated the "Lamenting Greece" in the long poem "Don Juan" by the great English poet Byron into a five-word poem, expressing the spirit of the Struggle of the Greek people against foreign Turkish rule in the early nineteenth century, which had a great encouraging effect on the Chinese of all ethnic groups against Manchu Qing rule. After the Xinhai Revolution, the Provisional Republic of China Government in Nanjing was established, and Ma Junwu served as the vice minister of industry, and then returned to Guilin and became the governor of Guangxi Province, and then engaged in education and served as the president of Guangxi University. Ma Junwu is a poet who joined the Nanshe Society as a member and published Selected Poems of Ma Junwu. Ma Junwu wrote a poem "Freedom" in Japan in 1903:
The Yellow Emperor came from the west to win the battle against Xuan You, and Mo asked the forest for freedom.
The Holy Land has been reduced to a foreign race for a hundred years, and the sunset hangs alone in Shenzhou.
For the slave is the ancestor of the people, the chronicle will eventually be left behind in history shame.
The hero of Taixi exhausted the waves, and the river whimpered and flowed east.
The psalms praise the Yellow Emperor's victory over Xuan You, the victory of his ancestors, and the encouragement of the realistic Chinese people to overcome the invasion of the great powers and the rule of the Manchu Qing feudal autocratic dynasty and fight for freedom. But this freedom should be real, not far from the world. In Shakespeare's comedy Everybody Rejoices, Rosalyn and her cousin Celia escape the control of the new Duke and go to the Arden Forest, an ideal world of freedom. But the descendants of the Yellow Emperor should not go to the forest to pursue freedom. For a hundred years, Shenzhou has been reduced to a semi-feudal and semi-colonial dark hell. The people were suppressed into slavery by imperialism and feudalism, which is by no means the idea of our ancestors since the Yellow Emperor. appear
Without fighting, future generations will also be shy for us when writing history. "The great river goes east, and the waves exhaust the characters of the ancient winds", Su Dongpo lamented the shadow of the past years. How should today's heroes fight for freedom?
Qiu Jin (1875-1907) also expressed this patriotism in her Song of the Sword. Qiu Jin, nicknamed Jian Hu Woman, joined the Guangfu Association and the League Association when she studied in Japan, and served as the president of the Zhejiang League Association, she advocated the liberation of women, in 1907 she organized the Guangfu Army, the armed uprising failed, and the hero was righteous in Shaoxing. In "Song of the Sword", she is faced with difficult current events with thorns and broken mountains and rivers, claiming to "forge a thousand swords", promote the prestige of Xuanyuan, and "clarify the divine state". The Song of the Sword reads:
In the Han Family Palace, more than 5,000 years of ancient kingdoms died, and they slept for hundreds of years, and everyone did not know how to be a slave. Remembering my ancestral name Xuanyuan, the origin is based on Kunlun, the Yellow River and the Yangtze River, the big knife Huo Huoding Zhongyuan, crying Meishan can not be? The thorns of the imperial city are buried with copper camels. Looking back at Jinghua several times, the mournful song of the fall of the country wept a lot. The people of the eight countries of the Northern Alliance army gave me another gift. The white ghost came to make an alarm bell, and the Han people were shocked by the dreams of slaves. The master gave me the wrong knife, and I have this ambition today. Today, a million heads wait for a dime. Mu Sun Bath Moon Hundred Treasure Light, Light Birth Seven Feet He Angzang! Vowing to survive in death, world peace depends on armed forces. Don't look at Jing Ke as a Qin guest, figure poor dagger to see the ruler. Although the first blow in front of the temple was not hit, it had already taken the despotic demon king's courage. I want to help the motherland with one hand, the slave breed spread throughout the Yu Domain, and the heart is dead to everyone Nair He, and I helped to write this "Song of the Sword". The song of the sword strengthens the liver and gallbladder, and the soul of the dead country evokes a lot. What is the bone of the sword man and the sword? Peace and vengeance. Do not suspect that the ruler iron is not a British object, and the salvation of the country is qigong Laier. Originally congzi, with heaven and earth as the furnace yin and yang as charcoal, iron gathered in six continents. Cast a thousand handles of the sword, clarify the divine state. Following the prestige of my ancestors, the Yellow Emperor, a strange shame of thousands of years of national history!
At the beginning of the long poem, Qiu Jin wrote about the decline of the country at the end of the Qing Dynasty by dissolving the last sentence of Li Bai's "Remembrance of Qin'e": "The sound is dusty, the west wind is remnant, and the Han family is lingque". It is pointed out that since the Yellow Emperor, the ancient Chinese civilization of five thousand years, lifeless, ruled by the Qing Dynasty for three hundred years, has been a slave without knowing it. Pain East Asian sleeping lion, when to wake up! Therefore, Qiu Jin recalled the ancestor of the Chinese nation, the Yellow Emperor, who originated in the Kunlun Mountains, opened up the land of China, and laid the cornerstone of the country with the martial arts of Wenzhi. But the danger of national subjugation is imminent. Historically, the Chongzhen Emperor of the Ming Dynasty, Zhu Youjian, hanged himself at Coal Mountain (jingshan in today's Forbidden City in Beijing), and the general Shi Kefa fought the Qing soldiers to death. The people built their crown tombs in Meishan (Meihualing) in Yangzhou to commemorate them. At the time of the fall of the Jin Dynasty, even the copper cast camels that the Wei Ming Emperor Cao Rui had painstakingly transported from Chang'an to Luoyang during the Three Kingdoms period, which symbolized the royal strength, also wanted to move to Linzhang (Ancient Ye City), but the copper camels were buried in the thorn bushes. If you think about the corrupt Qing government in Beijing at that time, it seems that it will once again sing the lament of the subjugation of the country. Qiu Jin pointed out that the clear proof of this subjugation of the country was that the Eight-Power Alliance attacked Beijing and fled to Xi'an, and the Empress Dowager Cixi and the Guangxu Emperor were able to do: that is, to seek peace, cut up land, pay compensation, and give the great mountains and rivers of China to the White Devils in the West. The invasion of the great powers, the sound of alarm bells, the sleeping lion should wake up, the people who do not want to be slaves, wake up from their dreams! Qiu Jin pointed out that we must dare to throw away our heads, spill our blood, and use fire and iron to carry out armed struggle in order to find a way to survive in death and win world peace. She held up the story of Jing Ke's assassination of the King of Qin: Jing Ke hid the dagger in the map, and the local map was gradually displayed, and he took the dagger and struck at Yingzheng, although it did not stab the King of Qin, but it frightened the tyrant. Qiu Jin turned to the era, she wanted to make "Song of the Sword" to awaken the consciousness of those souls, she was willing to use heaven and earth as a furnace, yin and yang as charcoal, gather the steel of Kyushu, cast a thousand swords, to clarify the land of Shenzhou, wash the snow in the history of the motherland' strange shame and humiliation, in order to be worthy of the ancestor Xuanyuan, not to insult the prestige of the Yellow Emperor. It was after the Eight-Nation Alliance invaded China, at a time of crisis in the country's turmoil, that Qiu Jin wrote "Song of the Sword" in memory of the Yellow Emperor of Xuanyuan, expressing the patriotic pride of this jianhu heroine.
In modern times, the patriotic poet Qiu Jin alone gained strength from the Yellow Emperor, but the Taiwanese patriotic poet Qiu Fengjia was another outstanding literary hero who repeatedly spoke of Xuanyuan. Qiu Fengjia (1864-1912) was born in the third year of Tongzhi in Tongzhi Province, Causeway Bay, Tadako Hall, Taiwan Province (present-day Causeway Town, Miaoli County, Taiwan Province). His ancestral home was Zhenping (present-day Jialing County, Guangdong), and his great-grandfather moved to Dongshijiao, Changhua, Taiwan (present-day Dongshi Town, Taichung County). His father was teaching in Miaoli at the time, and Feng Jia studied with his father and moved back to Changhua at the age of nine. At the age of 14, he won the first place in Taiwan, and at the age of 24, he went to Fuzhou to write poems. At the age of 26, he entered the Beijing Huihui Examination, Zhonggong Sheng, and then the Temple Examination in the Third Rank Jinshi. However, he did not want to be an official, and successively lectured in various colleges, taking pleasure in writing poems and titles. When the Sino-Japanese War broke out in 1894, he served as the commander of the rebel army in Taiwan and defended Taichung. The following year, after China's defeat, the Qing court signed the Treaty of Maguan, cutting off Taiwan and Penghu to Japan, and Qiu Fengjia wrote to the Qing court to express his opposition to being a slave to the country. When Japan invaded Taiwan and the Qing army rebelled, Qiu Fengjia led the rebel army north to resist the Japanese, and fought a bloody battle with the Japanese army for more than twenty days, running out of ammunition and food, the rebel army scattered, and the Japanese army strictly arrested him. Qiu Fengjia left his parents and left Taiwan to return to his ancestral hometown of Zhenping, Guangdong. In Zhenping, Chaozhou, Guangzhou and other places, he was still engaged in education and poetry. After Sun Yat-sen established the League, Qiu Fengjia strongly supported the revolutionaries. In 1909, he was appointed deputy speaker of the Guangdong Consultative Bureau, and installed revolutionaries such as Zou Lu to work in the bureau. After the failure of the "Huanghuagang Uprising", Qiu Fengjia did his best to rescue the revolutionaries. He cooperated with the revolutionaries in promoting Guangdong's separation from the Manchu Qing, responded to the Wuchang Xinhai Uprising, declared independence, and established a military government, and Qiu Fengjia served as the minister of education of the military government, and went to Nanjing as a representative of Guangdong to hold a meeting. When he passed through Shanghai, he met with Sun Yat-sen, and the two had a pleasant conversation. In 1912, he attended the ceremony of Sun Yat-sen's inauguration as president and the proclamation of the founding of the Republic of China. Soon, due to illness, he returned to Guangdong and died in late February, when he was less than half a hundred years old. In his lifetime, Qiu Fengjia wrote thousands of poems to express patriotic homesickness and express his vow to return to Taiwan. He used poetry to expose the aggression of the great powers and awaken the people of the country to save their lives. He attacked corruption in the Qing court and advocated changing the law to become stronger; he sympathized with the people's suffering and favored the democratic revolution. This poet, who was called "the giant of the revolution in poetry" by Liang Qichao, sang praises Xuanyuan, remembers ancestors, sings long songs and weeps, and is inspirational and lyrical in many poems.
See, in the second of the four songs of the Gurudwara, Qiu Fengjia wrote:
If the king had dissolved the republic early, the kingdom would have survived for five hundred years.
Wanshi from the present zhenyi lineage, Yan Huang Hua lord Zhongyuan.
This is his masterpiece. As Yan Huanghua, he cheered for the reunification of the country and the rejuvenation of the Chinese nation. Although the Xinhai Revolution was not yet successful, his will was inspiring.
In 1905, Sun Yat-sen held the League, and Qiu Fengjia supported reform and turned to revolution. When he was running education in Guangzhou, he received his literary friend Wang Song. Wang Song, a native of Hsinchu, Taiwan, called himself "Remnant of the Canghai Remnant" after the Inner Crossing; after years of efforts, he collected various poems from Taiwan and the temple chants into a book, and added commentaries, named "Taiyang Poetry". Qiu Fengjia wrote a close-up of "The Poetry of Taiyang, a Relic of the Canghai Sea", to congratulate:
So the country paid people, and Gango stayed bitterly.
The chaotic clouds and remnants of the island open a poetic realm, and the sunset wasteland weeps ghost phosphorus.
Bury the poor Yellow Emperor descendants, kill the young who is the king of Su?
Please pass on the elegance of the wind and righteousness, and return to the spring of the homeland.
In the poem, Qiu Fengjia praises the patriotic spirit of the descendants of the Yellow Emperor in Taiwan for heroically resisting the enemy, which is enough to shock the heavens, cry ghosts and gods, and forever dominate the annals of history. He believes that the poetry creations that commend the people for spilling their blood and burying their loyal bones will certainly inspire the people and play a huge encouraging role in recovering Taiwan. Qiu Fengjia expressed deep sympathy for the suffering of overseas Chinese living abroad. He knew very well that the descendants of the Yellow Emperor who had been bullied by foreigners lived a life inferior to that of cattle and horses. In "Xinlefu Jiliangsuo", he lamented that "the descendants of Xi Xuan are slaves, and they have drifted overseas to be human beings".
At that time, millions of overseas descendants of the Yellow Emperor were slaughtered and made cattle and horses. However, the Qing court was corrupt, and overseas Chinese should not be called every day, so how could the Manchu Qing government protect the interests of overseas Chinese? Zhang Shibao once wrote to Li Hongzhang to repeal the U.S. Convention banning China. But the gentry who spoke to the expatriates was not taken seriously. Guangxi Guiping Huang Shaoying asked Qiu Fengjia to write a few sentences about Zhang Shijia's self-shou poems, and Qiu Fengjia wrote in his "Shaoying With Poems from Shou Shou Shi Suo He, Walking Pen Book Here":
Gongqing Manchu exhausted Zhu Zi, holding Liang thorn fat old and dead. An zhi overseas millions of heavenly pilgrims, one slaughter as a man! Who is not a descendant of Huang Yan? Nine days of forbearance! The petition was broken by the Prime Minister, and this proposal was already higher than Chang Li Zun. ......
He shouted, "Who is not the descendant of Huang Yan?" It shows the high popularity of his poetry. He also wrote in the fifth part of the "Dongshan Spring Poem": "Realize the heavens and speak the body, and Sui Xiang wakes up to the dream to prove the antecedent cause." Calling all over the Yellow Emperor's grandsons, Mo Zuohua xu was a native of the country. In the poem" "Hua Xu Guo", the classic "Liezi". The Liezi says: "The Yellow Emperor sleeps during the day and sleepwalks in the country of Huaxu." The country of Huaxu, in the west of Yizhou, the north of Taizhou, I don't know how many tens of millions of miles of siqi country, Gaifei boats and cars are within the reach of the full force, just wandering. Qiu Fengjia borrowed the allusion that the Great Buddha of the Heavens realized his Dharma body after waking up from his dream, and loudly called out to the descendants of the Yellow Emperor all over the world that they must rise up. Stop being bullied as sleepers in the ideal country.
This kind of Taiwanese who do not forget their roots, miss their ancestors, revere Xuanyuan and dream of the reunification of the motherland are not only the modern celebrities Qiu Fengjia. Many contemporary Taiwanese, or grouped, or traveled alone, to pay homage to the Yellow Emperor's mausoleum, leaving behind many poems of sacrifice and lyricism. Among them is the poem of the "Taiwan-China Reunification Alliance." The mainland delegation of the Reunification Alliance was headed by Chen Yingzhen, chairman of the Taiwan Famous Writers' Union, and he and His Deputy Head of the Delegation, Professor Zhang Xiaochun, visited the mainland in 1990. For the benefit of readers, it is recorded below:
alack! Wei I am a distant ancestor, expand the territory and open up the territory; mixed with One Yu Nei, I Wu Weiyang; entrepreneurship and reunification, the majestic east; the magnificent rivers and mountains, lush and lush; the east from the sea, the west to Tibet; the south from Nansha, the north to the Longjiang River; the rivers and mountains are thousands of miles, impenetrable. Hundreds of millions of chinese stomachs, the four seas returned to yellow; cultural relics flourished, with a long history; people were brilliant and spirited, and the generations of xianliang; Spring and Autumn Shengzhe, Kong Menglaozhuang; Shenwu Hehe, Han Wu and Qin Emperor; Tang Zong, Song Zu, inheriting the rest; Yuan and Ming dynasties, prosperous successively; unfortunately in the late Qing Dynasty, the country was in a state of turmoil; long-term decline and chaos, and a hundred wastes to be lifted; and to this day, the two sides of the strait are separated; the waves are not quiet, the sea is sad; brothers are strange, flesh and bones are obedient; tired birds want to return, what branches can be relied upon? Whining clouds and mountains, vast rivers and seas, looking at each other across the sea, eclipsed and hurting; beans are fried, which belong to the same root, the same room, the broken intestines of the thoughts! I can't wait, I have formed a "unified alliance", I am here to think of reunification, I only hope for reunification, I feel that my strength is weak, it is difficult to take on a heavy responsibility; but I think of the two sides of the strait, the same source, why have I failed to seek the reunification of the nationality? So he did not hesitate to work hard, and wanted to fulfill his deeds; he flew across the strait to honor the tomb of my distant ancestors; he prostrated himself in front of the mausoleum, and he did not know where the tears came from! The establishment of these tears will help the unity of compatriots on both sides of the Strait, and even if the tears are exhausted, they are also willing. alack! Distant ancestors have spirits, how to endure to see the separation of descendants! May the long night pass away from now on, and the mist rising in the east; Guotai Min'an wind and rain, And China will celebrate Datong from now on! Shangyi!
This poem celebrates the greatness of the distant ancestors and the glory of the motherland, and then mourns the Chinese compatriots who separated the same ancestors in the strait. The poem conveys the deep feelings of the people of Taiwan who cherish the motherland and eagerly hope for reunification, and expresses the ideal that the descendants of the Yellow Emperor wish the motherland prosperity and strength and enter the world of Datong at an early date.
Even ordinary Taiwanese people are also surging with blood when they remember Xuanyuan and search for their roots and visit their ancestors. In particular, those veterans who originally belonged to the mainland and settled in Taiwan in the late 1940s, after several decades of cross-strait separation, when they returned to their hometowns to visit their relatives and pay homage to the Huangling Tombs, they were even more agitated and emotional: "A hundred battles have left the rest of their lives, and people know that the old age is more bitter," "Lonely and lonely, dreaming of Shenzhou at night," and "Where is the West Lookout Township Pass, the homeland road in the dream is winding." In this simple and deep verse, they contain the difficult experience of their half-life drifting, and penetrate their dreams and souls with indelible homesickness. Especially some old Shaanxi, especially emotional. He Shenghua of Taiwan, originally a native of Cangcun Township, Huangling County, became a soldier at the age of 14 and participated in the War of Resistance Against Japan, and went to Taiwan with the Kuomintang army in 1949. After 50 years of absence, in 1990, when he returned to his hometown to visit his relatives, he paid homage to the Yellow Emperor's mausoleum and chanted:
The first ancestor Xuanyuan Mausoleum, naïve often went to swim.
When the Japanese invaded China, they were conscripted to resist the Wu slaves.
Uprooted for half a century, returned home after a broken year.
Now he has re-established the Gurudwara Tomb, and the ancestors of the First Enlightenment have been incensed.
The young man left home, the boss returned, visited the ancestral tomb, how can it be! Another named Yang Yuqing, a native of Hancheng, Shaanxi, went to Taiwan in 1948 and served in the Kuomintang Navy. After retiring from the army, in 1989 and 1990, he returned to the mainland twice to visit his relatives and came to pay homage to the Yellow Emperor's mausoleum, composing poems to say:
Descendants of Yan Huang, descendants of the dragon.
Where I am, I belong to the same root.
The ancestor of humanities, thousands of generations.
Revitalize China, all seas and one heart.
It is the voice of a Shaanxi people, and it is also the voice of all the "descendants of the dragon" in all parts of Shenzhou and even in the world.
Originally from Sichuan, Anderson went to Taiwan with the Kuomintang in 1948. When he returned to the mainland twice in 1988 and 1989, he came to Shaanxi to pay homage to the Yellow Emperor's mausoleum, and he wrote:
The descendants of the Yellow Emperor returned to the Emperor, and the sons and daughters of China rose up.
Reorganize the inherent culture and build a modern country.
Here is not only to write nostalgia, nostalgia, but from the perspective of the future, to see the yellow emperor's descendants rise up to revitalize the prospects of China.
Not only those who went to Taiwan from the mainland, but also the people in China's inherent territory under the rule of foreigners at that time, also did not forget their ancestors. Huang Maoxiong of Hong Kong wrote:
The merits of the ancestors are immeasurable, and generations of people will not forget them.
Donated funds to build a monument gallery, slightly naked heart.
Founded the Chinese civilization and multiplied thousands of generations of descendants.
The Chinese nation rose up and did not forget the Yellow Emperor's kindness.
Mr. Huang donated more than 100,000 yuan to contribute to the reconstruction of the monument gallery. Another Hong Kong compatriot, who left no name, wrote under the incense burner in the main hall of Xuanyuan Temple on May 3, 1988:
Counting does not forget the ancestors, overseas drifters.
National friendship is deep, when to sacrifice the Yellow Tombs?
He had already written a poem in Huangling, but the last sentence said, "When will the Yellow Tomb be sacrificed?" What he meant was that when Hong Kong was returned to the motherland and the day of reunification across the Taiwan Strait came, all the descendants of Yan huang in the world would have the opportunity to sacrifice the Yellow Tombs.
Mr. Leung Phi Yun, a former overseas Chinese in Southeast Asia, later settled in Macao, is the chairman of the Association of Returned Overseas Chinese in Macao, a member of the Standing Committee of the All-China Federation of Returned Overseas Chinese and a member of the National Committee of the Chinese People's Political Consultative Conference.
One
Green onions and green cypresses but cold in spring, spirit cool zhao zhao xiao soil;
The great-grandchildren of the four seas fought for the succession, and the yellow soul eventually glorified the country.
Two
The qiaoshan bow and sword were still faint, and the qi and clear light surrounded the green light.
Breaking new ground and conquering the present is better than the past, and the ancestors of humanity have opened their brows.
Liang Piyun is an old educator and poet, and the poems he wrote are strict and neat, with profound meaning, praising the progress and prosperity of the motherland today than ever before, and rejoicing in the diligence of the descendants of the Yellow Emperor and the more beautiful and magnificent mountains and rivers of the motherland.
People have the same heart, and their hearts share this reason. The Chinese and overseas Chinese living all over the world are all concerned about the ancestors of the nation and are proud to be the descendants of Xuanyuan. Dr. Lee Jeong-do, a professor at Columbia University in the United States, is a world-renowned physicist and Nobel Prize winner. He has become a U.S. citizen and has been accustomed to American life for decades, but he does not forget his ancestral roots and remembers that he was originally a member of the Chinese nation. In 1984, he returned to China for a visit and made a special trip to the Yellow Emperor's Mausoleum to pay respects. On May 7, he inscribed two seven-sentence poems:
All ethnic groups in the world are brothers, and the descendants of the Yellow Emperor are unique masters.
Dr. Liangzhou Zhang, a Chinese-American, is the Chief Senior Scientist of the Rocket Power Department of Rockwell International Corporation and the Senior Scientific Associate of Industry at NASA Ames Research Center. In 1993, he made a special trip from Mei to Huangling to worship his ancestors, and recited his poem "Yanhuang Sacrifice" with tears at the public festival:
Great fire and yellow, opened up through the ages.
Ploughing is taught, and the land is advantageous.
Taste all over the herbs, medicine is good.
Looking at the Fa-rectification heaven and earth, the calendar is detailed.
Pictograms create words, and books become meanings.
Mulberry silkworms take yarn, and people's clothes are silken.
Driving guide, boat sail three rivers.
Philosophy is connected to the mountains, and it is easy to rationalize and return to Tibet.
Pass on yao shun, Zen let xianliang.
From Dayu, the Nine Rivers are unobstructed.
Oh yeah! Chinese nation, wisdom shines.
Wangqiao Mountain, Nostalgia for the Homeland, Shenchi Ancient Frontier.
Beautiful and yellow, literary and long-lasting.
Ren Ben righteous deeds, Zhou continued into soup.
Confucian Kong Meng, Daoyuan Laozhuang.
Thoughts of the Sons, Hundred Articles.
Paper printing, the world shares.
The skills of agro-workers are unparalleled in the world.
The courtiers will be brave, and the society will be brave.
The people are diligent and abundant, and the mountains and rivers are fragrant.
Stretching the Silk Road, all countries trade.
Wen Jing Zhen Guan, the great power yang Yang.
Beauty also! Descendants of Yan Huang, Dragon Feng Xuan Ang.
Climb the bridge mountain, look forward to the prosperity, dream back to the Han and Tang Dynasties.
Magnificent yellow, widder.
Xirun Oulu, Donghua Taolang.
Xiangguo Qingtian, straight road golden steel.
Gancheng Wumu, righteous qi Tianxiang.
The flag was carried out, and europe and Asia were both raised.
Genghis Khan, Tiger Leaping Dragon.
Yongle Canon, Hanhai is mighty.
Zheng He cruised west, and a hundred ships sailed together.
Yanping driving lotus, Penglai Chongkuang.
Kangxi fixed the north and deterred the tsar.
Strong also! What a scenery in Shangbang, China.
On the bridge mountain, looking for yan huang, qi bing gao yang.
Pain and yellow, where is the heroic spirit?
A hundred years in the middle of the earth, a few disasters!
Smoke and poison plague, the country is broken and the family is destroyed.
The reparations for the cutting of the soil, the people are poor and sore.
Fire is not king, and it is killed by Dongsang.
Tude lost his fortune and humiliated the West.
Dig out the heart than dry, but leave the belly.
Lingjun Huaisha, serving wine syrup in vain.
The children and grandchildren are not shawl, and they blame the grandmother.
The beans are fried, and the wall is ruined.
Pain also, Yan Huang has knowledge, is it safe to be nine springs?
Crying Huangling, hurting the shame of the country, tears spilled on the bridge mountain.
Fortunately, the fire is yellow, and the gods are heavy.
Today's Shenzhou is no longer wandering.
Judge the hour and size up the situation, innovation and strive to be strong.
The rule of law is the basis of the people, then the discipline is correct.
The road of speech is wide open, and the people's morale is free.
Guofeng Yasong, Wensheng Wuchang.
Thick planting of green shoots, cultivation of pillars.
Select the best and the best, rich country and annunciation.
Dedication to the music group, integrity and courtesy.
The two instruments are together, and Kyushu is the same.
Pan Ye, the dragon loves the water and soars into the sky.
Sacrifice to the Yellow Tomb, pray for the fortune of the country, and wash the liver. This poem is connected with ancient and modern times, the atmosphere is vast, and it has a sense of history and reality. The poem is divided into five paragraphs, which write about the greatness, beauty, strength, pain, and happiness of the motherland. The first three paragraphs write that the motherland is great, beautiful and magnificent, has a long history, rich products, a high degree of civilization, and outstanding martial arts. However, after the Opium War, foreign aggression and the destruction of lives were heart-wrenching. The last paragraph describes the reform and opening up of Shenzhou today, which is thriving and prosperous. Before and after comparison, vertical and horizontal opening, the glory of history, the sinking of modern times, the rise of today, drumming up a tortuous and deep, deep and exuberant poetry, and all of this is rooted in the descendants of Yanhuang and do not forget the deep affection of the homeland. It can be said that the Chinese, whether on the mainland or overseas, whether they are Han or ethnic minorities, whether they are Chinese or overseas Chinese who have joined foreign nationality, they all have their hearts set on Shenzhou and miss Xuanyuan, and they all have the determination to "recommend Xuanyuan with my blood." The Yellow Emperor has become a magnet for the Chinese nation and the Chinese people in the world.
2. Wan Qiu, the god of the Yellow Emperor - poets of past generations praised the Yellow Emperor
The blood of the Yellow Emperor flows through the body of every descendant of the Chinese nation, and the spirit of the Yellow Emperor is like the sun and the moon passing through the heavens and the rivers and rivers, which are endless for thousands of generations. The children and grandchildren of Xuanyuan, who have lived for thousands of generations, will always remember and praise the Yellow Emperor and always carry forward the spirit of the Yellow Emperor. As early as "Zhuangzi", "Liezi", "Chinese" and other books, the yellow emperor's career was told. After the Qin and Han dynasties, literati and scholars of successive dynasties praised the Yellow Emperor's exploits in pioneering Chinese civilization and described the yellow emperor's sacred and great miracles in their poetry.
During the Three Kingdoms period, the Wei poet Cao Zhi once wrote a poem praising the Yellow Emperor:
Son of the Young Canon, Divine Counselor.
Tude bears the fire, and the Red Emperor is extinguished.
Serve the cattle and ride the horses, and the crown is made;
Clan Cloud Famous Official, Meritorious Crown Five Columns.
According to historical records and ancient legends, the poet pointed out that the Yellow Emperor of Xuanyuan was the son of Shaodian, and his gods were wise and holy. The earth is yellow, and the Yellow Emperor Shang Tude is the king of the earth. This is the inheritance of fire, and fire can produce earth. The fire is red. Fire is the symbol of the Yan Emperor, that is, the Red Emperor. The Yellow Emperor fought the Yan Emperor, and he swallowed the Red Emperor and king the world. The Yellow Emperor was the ancestor of humanities, creating Chinese culture and bringing the nation into the era of civilization. In the past, cattle and horses were wild, but the Yellow Emperor tamed domestic animals, allowing cattle to cultivate and pull carts so that horses could ride. The Yellow Emperor also made clothes so that the people would no longer be naked. He gave people surnames and gave officials names. The merits of the Yellow Emperor are listed at the top of the Five Emperors.
The later Jin dynasty Cao Bi, from another perspective, commended the deeds of the Yellow Emperor:
Xuanyuan should be the yuan period, the function of the total hundred gods.
The body is refined, and the qi contains clouds and dew.
Mixed stone once the city, cast Ding Ding Jing mountainside.
The sky is open, and the scales are floating across.
Yi Ren sprinkled the long wind, and the clothes were covered with purple Chen.
The poem says: The Yellow Emperor created Chinese civilization, and his credit led the gods. He practiced and strengthened his body, and threw out the essence of cloud qi. Mixed stones in the Zengcheng Valley, cast in the Jingshan Lake. Suddenly, as soon as The Heavenly Gate opened, He rode on the dragon and took off, and the long wind sprinkled his whip, and he lifted his skirt and gently entered the Ziwei Heavenly Palace.
The hymns of the heart are more elaborate. Zhi Yu (?-311) was a Western Jin Dynasty literary scholar, a native of Chang'an, who was an official who starved to death during the luoyang famine. He wrote the Notes on the Three Auxiliaries And the Ming Dynasty's Compilation of the Jin Zhi Tai Chang Ji., The poem says:
The Yellow Emperor reigned, and the real name Xuanyuan.
The car travels by land, and the boat is based on the River.
The benefit of the arc is difficult to eliminate.
Rule by draping your clothes, and all nations will be at peace.
In this poem, there is no legend of immortals, but realistic writing that the Yellow Emperor built boats and cars to facilitate transportation, made bows and arrows to defend the country, and used wenzhi martial arts to make the land of China peaceful.
Yu Xin (513-581) during the Southern and Northern Dynasties was a writer of the Northern Zhou Dynasty, and his "Southern Fu of the Wai River" is very famous in literary history. Yu Xin's "Yellow Emperor Sees Guangchengzi Painting Praise" writes:
Ruling the Purple House, ask the government Qingqiu. Longhu Dingbo, Danzao Zhuliu.
The clouds are like rain, and the fallen trees fall before autumn.
To the extreme, eternal life can be sought.
Yu Xin's painting was probably based on Zhuangzi. "Zhuangzi" says: The Yellow Emperor went to Kongtong Mountain to meet Guangchengzi and asked how to achieve the "Ultimate Dao". Guang Chengzi criticized: Since you came to power, it has rained before the clouds have gathered, and the grass and trees have fallen yellow before autumn has come. Later, he asked how to live a long life; Guangcheng Zi said: The essence of the Ultimate Dao is profound and dark, and the ultimate of the Ultimate Dao is that there is no sound. Do not see or listen, purify and cultivate God, and attain the absolute truth for eternal life. The book "Baopuzi" says: The Yellow Emperor asked Zhengdong to go to Qingqiu, crossed the Wind Mountain to see Mr. Zifu; and went to the King's House to get the Danjing; he mined copper and cast three dings in Longhu Lake, and Dingke floated on the waves. Therefore, the Yellow Emperor Chengxian rode the dragon to heaven. Yu Xin wrote about these activities of the Yellow Emperor in this poem. In just thirty-two words, it describes a series of life deeds of the Yellow Emperor.
The Tang Dynasty was an era of exceptionally prosperous poetry. There are many poems in Tang poems about the Yellow Emperor and his deeds. "The Yellow Emperor asked the child" is an example. In "Zhuangzi Xu Wu Ghost", it is said that the Yellow Emperor asked the way to govern the country in Xiangcheng. The boy replied that it was enough to remove the evil horse. The Yellow Emperor praised the shepherd boy as a celestial master and left. According to this, Du Fu's poem "Relief from Boredom" says: "If you lose your way, you will not be closed out of Xiangye, and the whip will suddenly cross the lake city." Wang Wei's "And the Servant Shoots Jin Gong Hu from Wen Tang" said: "When you go out to herd horses, you will hunt and see non-bears." Another example is "the Yellow Emperor Casts Ding": In the "Suburban Ancestral Chronicle" of the Book of Han, it is said: The Yellow Emperor mined the copper of the first mountain, cast the Ding under the JingShan Mountain, and ascended to heaven by dragon. According to this, Du Fu's poem "Lishan Mountain" said: "The dragon of Dinghu Lake goes far, and the silver sea geese fly deep." Cen Shan's "Xihua Yin King Shaofu Envoy to the South Lake Feast Collection" wrote: "The cactus is in the envoy, and the emperor Dingbian comes." Gu Quan's "Song of Sorrow" said: "Xuanyuan bow and sword are unknown, and the East Sea Qingtong sends news." Cao Tang's "Xiandu Scene" said: "But I can't see the dragon's hair climbing, and the red xia is scattered in the sky of Ding Lake." Li Qi's "Gurudwara Zhang Guo" said: "Why wait for the dragon's hair, Ding Chengfang to take advantage of the economy." There is also the "Yellow Emperor Casting Mirror". "The Yellow Emperor's Inner Biography" says: The Yellow Emperor will be the Queen Mother of the West, casting twelve large bronze mirrors. Mirror making, starting from the Yellow Emperor. In this regard, Zhou Kuangwu's "Song of Ancient Mirrors" said: "Who will go to Xuanyuan Casting Mirrors, they have been taken by Lianggong Pour gold." Zhang Xiaobiao's "Reading Yang School Book Scroll" says: "Whoever has Xuanyuan bronze pieces, for the sake of holding a photo and taking care of the demon."
There are four people in the Tang poems written about the Yellow Emperor who deserve to be specifically said:
The first is Li Bai (701-762), who in "Shangzhihui" quoted the story of Jiang Taigong and the Yellow Emperor who fished in the Wei River and asked Tong, saying, "If you ask the old man of Weichuan, you would rather invite Xiangye Tong." In the "History of Sending Lu County Liu Changshi To HongnongChangshi", it is mentioned that the Yellow Emperor ascended to heaven: "When Xuanhou went to heaven, Panlong left a small minister"; also said of the cast treasure mirror: "Wenjun moved westward, and the land is the neighbor of Dinghu Lake." Treasure Mirror Box Cang Moss, Dan Jing Buried Plain Dust". Regarding Dinghu lake and casting Ding, Li Bai said in "Climbing the High Hill and Looking Far Away": "Poor soldiers and martial arts are like this, and dinghu flying dragons can take advantage of it." In the "Reply to Chang'an Cui Shaofu Uncle Fengyou Zhongnan Cuiwei Temple Emperor Taizong Emperor Jinsha Quan See Mail" said: "Dinghu Lake dreams of water, and the dragon rides in the air." In the "Reply to Du Xiucai Wusong See Gift", it is said: "The tongjing Yan furnace (xiāo, hot gas) for nine days, heru cast DingJingshan in front of the mountain". Li Bai's two "Flying Dragon Introductions" focus on the Yellow Emperor of Xuanyuan.
The Yellow Emperor cast ding in Jingshan, alchemy sand, dan sand into gold, riding a dragon to fly to the Taiqing family, yun sadness Andhisi is humiliating. The lady in the palace was like a flower, waving her hand at Ling Zixia, and boarding the luan car from the wind vertical body. Climbing the luan car, serving Xuanyuan, traveling in the blue sky, the joy is indescribable.
Dinghu Lake is clear and idle, xuanyuan has a bow and sword when it goes, and the ancients preached and stayed in it. The harem Chan Juan has many flowers, rides on the luan flying smoke and does not return, riding a dragon to climb the sky to create a heavenly pass. Create Tianguan, smell the heavenly language, Tunyun River car jade girl. Zai Yu Nu, the Purple Emperor, the Purple Emperor is the medicine given to the White Rabbit. The day after tomorrow and the old wither three lights, look down at yaochi to see the queen mother, moth eyebrows Xiao Sass like autumn frost.
Li Bai's poems are ethereal and ethereal, and they are deeply influenced by Taoist thought. And the Yellow Emperor is said to be a god, but the book "Zhuangzi" is more detailed. Both Zhuangzi and Lao Tzu's Tao Te Ching are Taoist classics. Therefore, Li Bai used poems to write about the Yellow Emperor flying up on a dragon, describing his casting of Ding, refining Dan, and flying to the Taiqing family of sanqing (Yuan Shi Tianzun of the Jade Qing Realm, Taishang Daojun of the Shangqing Realm, and Taishang Laojun of the Taiqing Realm) is very appropriate.
The second is Du Fu (712-770). During the Anshi Rebellion, Du Fu went alone to visit his family in Qiang Village, Yanzhou (present-day Fu County), departing from Chang'an and passing through Huangling. Legend has it that he spent the night at the foot of the bridge mountain and chanted that "Du Fu sacrificed Huangling day and night, and his hands were empty of sacrifices...", which was not very reliable. However, Du Fu did come to Zhai Dao City. Zhai Daocheng is the name of Tang Shi in Huangling County, he walked to the bottom of the bridge mountain, inquiring about the journey to Sanchuanyi, at this time, he could not stop resting. So he wrote a poem "Late Slogan", which is also called "Zhai DaoCheng":
The three rivers can not be reached, and the return road is thick with mountains in the evening.
Falling geese float in the cold north, hungry Wu Ji Shu Lou.
The city is different today, when will the mourning be rest?
Far ashamed of Liang Jiang, he is still black-headed.
Although Du Fu did not write directly about the Yellow Emperor, he truly depicted the scenery of the bridge mountain that he saw and felt, and expressed his state of mind at this time. Therefore, there is a legend of his moon and night sacrifice to Huangling.
The third is Li Qunyu (813-860). Li Qunyu was also a famous Poet of the Tang Dynasty, he was a native of Lizhou, Hunan, who did not enter Chang'an and traveled to Chang'an with a cloth. Li Qunyu wrote a poem "Mu Tianzi". Mu Tianzi, the King of Zhou Mu, is said to have ignored state affairs and drove eight horses to Yaochi to meet the Queen Mother of the West day by day. When Li Qunyu said of Mu Tianzi's journey west by eight jun, he wrote, "Or Emperor Xuanyuan of Yan, riding on the dragon Ling Zi atmosphere." In addition, Li Qunyu also has a poem "Huangling Temple":
Huangling Temple in front of the sedge spring,
Huang Ling's daughter has a new skirt.
The light boat sings and goes,
ShuiYuan Mountain long sad to kill.
Bu Di traveled to the front of the Huangling Temple, saw the spring grass, smelled the female song and missed his hometown in Hunan, of which the thinking context of the distant ancestors' mausoleum and associated with the hometown of the ancestors was clearly recognizable.
The Tang Dynasty poet who climbed the Yellow Tomb and wrote exclusively about the Yellow Emperor to express the humor of his ancestors was Shu Yuanyu. His seven-word ancient style "Bridge Mountain Huaigu" wrote:
Xuanyuan has been passing through thousands of years, and the green waves have flowed from east to west.
There is no immortality in the past and the present, and the unique world is long and leisurely.
I rode to the middle of the stagecoach, and I heard that this place was searched for a canal.
The bridge mountain is abruptly on its left, and the barren hazel is cold and windy.
The same is true of the immortal world, and I am eager to be with the ephemera!
Who's going to bury it? Who doesn't see the bow and sword?
Mourning and laughing shepherd boy play, cloudy day and moon falling fox swim.
But the tomb of the Emperor is extremely crowded, and the wheels and horses are all around.
Dongting Zhang Le descended Xuan He, and Zhuo Lu fought to destroy Xuan You.
Zhi Yong God Is not arrogant, and the wind is strong enough to lose the long chip.
Xiangcheng got lost and asked the boy, and the emperor returned to no one to stay.
Kun Tong asked for the lost ruins, and Jingshan cast Ding Yu Desert Qiu.
Jun:
Huang Long flew to the road down the mountain, breaking his hair into grass and fluttering.
The poem is divided into three parts: the first four sentences are the first part, which always says that since the Yellow Emperor of Xuanyuan, the rivers have flowed endlessly; and the world is vast, life and death. The Yellow Emperor's grace will last forever, but the sky will last forever. The second part is about the poet's experience when he came to Huangling: he rode the horse of the post to the central county, when the cold wind was cold, the hazel was staggered, the shepherd boys were playing, the moon was falling and the fox was swimming, and the scene was extremely desolate. Seeing the abrupt bridge mountain, I felt that life was short, and I wondered who would bury the crown left behind after the Yellow Emperor flew away, and who would collect the bow and sword? The third part is written by Huang Ling to the Yellow Emperor, saying that he descended Xuan He, Zhan Xuan You, Xiang Ye asked Tong, Kong Tong asked, JingShan cast Ding, ascended to heaven by dragon, and finally ended with "Huang Long flew down the mountain road, broken into grass and wind fluttering", the realm is vast, and it can most arouse the reader's nostalgic feelings.
After the Tang Dynasty, the political center of China moved to Kaifeng, and soon after to Hangzhou. It is far from the Yellow Emperor's Mausoleum, and the ethnic contradictions are complex and fierce, and there are far fewer poems about the Yellow Emperor in the Song Dynasty, but it is worth mentioning in particular the works of two celebrities. One is fan Zhongyun of the Northern Song Dynasty, who was famous for "worrying about the world before the world, and enjoying the happiness of the world after the world". He once led soldiers to guard the area around Yan'an and Yulin. From the capital to northern Shaanxi, the back and forth naturally pass through the Huangling, and after passing the Huangling, you cannot but write a poem:
On the hill of Gaozhi Bridge, the Guanhe River is thousands of miles long.
The sound of depression is vast, and the cypress is pale.
The red sun is in, and the green void feet are hidden.
Xuanyuan Dragon Rides ancient, Hundred Generations of Jingguan Dress.
This poem is magnificent and highly ancient, and it is worthy of being the masterpiece of a generation of poets with an open heart and a majestic poetic style.
The other is Wen Tianxiang of song. As a famous general and poet, he fought a strenuous anti-Yuan struggle, and although he was imprisoned in Dadu (Beijing), he was unyielding to the death. His "Song of Righteous Qi" moved the world and was passed down from generation to generation. Most of the capitals of Yuanjing are connected to Zhuolu. When I came to Zhuolu, I naturally remembered the story of the Yellow Emperor Zhan Xuanyou. Wen Tianxiang then wrote:
I visit Zhuolu County, ancient warriors.
The Yellow Emperor established this pole, and the princes of the Jade Dynasty.
Perhaps Wen Tianxiang had absorbed nourishment and enlightenment from the great achievements of the Yellow Emperor, so the threat of death could not push his national integrity.
After the Song Dynasty, Zhang Sanfeng wrote a seven-law poem "Qiaoshan Prayer Sendai" which is quite famous. There are two Zhang Sanfeng mentioned in the literature, one is a Song Dynasty man, who used internal gong to practice neijia fist, specializing in defending against enemies, and was the grandfather of wudang school kung fu. The other Zhang Sanfeng, the one we are talking about, is a Taoist monk. There are many legends about him. "Strange Forest" says that he was a Song Dynasty man who went to Mount Hua to meet Chen Zhuo's ancestors. The History of Ming says that he was a Jin shiren, while the anonymous clan who wrote the biography said that he was a person of the end of the Yuan Dynasty. The Complete Works of Mr. Zhang Sanfeng says that he was a man in the early years of the Yuan Dynasty. Times vary and places vary. The Shanxi Tongzhi says that he was from Pingyang or yishi, the Shaanxi Tongzhi says that he was a Baoji person, and the Sichuan General Zhi says that he was a Tianmu person. However, the Hui Ji determines from the tomb of his parents in Liaoyang that he is a native of Liaoyang, Liaoning. His name is also very many, there are "mountain peaks", "three peaks", "three feng" several sayings. This person does not trim the edges, nicknamed "Zhang Sloppy". He lived and begged at The Jintaiguan in Baoji, where he could turn over the crock pot and lick it clean. Later, he entered the Wudang Mountains. Emperor Ming Taizu and Ming Chengzu both sent people to look for him, but they did not find him. In the Ming and Qing dynasties, emperors gave him titles, and later generations also compiled his Complete Works. Legend has it that the depression river in central County flooded, and a person floated on the water, and in front of the Yellow Emperor Temple, this person stood up, carried two large watermelons into the temple, one melon honored Xuanyuan, one melon ate itself, and then wrote poems on the brick floor with melon skins, and people copied the poems down to the inscription. At present, the kangxi twenty-one year county order re-engraving stele exists in the temple. Zhang Sanfeng's poem reads:
Phi Yun walks on the water gurudwara bridge mausoleum, and the cypress smoke is cold and jade dew is light.
Gun Mian Xia fei tiandi old, article star huan sea mountain green.
The majestic phoenix greets the fairy bird, and the faint dragon car is stationed in the imperial city.
Lonely Qiongtai left Han Wu, a round of Haoyue ancient and modern Ming.
The poem is written in a long and high ancient way: the poet waded through the mountains to the Yellow Emperor's Mausoleum, saw the bridge mountain Berlin with smoke, and the jade xia flew lightly, and could not help but think of the legend of the Yellow Emperor flying to the Heavenly Palace in a dragon car, which reminded him of the flowing scenes of "Immortal Island" and "Imperial City". When his thoughts returned to reality from the Immortal Realm, all he saw was a desolate Qixiantai left by Emperor Wu of the Han Dynasty who wanted to become an immortal, and the bright moon that had illuminated hundreds of millions of people from ancient times to the present.
Since then, in the Ming and Qing dynasties, there have been 24 riot writers who have stepped into Zhang Sanfeng's original rhymes and poems, of which Hu Qian's "Sub-Sanfeng Rhymes" is more prominent:
The scenery came to climb the Xuanyuan Mausoleum, and the feather wind drove the bone hair lightly.
The bridge mountain is towering and green, and the depression is wrapped around the waist and the middle is green.
Ten thousand smoke clouds cage jade tomb, nine days of autumn colors reflect the dragon city.
The Daoist people looked at the three feng sentences and drunkenly waved the wall on the ming.
The middle two of this poem are written in the scene, and the beginning and end of the narrative are less fairy and timeless than Zhang Sanfeng's poems. Some people say that this surname Hu is a Ming Dynasty Shangshu, and some people say that he is a Taoist monk according to the end. However, the laymen want to immortalize themselves, and there are also some monks who call themselves Daoist monks, and there is no need to glue pillars and drums.
Li Mengyang, one of the great writers of the first seven sons of the Ming Dynasty, was a native of Qingyang, Gansu. He has a unique seven-law "Bridge Mountain":
The Yellow Emperor rode the dragon in a long way, and Qiaoshan may not be buried with crowns.
There is no heaven and earth in the inner scriptures, and the Vinaya has a phoenix.
Creative civilization returns to the system, and it is necessary to know that the arch has become a flood.
The Emperor of Han inspected the Western Journey Day, and there were 8,000 air roads long.
Li Mengyang is a realist, he does not believe in the legend of the Yellow Emperor Chengxian, nor does he believe that the Qiaoshan Mausoleum is a crown tomb, and even more deny that the secret books such as the "Inner Classic" were written by the Yellow Emperor. He believed that everything depended on civilization and institutions, not anything else. As for the later activities of Emperor Wu of Han, the immortal seeking activities could only end in vain. The poems of the Ming Dynasty Dengling Gurudwara Temple also include the Seven Laws of Yang Guang, Wang Zheng, Lian Guoshi and others. Some of the poems are stored in the temple.
In the Qing Dynasty, there were many literati and officials who paid homage to the Yellow Tomb, and there were many poems about the Yellow Emperor and the Yellow Emperor's Mausoleum. Below, we will only comment on the most important ones.
At the beginning of the Qing Dynasty, there was a Ye Yingliu, who wrote the five-word ancient poem "Bridge Mountain": "The great desolation floats yellow clouds, and the mountains are lost; between the rivers and the plains, the green smoke and mist." The dwellers are speaking, and the bridge is in it. Get out of the car and whisk the dust, hold your breath and pray again. When the Yellow Emperor was not immortal, this tree was first, and the remaining 2,000 trees were ringing around the tomb and turning their backs. The mausoleum temple is connected with (Ichisaku) trees, and the clouds are in place. Depressed water flows into it, touching the stone and clearing the sound. Nostalgia has more (leftover) feelings, and looks at it roughly. At that time, the sacred xing, the production history is loaded. Mining copper first mountain peak, casting Ding Jing Mountain boundary; Ding Chenglong under the greeting, its saying is nearly pedantic. Left rut is not enough to follow, holding the bow to be loyal. Chiseled mountain burial crown, temple worship revered for hundreds of generations. And war and learning immortals, Han Wu was deeply indignant; still praying for Sendai, the herbs are still graceful. Hou Shen was fortunate to go to the mountains and collect medicines all over the country; He Feng Zen was one after another, and he sold them for Gongsun in vain. To the Supreme Emperor of Yi, what harm is it if he is not immortal? The year of Burma is weeping, and the ancient and modern are all together. If you don't die, there is a tomb, this is a good word! But if The Boy grows forever, the wind and rain will not be broken." The first half of this poem is written, the middle part is about the deeds of the Yellow Emperor, and at the end of the poem, I feel that there is no good result for future generations to learn immortals. The Yellow Emperor was so great that he was not a god nor did he reduce his sublimeness. Isn't it a pleasure to say that he did not die when he ascended to heaven, but that he still has a large tomb?
In the Qing Dynasty, there was also a man named Kou Shaoxian, who wrote a poem "Denghan Wu Xiantai": "The mountain is full of cypresses and looks at the bridge mausoleum, and there are nine floors of the Sendai class." Night and night only the bright moon shines, and every year I see only Baiyunxing. Dancheng Baoding Dragon Tengjiu, peach ripe Yaochi Phoenix Mo Ping. What happened to the Han Emperor had different thoughts, and Tsuku gordon looked forward to soaring." He sarcastically accused Emperor Wu of Han of the Yellow Emperor of the Dragon to fly in the sky as mentioned in the story. But the bright moon and white clouds are still there, and standing on the high platform cannot rise to the sky. Those who were ordered to sacrifice the tombs in the Qing Dynasty and those who had served as officials in Huangling County did not write poems on the tombs, and the vassals had to come to a few words. Among them, Zhang Fengyubao, Li Xuan, Ding Han, Niu Guangdou, Li Weifan, etc. have no shortage of excellent works, but some indiscriminate and clichéd social works taste like chewing wax and lack poetry.
Kang Youwei, the forerunner of the old democratic era, wrote a poem entitled "Feelings of Returning from Europe in June to the Su Yishi River and Abstaining from Bowing Down to the Ten Thousand Years Of Wu Yi Si To Spend This Tired Journey will Be Described as A Work" (1909), which deserves special marking:
The great Ying sea suddenly flows, and the small nine continents pass through the big nine continents.
No civilization has opened up the world, but the new law has broken the gap.
Su Wang Dao Tong Zhang III, the Yellow Emperor's divine heir Wan Qiu.
I have finished the book of datong, and I will see the unification of the globe.
Kang Youwei felt that China was a part of the world and should change the law and carry out reforms to achieve a cosmopolitan world. He believes that the gods of the Yellow Emperor will be passed on for thousands of generations, in other words, the descendants of the Yellow Emperor for thousands of generations will inherit their gods.
Poems that overthrew the Manchu Qing Dynasty, established the Republic of China, and sang praises of Qiaoshan and Gurudwara Temples also entered the modern Wenyuan. Most of these poems are related to the tombs, and the number is not small. Several of them should be mentioned:
Yu Youren, a Kuomintang elder and a native of Sanyuan, Shaanxi, wrote the Seven Laws in 1918, "The Tomb of the Yellow Emperor Meets rain", preceded by the poem "Preface" Cloud: "The bridge tomb is in central County, and it is the tomb of the Yellow Emperor." The depressed water lingers back to the bottom of the mountain, and the shanxi mountains stand in the east, surrounded by countless ancient cypresses, green and deep, and can be seen dozens of miles away. The mausoleum stele is called 'Ancient Xuanyuan Yellow Emperor Bridge Mausoleum', there is a stele pavilion, and the carved stone is 'Bridge Mountain Dragon Ride'. There is a temple, and there is a Yellow Emperor elephant in the temple. Yu Yu in the seventh year of the Republic of China with the prince Yuan Gurudwara Mausoleum, in the rain, there are poems. Yu Youren's poem reads:
Emperor Zu WeiLing I want to climb, the western expedition between the road Liqiao Mountain.
Today, the old man has passed through here.
The original civilization opens the grass, and the sun and moon know the heavens and the sky.
Dry Xiao GuBai is full of people, and whoever hangs armor is also idle.
Later, Yu Youren appended: "There is a hanging armor in front of the temple, and the natives are said to have hung armor for Emperor Wu of Han, so this sentence was written on that day according to the hanging of armor for Emperor Wu of Han." Today, according to the "Book Integration", I thought that the Yellow Emperor hung up the armor, but Gu still did not change. In his later years, Yu Youren changed the first four sentences to the following in Taiwan:
Under the road carved Yin Bay Fu Bay, Luan Xiang Feng Yi saw the bridge mountain.
Once the rain was light, the river was originally run, and it was really pitiful to leave Li Rice harvest difficult.
Yu Youren revered the Yellow Emperor, and after the Gurudwara, he returned to Nanjing and let his friends collect ancient books to form the Yellow Emperor's Meritorious Records. In his later years, he wandered to Taiwan, remembering his hometown and the mainland, and wept and recited his last poem, "National Martyrdom", expressing the feeling of the early reunification of the motherland. Previously, he deliberately revised the first four sentences of "The Tomb of the Yellow Emperor In the Rain" written decades ago to express his nostalgia for the mainland Chuanyuan and the people's farming. His respect for Xuanyuan and his love for his homeland are lamentable and respectable.
Shao Lizi was a Kuomintang elder, who served as the chairman of the Shaanxi Provincial Government, and in 1935 (the twenty-fourth year of the Republic of China), together with Shao Yuanchong (Yi Ru), Zhang Mojun, deng Jiayan, and the Yellow Emperor's mausoleum on the second day of the Qingming Dynasty, all four of them sang peace, and all of them left poems. Shao Lizi's "Gurudwara Lingbu Yiru and Mojun Two Gentlemen Rhymes" two poems:
Thousands of ancient cypresses flew and flew towards the bridge.
In front of the hanging armor monument, I thought of the general, and prayed under the Sendai to pray.
Like oil spring rain on the festive season, like jinshan flowers to meet Xiaohui.
May the spring breeze be revived, and the same enmity and son endow "No Clothes".
The towering mound rises and rises, and the national spirit is angry.
The temple is still in decline, and the mountain Ronghe Mao Road is not remote.
The heavenly grass is hanging at the beginning of the arch, and the stone gargle is depressed and listens to Shao.
The immortal traces are difficult to believe, and sincerity should be felt heavy.
The two poems call for the revitalization of the national spirit and the development of the Yellow Emperor's heroic style are clear.
Cheng Qian, a native of Hunan, was a late Qing Dynasty Xiucai; in 1904, he entered the Japanese Non-Commissioned Officer School, met Sun Yat-sen, joined the League; and participated in the Wuchang Uprising. At the beginning of the War of Resistance Against Japanese Aggression, he served as the commander of the First Theater of operations of the Kuomintang and the director of the Northwest Battalion. In 1938, on the Qingming Festival, he came to worship the Yellow Tombs, inscribed a plaque of "Humanistic First Rent" for Xuanyuan Temple, and wrote five ancient poems. After liberation, he served as vice chairman of the National Defense Commission of the People's Government and chairman of the Revolutionary Committee of the Chinese Kuomintang. He wrote the Five Ancient "Ode to the Bridge Tomb": "The newspaper reveres the ancestors, and the number of canons praises Xuanyuan." Divine martial arts open up heavenly fortune, wisdom enlightens humanity. Shuqi palace room, dressed in new clothes. Zhuo Lu eliminated the fierceness, and Kun Gong explained the source of the Dao. The sound channel broadcast Kyushu, and the cream was eight. Gentle and mighty, fierce descendants. Wei Wei is Hao Cang, the Emperor Guangdian Tomb. I came to the western soil and held the north gate of the town. GongHe is enshrined and honored. Patrol Shōsaka and return to each other. The first sight of the Lingzhai Peak, the shape of the plateau. Gangluan defended itself, and the depressed water was restored to Weiwan. The fragrance of miscellaneous flowers is full of flowers, and the cypress is towering. And the birds are noisy in the forest, and wild cranes descend among the clouds. Tambuden Sanctuary. The house is dusty. Mingfa Vientiane Qing, Servant Offering. Sincerely, the wish will be fulfilled, and the gods will smell it. The palace walls are easy to peep, and the heavenly que is not allowed to climb? Worship the Emperor solemnly, and pray to the pious enterprise to play Chengyun. To the deft universe, it is difficult to say. This poem first describes the merits of the Yellow Emperor, then says that he has come to sacrifice the majestic scenery of the bridge and mountain he saw, and finally said that it is difficult to express his reverence for Xuanyuan in words. Read and write plainly and earnestly.
The most significant are the tributes of Mao Zedong, chairman of the Soviet government, and Zhu De, commander-in-chief of the People's Anti-Japanese Red Army. The full text of this tribute to the 26th year of the Republic of China (1937) is as follows:
On April 5, 2006, Chairman of the Soviet Government Mao Zedong and Commander-in-Chief of the People's Anti-Japanese Red Army Zhu De, sent a representative, Lin Zuhan, to pay tribute to the tomb of the Yellow Emperor Xuanyuan, the ancestor of the Chinese nation, with the ceremony of flowers and fruits, and delivered a speech: Hehe Ancestor, Wuhua Zhaozao, Stomach Yanmian, Yue'e Hehao. Wise and wise, the light is desolate; Build this great cause, majestic east. The vicissitudes of the world, the fall of the middle; More than thousands of years, strong bon defiance. Ryutai is not guarded, and the three Koreas are ruins; Liaohai Yanji, Han traitors he many! The enemy of the earth, the desire of the enemy is enough; Man holds the flogging rope, I am a slave. Yi Wei My Ancestor, The Hero of destiny; Zhuo Lu fights, Ou Yu Yining. Not of the Miao, not as wurusi; Let the great power fall, let it fall. East waiting is not talented, swords are fighting; Thousands of rugged miles, serving the country. Years of hard fighting, ready for adventure; The Huns are not destroyed, why the home. All parties and all walks of life, united and strong; Military or civilian, rich or poor. National Front, a recipe for national salvation; Forty thousand people, resolutely resisted. Democratic republic, reform of internal affairs; Billions of hearts, the battle will be won. Return my rivers and mountains, defend our country's rights; This thing is this zhi, never be deceived. After the reorganization of the army by force, the ancestors were informed; The truth is coming, the Emperor is on the sky. Shangyi!
This tribute was drafted by Chairman Mao Zedong himself and written by hand. It is a solemn, elegant, and primitive four-character poem, which is different from the official articles and formulaic clichés of the ruling class in the past, and it is easy to understand. This poem praises the great achievements of the patriarch Xuanyuan, condemns the aggression of Japanese imperialism, and expresses the anti-Japanese stand, principles, and policies of the Communist Party of China. At the same time, this inscription is a beautiful and timeless calligraphic work.
When the War of Resistance Against Japanese Aggression broke out and the Kuomintang and the Communists cooperated, In July 1937, Comrade Xie Jueya, a member of the Communist Party of China and an outstanding revolutionary who was working in the Soviet government at the time, came to visit Huangling and filled in the words "Waves and Sands"
Looking at the lush sky in the distance, hugging the mountains and rivers. The ancient cypress of the forest is towering in the sky, and the hundred miles of wasteland are a little greener, and the more they see Senran. The stele paid for the smoke, and the Tang and Song dynasties did not pass on. Thousands of years in the vast Yudian, Han Wu drove Hu Xun still alive, and an use to seek immortals?
The temple looks up to Cui Wei, and the descendants are suitable for him. Forty-five million is strange, things are original to heaven and man, infinitely low. The nation is afraid of destruction, what is the purpose of sweeping the grave? Xuan Huang Zhuo lu is still Yu Wei, not a poor person to read the ancestors, the ancestors are still faint.
Elder Xie's poetry is powerful. These two "Waves and Sands" are full of poetry, lyrical writing, profound artistic conception, and rich in historical depth.
After the founding of New China, the people's government often sent people to pay tribute to the Yellow Emperor. Politicians, literati and scholars at home and abroad, workers, peasants, and merchants have climbed the bridge mausoleum, and many of them have poem inscriptions. There are new poems, there are old poems, there are rhythmic poems, and there are sincere and sincere, and there are many things to list. Here are some representative ones:
Mr. Chu Tunan was formerly the president of the All-China Association for Friendship with Foreign Countries, and he is a well-known translator and scholar. In the autumn of 1989, Mr. Chu, who was ninety years old, came to Shaanxi to visit, and originally planned to visit the Huangling Tombs, but due to inconvenient transportation, he could not go there, but in Xi'an, he wrote a five-word ancient poem for the Yellow Emperor of Xuanyuan, "Linhe River, Praise the Motherland": "The water of the yellow river is mighty, meandering like a dragon." The birthplace of China, the dawn of civilization. The Three Emperors cut through the grass, and the Five Emperors demi zhang. Xuanyuan created the foundation, and the Hundred Generations song Yan Huang. The ancestors were clothed and raised silkworms to replant mulberries. Yao Shun gong tianxia, push the position to let Xianliang. Dayu shu jiuhe, ten thousand surnames to be safe and healthy. Yin Shang founded the country, and the cultural relics were brilliant. Qiyuan Xing ZhouBo, the land across the East China Sea frontier. Spring and Autumn and the Warring States, a hundred beautiful and famous. The Great Unification of Qin and Qin, the book track is the same as the four sides. The Han and Tang Dynasties rose one after another, and the mighty Zhen Eight Wastes. The Song Dynasty, the Ming dynasty, and the Ming Dynasty, the national situation was relaxed. Xinhai built a republic, and the foreign Kou was strong. The Great Uprising of workers and peasants, the establishment of a new state. The whole people sang in unison, and Hongyou Qing Yongchang. The future is as bright as gold, and the national fortune is long. This 170-character ancient style outlines the history of China and shows the great merits of the Yellow Emperor in founding the foundation.
General Xiao Hua, both literary and martial, his "Long March Suite Song" resounded in all directions. In 1982, he went to Huangling and wrote "Praise for the Yellow Emperor's Hand Planting Cypress": "Seven arms, eight and a half, the crown of the majestic cypress." It has been planted by distant ancestors for 5,000 years. Steel branches are hard bones, and iron armor is cold. Thunderbolts are hard to destroy, and the wind is high and unattractive. Read all the ups and downs, from the sky to the long sky. Shenzhou Yansi species, generations of Zee. "This poem is easy to understand and can be completed in one go. The personification of hanging jiabai refers to the national hero and steel warrior cultivated by the Yellow Emperor, which embodies the great spirit of the Chinese nation.
Contemporary people praise the Yellow Emperor and the Yongling Temple's poems so many that they can produce special poetry selections, which cannot be commented on here, but a summary of this chapter by the poems of an ordinary person Li Qianghua.
Li was a peasant in Huxian County, with no title and no salary, and he wrote poetry all his life, produced three collections of poems, and published in the supplement of Shaanxi Daily on May 29, 1995, "Xuanyuanbai" wrote:
A large green umbrella,
High propped up at the top of Bridge Mountain;
Covering the scorching sun of June,
Raindrops blocking wet suits.
Whenever an unexpected harsh climate strikes,
She firmly embraced the Chinese nation.
Suffering from nature,
I look forward to the peace and tranquility of the four seasons.
The character is so gentle,
The heart is so charitable.
It is a testimony to five thousand years of history,
The sun and moon coexist with her, and the mountains and rivers are with her companions.
This Xuanyuan cypress is the embodiment of the Xuanyuan spirit and the symbol of the spiritual character of the Chinese nation.
3. The ancestor of the Great, Wuhua Zhaozao - the Yellow Emperor's merits and deeds are praised by the world
Since the earth has had human civilization, I don't know how many vicissitudes and great changes have been experienced! In the long course of history, many cultural traditions have been interrupted: ancient Egypt, Babylon, ancient India, Hebrew, Persia, ancient Greece, Rome, with the end of ancient history, these have been annihilated or transformed, their language is no longer the words that can be spoken in the mouths of the people, and the writing has become a dead script. Most of the people in the city of Rome did not speak Latin; the majority of People in India today did not know Sanskrit; and today's Iraq has nothing to do with Babylonian civilization and cuneiform writing. However, there is only one civilization in the world, that is, the civilization of the Chinese nation, which has continued for five thousand years, and the Chinese nation, which has only been civilized, has multiplied and flourished since ancient times. There are many historical reasons for this, but the unshakable position of the Yellow Emperor xuanyuan as the ancestor of Chinese humanities, and the great merits established by him in pioneering civilization, are a fundamental red line that runs through history.
Two months after he became the Provisional President of the Republic of China (i.e., in March 1912), the revolutionary pioneer Dr. Sun Yat-sen sent a delegation of 15 people to pay homage to the Tomb of the Yellow Emperor in Central Shaanxi County, and wrote a poem in his own handwriting:
Five thousand years after the founding of China, Shenzhou Xuanyuan has been passed down since ancient times.
Create a guide car to calm the chaos.
In world civilization, I am the only one who comes first.
This sentence "World civilization, only I come first" not only points out the fact that five thousand years of civilization have been passed down from generation to generation, but also puts Chinese civilization in the earliest position, which is full of incomparable pride.
Praising the merits of the Yellow Emperor is an important part of the various activities and poetry creations of Chinese benevolent people. In 1935, Yu Renxian presided over the compilation of the book "The Yellow Emperor's Meritorious Records", which recorded various poems of the Yellow Emperor's Mausoleum and Xuanyuan Temple in the past, which were roughly divided into three types: one was to describe the majestic and solemn weather of the Mausoleum Temple; the other was to recount the story of the Yellow Emperor's casting of ding and flying; and the other was to praise the merits of the Yellow Emperor. These three elements are often fused together in a poem. And the poems that praise the virtues, or reverie, or nostalgia, or yongshi, all praise the civilization and history created by the Yellow Emperor.
As for the psalms, which focus on scene writing and telling mythological stories, this chapter is omitted.
In the early years of the Qing Dynasty, a huangling county man named Lan Xuan wrote a poem "Bridge Tomb Huaigu". The first four sentences of the poem are five-word poems:
Gradually distance away from the rope to cure, and open up the source of production.
Jing Lun fell for hundreds of generations, and the Emperor Honored Xuanyuan.
Here it is said: The era of the Fuxi knot rope chronicle has passed. The Yellow Emperor pioneered various systems, writing and production processes. His creation and spirit were inherited by future generations, and people from generation to generation respected this Xuanyuan Yellow Emperor. In another seven-sentence poem, he wrote:
Xuanyuan Weilie stayed behind, and in front of Zhuolu Mountain, he broke the clams.
Wu Gong Yi Yao Gan Ge Jie, Wen Jiao Qin Shi Hai Yu Rou.
Luan Yu Xi hunted the Western Soil, and the palace was revered by the Ninth Five.
A dragon has returned to heaven, and the jade tomb of Qiaoling has been passed down to this day.
Looking at the bridge tomb in ancient times, in order to say that the dragon is nearly pedantic.
He will also entrust the bow of the Wu number, and what is the Han people is attached.
This third to sixth link is the core part of the poem, which praises Xuanyuan and lists the great deeds of the Yellow Emperor: the great destruction of Zhuolu and the quelling of the Gange war; and its wende education was carried out in Hainei, which made the whole country peaceful. He drove west, resisted enemy incursions, defended the western territory, and gave the country a code. The poet finally pointed out that the Yellow Emperor's claim that riding the dragon into the immortal was absurd, and as for the Yellow Emperor's abandonment of the Wu horn bow, it was even more a chiseled appendage for posterity. This old mr. Lan would rather regard the Yellow Emperor as a historical figure with great historical merits than approve of the thousand-year-old view of the Yellow Emperor as a mythical figure or as a god, which can be said to be insightful.
There was also a man named Li Xuan, who served as a central county commander, and he wrote poems such as "Dengqiao Mountain", "Two Songs of Qiaoshan Mountain", and "Gurudwara Temple" in the twenty-seventh year of the Kangxi Dynasty. The first two kinds of seven-word poems say some myths and fairy tales of the Yellow Emperor. However, the five-word poem "Gurudwara Temple" is more realistic:
Wanli waded into the River and Han, and divided into Hexi.
The Yellow Emperor is dressed in the ground, and his words are still mysterious.
Are there any fairy goddesses? The layers are self-aligned.
The production has been open for eternity, and the flood and famine are audited.
Tang Yu and three generations, born to steam Li.
Six phases of the Great Lie, Li Le praises the Hundred.
DingCheng Dragon has a hanging hair, and there is no need for mud.
The saint zi mu mu, ho lao qingyun ladder?
The palace is solemn, and Berlin is miserable.
For a time, the monarch was high and difficult.
Yu Gong was born in the future, and Khun Er sued Yuan Gui.
This Li Xuan was probably from Hubei, and the poem says that he came from Jiang Han to Huangling County, the central part of the western part of the Yellow River, as an official. This place is the place where Xuanyuan Yellow Emperor's clothes and hats are buried, how is it? All kinds of claims are still confused to this day. Whether the Yellow Emperor was accompanied by gods or not had little to do with it, but the platform where he lived was as high as the sky. The civilization created by Xuanyuan has been passed down through the ages, and the events of the Flood Era are all historical. In the era of Tang Yao, Yu Shun, Xia, Shang, and Zhou, the common people all sacrificed the Yellow Emperor like a heaven. The Yellow Emperor had six ministers, including Da Chang and Su Long, to assist him in his grand undertakings, and a hundred officials to practice ritual civilization. Saying that after he was cast, a dragon greeted him to heaven, this absurd statement, people do not have to believe it. A saint who has made achievements is naturally noble and great, so why should he go up the ladder to become a god?
In the second year of Qianlong, a changbai man named Shi chen's attendant led a group to sacrifice the Yellow Tomb on the orders of Emperor Gaozong of the Qing Dynasty. He wrote "In the second year of Qianlong, Meng Qiu Xiahuan was ordered to sacrifice the bridge tomb to give three chapters of slang words to Zhi Qisheng".
The Grand Dynasty worships the ceremony and enshrines the Gurudwara Bridge Mausoleum.
The temple is always majestic, and the gods are self-reliant.
The Fa-Chui respects the imperial system, and the immortals want the dragon to ascend.
If the crown is there, Su Yong will only inherit.
The peaks around the bridge are depressed and clear, and the imperial tombs are majestic and green.
On the day of the rambling, the dragon ascended, and the bloody animal was recommended to the crown.
Three
Gu Baisensen did not remember the spring, and the mausoleum palace still enjoyed itself.
The Regulus system is still there, and often makes the aftermath benefit the people.
Although these three poems also write about temple appearance, Qing Depression, Gubai, and Linggong, and also involve gods and dragons, in addition to natural scenery and mythological stories, they also write about the Yellow Emperor's founding of the Fadu and the work of production, and "often make the aftermath benefit the people". There is one named Chongna, whose name is like the Manchus. He wrote two seven laws of the Gurudwara Temple. The second song writes Qunfeng Wanmu and Sendai Ryusheng, with a flat meaning. The first song, on the other hand, praises the Yellow Emperor for creating Chinese civilization.
Breaking through Qiankun is still confused, and the Zhaoxiu people Ji Zixuan Emperor.
The first maker weighs thousands of years, and the change is suitable for the people to fan hundred kings.
The broken stele in Fuxian County is cast and smelted, and the bridge tomb is crowned with a high tomb.
The holy deeds have long been in the heavens and the earth, and the people of Monlisi will never forget.
Indeed, as the poem says: Since the founding of the world, mankind has still been in a state of chaos and barbarism, and it was only from the beginning of the Xuanyuan Yellow Emperor that the human civilization was created. The system and instrument he created benefited generations of people and set an example for subsequent monarchs. His merits are higher than the heavens and the earth, and the holy virtues are long and eternal. The Chinese descendants who have inherited the grace of the Yellow Emperor will never forget his great kindness.
In the poems of modern people, the tradition of praising the merits of the Yellow Emperor is continued in the same vein. In 1935, there was a Zhang Mojun, who accompanied Shao Lizi, then chairman of the Kuomintang Shaanxi Provincial Government, to worship Huangling, and in singing and singing, he wrote two seven laws:
I. "Mausoleum of the Yellow Emperor in the Spring of the Twenty-fourth Year":
The bridge is shaped like a mountain, and the water is depressed in the spring.
Wenjiao Qin Shi Ancient Style, Wu Wei He Yi JiuZhou Yao.
Cure the Purple House zhao lingde, and cooperate with Huang Zhong Yang Fengshao.
Mourning the old heavens and the earth, re-rejuvenating the gods and praying to the gods.
II. "Youqiao Ling Sub-Wing Ru Junfeng Jian Puquan Lizi Meng Shuo"
Lingbai is like a dragon flying, and the poetic heart is remotely connected to the Heart of the Dao.
Remember the ancestors of the world, and perform the rituals of the concubines.
Moving the spring light and water, rising and empty Lancui chaotic clear light.
Wen Gong was lonely and finally xingwei, and he was also a big cloth of Shenzhou.
In these two poems, the Yellow Emperor was taught a profound and profound civilization, and his great martial arts and Yi Yiwei yi were praised: these Wenzhi martial arts have become models for generations in time, and spatially far away from all parts of China's Shenzhou. The Yellow Emperor cultivated morality in the Purple Palace, tuned the harmonic rhythm, and made music such as Huang Zhong Da Lu to attract dragons and phoenixes; his wife Changzu raised silkworm reeling silk and made crowns so that the people of the world could wear clothes without being naked; he defeated and captured Xuan You and laid down the etiquette system. Heaven and earth can grow old, and the yellow emperor's merits will last forever.
Here we should mention poems such as Professor Wang Jiesan's "Bridge Mountain Huaigu". Mr. Wang, also known as Ding jia, a native of Hancheng, graduated from the Department of Philosophy of Peking University, and after returning to Shaanxi, he specially invited Mr. Lu Xun and others to come to Northwest University to give lectures. In 1931, he studied at the University of London in the United Kingdom, and later transferred to Columbia University in the United States. During the War of Resistance Against Japanese Aggression, he served as the director of the Shaanxi Provincial Department of Education and founded many large and middle schools. After liberation, he served as a professor at northwest university and the Chinese department of Shaanxi Normal University. In the 1930s, when he was visiting the Yellow Tombs, he wrote two seven-law poems:
Dinghu Dragon has been gone for five thousand years, and there are still gods protecting the tomb field.
Outside the purple electric light stream hub, Han Quan Gong is in front of the wall meridian.
Kun Tong asked Chuan Zhuang Shuo, the beginning of this era lai Shi Qian.
Unfortunately, at that time, the climber wanted to follow the immortals and hate it!
It has been five thousand years since the Yellow Emperor flew up to the sky on a dragon by the lake where the dragon was cast, but his gods maintained the land of Huangling. The spirit of the Yellow Emperor shot straight at the Beidou like a stream of purple electric light, and his exploits in defeating the Yan Emperor in Hanquan were also written on the stele wall classics. In the book "Zhuangzi", Mr. Zhuang Zhou spread the rumor that the Yellow Emperor asked Guangchengzi about the same mountain in the sky. Sima Qian used the Yellow Emperor as the first part of the "History of Benji". Poor some of the little officials who also wanted to go to heaven with the Yellow Emperor and could not climb the dragon's body and only grasped the dragon's whiskers, the dragon's whiskers broke and fell to the ground, and there was no fate to become immortals!
The bridge tomb towers over Kunlun, and the pine and cypress tower in the ancient spring.
Behind the rivers and mountains left a trace of victory, before the golden drum saw the jinglun.
The crown was first made of the crown, and the book deed first became a weeping ghost god.
On this day, Xuanyuan Tomb worships, where can the bow be found?
The first verse of this poem writes that the bridge mountain is towering and even the Kunlun Mountain; the tomb is a thousand years of ancient cypress, sen mu towering sky, verdant and undiminished. The battle traces of the Yellow Emperor's life in the middle two are clearly written in the classics, and the mountains and rivers he left behind are holy places for worship by thousands of people. The Yellow Emperor's creation of the crown and the invention of writing were major events that shocked the gods. The last link wrote: Today when you come to worship the Yellow Emperor's Mausoleum, you should feel his immeasurable merit, and where else to find the black bow that he fell from the dragon?
Different from this kind of poem that focuses on "huaigu", during the War of Resistance Against Japanese Aggression, Wu Zhixun, the secretary of the Office of the Administrative Inspector of the Third District of Shaanxi Province and a native of Xiangtan, Hunan Province, wrote "Gurudwara" with the ancients in mind.
After three years of living on the Bridge Ling Road, Artemisia was ashamed and uncompromising.
The literary career is a beetle, and the armor soldiers are not allowed to be rich in the chest.
The descendants of the Yellow Emperor have long been inherited, and they have been lords of si for more than 4,000 years.
Li Le crowns the Fa Du, and the end arches and rules Xi Huanyu.
The guide car breaks through the fog, and the gods dare to be angry!
Ethnic strife has since swept away the Central Plains. Guangcheng asked Kun Tong to go, Jinghu Riding Dragon Ding had been cast.
The War of Resistance Against Japanese Aggression has been traced back to the distant ancestors, and Emperor Yanxu is still the same.
The nationalist army drove away the remnants on the day, and returned our mountains and rivers to see it quickly.
The Eurasian Alliance stands shoulder to shoulder, and the four seas help each other.
The boy has the ambition to become a warrior, and Feng Houning is mistaken for a false name.
The clouds and trees are protected by the gods, and the bridge and tomb road are ceremonized every year.
The Qingming Sacrifice sweeps the righteousness, and the crown covers the way to Chen Zunli.
For the sake of the Emperor's wind, Xuan Gong Cyan Yu has been ancient for thousands of years.
This poem, in connection with reality, after counting the merits of the Yellow Emperor's making of crowns, fixing the Fadu, and zhan you, also put forward the idea of the four seas and one family and returning the rivers and mountains. This is invaluable.
There are many contemporary poems praising the merits of the Yellow Emperor, and here is a special comment on a long poem "Praise for the Merits of the Yellow Emperor". The author, Liu Ping, born in Jingyang in 1929, graduated from the Northwest Academy of Arts in 1953 and is the vice president of the Shaanxi Elderly Calligraphy and Painting Society. In 1985, the Qingming Festival huangling, he handwritten this poem:
The kingdom of Yangyang Shenzhou, Huanghuang 5,000 years.
After Xin is yellow, drink water as the source.
Humanistic Xuanyuan ancestors, grace is like the sun and the moon hanging.
Entrepreneurship is very difficult, and it is difficult to lay the foundation.
The five emperors of the German crown are not belligerent.
The four emperors conspired with each other and raised soldiers.
The drums are mighty and the enemy is terrified.
Zhuo deer blood fluttering pestle, high platform chopping stubborn.
The Great War fifty-two, Zhuolu fixed the Central Plains.
Zhenwu and Xiude, painting the right to divide the state.
The Yellow Emperor toured the four domains, and the culture was widely spread.
The territory must be expanded, and the civilization must be boundless.
The descendants multiply and prosper, and the joy returns to the virtuous.
The Yellow Emperor was indoctrinated and earnestly honored with the spring rain.
Chonglun far animals, moral heartland.
Healthy taming of dogs, as a clothing replica crown.
Water chisel boat crossing, land driving horse also.
Grass fat cattle and sheep strong, widely planted grain fresh.
Fenglin offers Rui, steaming grain for rice.
Sweet and beautiful, the cultivator does not invade the shore.
The palace is sheltered from the cold and heat, and the skillful craftsmen work hard to build.
The Yellow Emperor made the Inner Scripture and applied acupuncture to the sick.
The law is like a singing phoenix, and the bow and arrow punish the mighty.
Writing work chronicles, dry branches and laws of the calendar year.
The discipline is generally diverse, and the heavy law is strict.
More weights and measures, wisdom power in the universe.
The ancestors were ingenious and invented the silk silkworm.
Kunwu bronze sword, still left cast Dingyuan.
The opening of things is a natural work, and the extremely poor yin and yang change.
The wind and rain are smooth, and the whole country is happy.
The Chinese nation is established and envied by all the worlds.
Zen makes Yao Shunyu extraordinary.
The reputation of the ancient civilization, the reputation of musk and orchid.
Drifting dragons to go, dressed and buried in bridge mountains.
Outside the heavens and the earth, the virtue was five thousand years.
Ten thousand generations of sacrifices, the merits are in prehistory.
Unfortunately, the clothes are watery, and the land island edge is broken.
Kan Weizu sighed, and the wanderer searched for roots.
Ou Rift should be a fool, kunzhong is suspicious.
Pay together to move the mountain, and build a paradise with all hands.
Cooper should be evergreen, and the bridge and mountain moon reunion.
Grateful for the weight of the Lotus, a billion children and grandchildren.
On the day of the Qingming Dynasty, the dragon ancestral altar is sacrificed.
Unified mountains and rivers show, Yuan Zuyi opened his face.
This forty-four-word poem, or 440 words long, does not have the myth of Kun Tong asking and riding a dragon to ascend. It is not written about the mythical figure HuangDi, but praises the great merits of the historical figure Xuanyuan in creating a civilized system, and finally settles on the two sides of the Taiwan Strait, and the descendants of Yanhuang who should be reunified and united to jointly build the motherland to repay their ancestors is worthy of serious consideration.
Yao Ping, who was the president of the Shaanxi Provincial Military Behavior Research Association and the president of Xi'an Yanhuang Vocational School and The Extension Vocational Training University, was the secretary general of the Shaanxi Poetry Society. In May 1994, he wrote the "Hundred Sages Festival" to honor one hundred heroes in Chinese history, the first of whom was the Yellow Emperor of Xuanyuan. Poetry:
The ancestor of humanities is Yan Huang, the founding chapter of the Yellow Emperor. Boats and carts have been built in the barracks, and the laws have been studied to make clothes.
Coordinate with the Yan Clan and the Thousand Kingdoms to defeat the Xuanyu and unify the four sides.
The Chinese people are divided into thousands of surnames, and the Chinese nation worships gaotang.
In just one poem and seven laws, the Yellow Emperor's wenzhi martial arts are written; the concluding sentence "The Chinese nation worships the high hall" is the best summary of the history of all Chinese sons and daughters who worship and praise the Yellow Emperor.
Fourth, the scenery comes to dengxuan Emperor's mausoleum - poetry sings the scenery of the Yellow Tomb
"The scenery comes to the tomb of the Xuan Emperor, and the feather wind is light." ——This is the opening two poems in the Ming Dynasty Shangshu Hu Qian's "Cisanfeng Rhyme". The mausoleum of the Yellow Emperor of Xuanyuan and its vicinity, that is, around Qiaoshan Mountain, the mountains and rivers are shaped and the scenery is magnificent, and there are few people who climb the bridge mausoleum without viewing the scenery. The Old Records of the Yellow Tombs before 1933 contain the Eight Views of the Yellow Tombs and their inscriptions. These Ring Tombs are summarized in the Eight Views of the General Aria:
Qiaoshan night moon spit light, depressed water autumn wind is particularly cool;
South Valley Yellow Flowers Festival, North Rock Pure Snow Proud Frost;
Longwan Xiao fog is thousands of miles, and Fengling spring smoke surrounds the eight directions;
Hanwu Sendai is still standing tall, and Xuanyuan Gubai is even more cang.
In this regard, the eight scenes have been inscribed one after another, and the predecessors have left many poems. These poems, on the surface, are written about landscapes and flowers, but in fact, they are indirectly praising the beautiful scenery of the Yellow Tombs and expressing their reverence for the Yellow Emperor. After the founding of New China, the above-mentioned "General Yin" was performed as follows:
Qiaoshan night and moon gathering scenery, depressed water and autumn wind through the body;
Nangu yellow flowers bloom late, and north rock pure stone hardy frost;
Longwan Xiaowu mist long shore, Fengling spring smoke warm post;
Hanwu Sendai Relic World, Huangling Ancient Cypress Lush Cangcang.
The difference between the two "Total Yin" before and after may also be different "versions". The poems of the Eight Views of the Central Old Chronicle are each led by the works of Ding Han and Zhang Shaoxian. Ding Han was the zhi county of central County during the Jiaqing period of the Qing Dynasty; Zhang Shaoxian was a native of Huangling. Maybe they finished the eight scenes and then had a "Total Chant" to summarize. The "General Yin" is narrated by Liu Zilin and Tang Zupei Xiurun. Different memories are described, and with the addition of refinement, different "versions" appear. People have always loved to join in the fun, and when they talk about the scenery, they must make up eight. In fact, some of these eight scenes are far away from Qiaoshan and Huangling. Therefore, when quoting the Yongjing poem, the far away is less said, and the close relationship is more said.
First, the night moon of Qiaoshan Mountain. Qiaoshan is more than half a mile in the eastern half of the county, the mountain is shaped like a bridge, the Yellow Emperor's Mausoleum is erected on the top, and the depressed water is surrounded on three sides, and it looks like the Depressed River passes under the mountain, and the mountain is like a bridge, hence the name. Bridge Hill reflects in the water. Looking up during the day, the ancient cypress of Lingshan Mountain is green and majestic; at night, the moonlight is quiet, and the scenery is unique. Ding Han's "Bridge Mountain Night Moon" wrote:
The rain washed the mountains clean, and the wind and the moon were not overcast.
The light is thousands of miles blue, and the shadow falls into a pool of cold.
Looking only into the clouds, who sees from the bottom of the water?
The high cliff is not quarried, and it is difficult to catch it after getting drunk.
Zhang Shaoxian follows the previous question and rhymes:
In January, the autumn mirror is suspended, and a thousand mountains hold a jade plate.
Chiseled springs are ridiculous, and kaiseki is invincible.
The night is quiet and the waves are shining, and Sha Ming Yi Road looks.
Why eat wine together and enjoy the mountains.
Second, depressed autumn wind. In ancient times, the three words of depression, trick and ancestor were common. Depressed water is the ancestral river. When the autumn wind blows and the cold comes from the water, it is most likely to cause people's feeling of loneliness. In the early Qing Dynasty, Zhang Fengyubao, Zhang Fengchong, Liu Eryi, Niu Guangdou, and Lan Xuan, who had served as officials in Huangling County and then hung up their crowns and retired, formed the "Five Old Societies" in the mountains of Fengshuiqiao, singing harmony with each other and singing about the depressed water and autumn wind. In fact, before this, du Fu passed through Zhai Daocheng at night, and he chanted the "Slogan of Late Travel", expressing his feelings of going north to Qiaoshan And depressed water with "the return road is thick in the evening mountains, and the falling geese float in the cold water". One of the seven sons of the Ming Dynasty, He Jingming's "Tong Cui Zi Sends Liu Yizheng back to The Bridge Mountain", Yang Suyun's "Friends of Huaiqiao Mountain in the Mid-Autumn Festival" in the early Qing Dynasty, and the poems of the "Five Old Societies" all write about the autumn wind and depression, and Zhang Fengyubao's "September 9th with Yang Retreat, Zhang Zi Ji Xiaolian, Zhao Qiushui, Liu Jinggong Literature, Dengjin Abolished Fantai Pavilion has Huaiqiao Mountain Depression Water" is more concentrated:
The autumn grass in the desolate countryside is small, and the hometown is lonely on this day.
The hat is sad and short, ascending and happy to move.
The Palace of the King of Jin was cold and smokey, and the Guanhe Of the Qin Kingdom was far away.
Jimu Bridge is depressed on the water's edge, so that it will return to accompany the fishing tree.
This retired official, nostalgic for the bridge and the depression, a piece of homesickness for the ancestors jumped on the paper.
3. Nangu Yellow Flower. Huanghuayu is in the south of the county town, and the fragrance of autumn chrysanthemums is striking. There are many poems written about Jing Yonghua in the old county chronicle.
Fourth, north rock snow purification. The old "Shaanxi Tongzhi" said: At the foot of the bridge mountain, there are stones, and in the event of heavy snow, there is a wind swirling around, and the snow does not fall on the stones. Later, the big rock was gone. However, this scene still exists in the northern foothills of QiaoShan, so the rock of the rock was changed to the rock of the mountain rock (喦), which simplified the use of stone to replace the mountain. Ding Hanshi said:
Love this called the incorruptible stone, the cold and snow also disappeared.
Falling flowers are not affected, and the frozen moon turns to each other.
Who sweeps the secluded people? Don't shake your heart.
Let it fly willows, and the wind will rush into the clouds.
Ding Zhi County called the stone at the northern foot of Qiaoshan Lianshi, saying that it was not afraid of the cold, was not bribed by snowflake silver, and no one gave it snow sweeping, but it was determined not to waver. This actually shows the integrity of the descendants of the Yellow Emperor.
5. Longwan Xiaowu. Longwan is ten miles east of the county, which is the confluence of depressed water and Luoshui. It is called Dragon Bay, and legend has it that it is the place where the Yellow Emperor ascended by dragon. Longwan is rich in mountains and rivers, and every morning the clouds and fog are lost on the shore, so there is this scene. The Ming Dynasty native Kou Shu "Longshou Chuan" said: "The autumn wind flutters the cold waves, revealing the sky high and more." Rambling Mao Chatting Traces, Reed Flower Beach Outside the Foot Groan. In the early Qing Dynasty, Yang Suyun, a Yijun person, said in "Feeling Across Longwan": "Less than fifteen years after Longwan, the cold mountains and autumn waters are still there." Only the isolated village is not the same, and the grass is full of decay. "Zhang Shaoxian's poems do not have the desolation of the two of them: ."
Riding on the dragon traces has disappeared, the red land takes the Dragon Bay.
Incense mist soars in the air, and the cold light is half hidden in the mountains.
People suspect that they are lost and far away, and the birds are tired of flying back.
Holding out fusang day, Fei Fei deleted everywhere.
6. Fengling Spring Smoke. Fengling is in the east of the county, the mountains and rivers are beautiful, when spring, the scenery is confused. According to legend, the Yellow Emperor of Xuanyuan used the bamboo here to make pipes and blow out melodious music, attracting phoenixes, dances and songs. Zhang Shaoxian has a poem "Fengling Spring Smoke": "Lingzhan Wei Fengshi is like a stream of smoke." The emerald cage is deep and the shimmer covers the distant river. After the rain, before the sunset. Fortunately, with the high view, and ming ten thousand yuan. "Wrote about the scenery of Fengling in the bright spring light.
7. Hanwu Sendai. This is different from the natural scenery above, but rather a place of interest. The Sendai Ridge is on the left side of the Yellow Emperor's Mausoleum, slightly higher than the cypress forest. Shi Zai: Emperor Wu of the Han Dynasty patrolled ShuoFang, and when he returned to the capital, he passed through the Yellow Tombs, so he went up to QiaoShan to worship the Yellow Emperor. Emperor Wu of Han was originally good at learning from Huang Lao, and wanted to live forever and ascend to heaven to become an immortal. Therefore, a high platform for seeking gods and immortals was built next to the Yellow Emperor's mausoleum. There have always been many poems inscribed with the inscriptions of Emperor Wu of the Han Dynasty. Among them, Zhang Sanfeng of the Yuan Dynasty is the most famous. Among the 24 people who bought Zhang Yun in the Ming and Qing dynasties, Hu Qi's was the most, and other poems such as Xue Zhudou, Zhang Fengchong's brothers, Li Xuan, and Li Weifan could be read, and their works were recorded in the old county chronicles and the anthology of poems of the previous dynasties. As for Ding Han of wuxiantai, the first yong of the county chronicle, following Zhang Shaoxian's poems, it seems flat. Here, we look at Li Xuan, a Nanjing native who served as a county commander in central China during the Kangxi Dynasty, in his "Tomb Rhymes with Zhang Sanfeng's Gurudwara Bridge":
The Yellow Emperor's Mausoleum on the north side of the bridge, Wanfeng surrounded by evening smoke.
Dinghu constantly wept, and the dragon's hair was empty of Gu Baiqing.
Qidian still has verses, where is Qiongtai looking for Xiacheng?
The Daoists once said that they asked each other, and the feathering cloud was not easy to understand.
In this poem, the first joint writing scene, the jaw joint uses the canon to say that the sky on the shore of the Zhuding Lake left the yellow emperor with tears flowing from the "Wu" bow that fell from the dragon's back when he ascended. Before the bow could ascend to heaven, the dragon's whiskers that the little officials had dragged off were left on the ground like Gu Bai and glowed blue. The neck link said that there were poems of Zhang Sanfeng and others on the wall of the temple, and could it rise into the clouds from the Han Wu Xiantai? The old Jun'an Daoist who sold watermelons to Zhang Sanfeng said that he had personally seen Zhang Sanfeng use melon peels to write poems on the wall, but it was not easy to say clearly about the matter of becoming immortals. This poem is the same as Kou Shaoxian's sarcasm: "What is the matter that the Han Emperor has different thoughts?" Chikugado looks forward to the ascent!"
The two Zhang brothers each wrote "And Zhang Sanfeng" a poem by Zhang Fengyu Bao wrote:
The high top is majestically the Yellow Emperor's mausoleum, and the clothes are lonely and light.
The bridge mountain is towering for a thousand years, and the depressed water haunts the ten thousand years of qing.
At that time, the Wu horn was a grand event, and the dragon hair saw Jiacheng on this day.
Pray for the Xiantai side of the immortal sentence, this ancient only night moon bright.
Zhang Fengchong wrote:
The ancient cypress towered over the Yellow Emperor's mausoleum, and the smoke surrounded the breeze lightly.
The Dragon Pan Bandai held a meeting of kings, and the Phoenix Calendar was thousands of autumns and the Qing Dynasty.
The burial clothes and crowns are left behind, and the natural landscape and water defend the city.
Where is The Qixian Han Wu now? Bing Bing's sun and stars are bright day and night.
The two poems are both beautiful and allegorical, meaning timeless and long. VIII. Xuanyuan Gubai. Bridge Mountain is a towering cypress. During the Song Dynasty's Kaibao years alone, the emperor ordered that 1415 more plants be planted. In 1938, the county magistrate Rang numbered the cypress trees in the whole mountain, a total of 61,186 trees. In 1942, there were 15 ancient cypress trees in the Yellow Emperor Temple, the west side was counted by the south, the first plant was the Yellow Emperor's hand planted cypress, and the fifth plant was hanging jia cypress. There are many poems written about Xuanyuan Gubai, some of which are chanted on a certain tree, and some of which describe the panorama of Qiaoling Gubai. Gubai is the representative and symbol of the Yellow Emperor's mausoleum and temple, and those who write the Yellow Tombs write more about Gubai. And those who specialize in Gu Bai are Liu and Niu of the "Five Old Societies".
Liu Eryi's "Xuanyuan Bai" single wrote Hanging Jia Bai:
In front of the Xuanyuan Temple, there is a cypress hanging from the ground, and the iron knots of the frost roots are as strong as stone. The old trunk is straight and fifty meters, and the branches and leaves are densely arranged for three thousand feet.
The work is chaotic, and the creation should be cherished.
To the south, Huayue tongyun qi, the wind to breathe swallow Taibai (mountain).
What about The Three Peaks? This tree is still in place today.
Biography Mo kao planted in the year, Wufei rabbit walked in the desert desert.
Lonely and tall is a divine force, and it seems to have a giant spiritual trust.
I will now pay homage to xian weng again, and Ru Ye Can fly in the air.
If you see a dragon rider in nine days, I will be more resistant to the wind.
And Niu Guangdou's "Imperial Tomb Gubai" wrote about the cypress jungle:
Emperor Xuan ascended to heaven, and the mausoleum towered over Berlin. The sound of the wind is the same as the crane, and the shadow of the sun is cloudy.
The leaves are clear and green, and the roots are deep.
The fairy trail should be here, stepping on a path to find each other.
The real meticulous writing and the variety of metaphors are Liu Eryan's "Qiaoling Gubaifu" in the Qing Dynasty. Fu is also a kind of rhyme, which is changed from Chu Ci and is older than the Five Seven Words Poem. Fu Shu also, it should be laid out and described, more use of ancient characters, vocabulary is very rich, the average person has difficulty in reading. In order to appreciate this special poetic style, let's first look at the original text:
The domain of Wei Shang County, the mountain ridge is doky, and the meridian of the meridian is the lingxi, which has branched over two bells. The Mountains and Rivers are on the right side, and the Phoenix is high in Xipi; the Mountains are suddenly stopped, and the peaks are guarded and arched. The king's qi was depressed for thousands of years, and it was said that Xuanyuan's clothes were hidden in Si. Zhou Mu harnessed the Eight Juns to ascend to Taixing Xi, and Yue Han Wu prayed for immortals and erected a shrine.
It is a building of a terrace, and it is a palace house. The city of Zhou Yizhang, planted with a thousand kinds of cypress. The mountains are rich and the soil is thick, and the veins of the land are auspicious. From time to time, there are clouds and clouds, and the wind and the rain and dew are wet. Leap Wei Jin and five generations, the Tang Dynasty and the Song Dynasty thought it was morning and evening. After years of worship, the mist is pouring. The high ones are towering, and the low ones are also whispering clouds. The dry pavilion is straight up, and the branches are silky and swirling. Ye Wei wei and beautiful, angry and spitting.
Not smoke, no fog, but also green and green. Dai heng half ridge, green pile high hill. The reeds are suspected of coagin in a thousand acres, and the algae apples seem to be in the ocean. It is darkened by the return wind, and the color changes repeatedly and re-yellows. Overlooking the sage's palace, Feng Sen was lined up next to Ding Lake. Proud of the four times and often chaste, once fearless of snow and frost.
When the husband Qingyang Buling, Gou Mang Whip Spring; Mu Xinxin is proud, and the grass is qianqian to the new. At the beginning of the rising sun, the soldiers and women are colorful, the rioters are inkers, the princes and princes and grandchildren, carrying wine to ascend to the heights, or using grass to make fungi; stepping on the jagged shadows of trees, burning the dragon scales of hundreds of searches; drunken and fluttering like immortals, picking up green colors to cultivate truth.
The heat is yellow, the fire clouds are spitting out, and the mountains and rivers are scorched, and the heat is scorched. Thick yin is superimposed, like sitting in Guangyu. Cool and cold, smell the wind and rain. The clothes are not left and drowned, and the day is long and dancing.
Ruofu sycamore fell on a leaf, and the frost forest embellished Fu Qiurong; guiying was whimsical, and Haoruo was empty. The weeks are dense, and all four looks are the same. The mountains are high and the moon is small, rolling water. Practice the mouth of the dragon's head, the palace of the pearl crystal. Ask the distance of the pillar of heaven, and believe that the cold can be passed.
If the north wind blows, the clouds want snow; the heavens and the earth are wiped out, and the human tracks are cut off. Dead branches are bald and dry, and six flowers are condensed; such as tigers and leopards squatting, such as icicles folded. Erna snow sweeping stone, and jade crumbs; fat can be boiled, refreshing. Yu asked Yu Kun Tong, tapping Guangcheng with the secret.
Chaos: Kunlun came from the west, and the bridge was laid. The second-rate ring is closed, and the paint is depressed. Xuan Huang's treasure, the atmosphere is condensed. The dragon's hair is not pan, and The only one who stays in this good city is xi. Cypress smoke, sometimes there are immortals flying. Green leaf, should be the saint's life. Heaven opens the way, Yi I Emperor QingXi. Harmony is auspicious, and the color is lush and glorious. All nations enjoy the king, and the soldiers are destroyed. Bu Nian Bu Shi, "like the pine cypress of Mao, there is no er or cheng" Xi.
There are many strange words in this kind of talking about the battle, in order to understand the meaning of The Ancient Cypress. He is now writing a translation of modern Chinese. This translation mainly refers to the Yellow Emperor's Meritorious Record of Wenbai and corrects its individual inadequacies:
In this part of Kamung-gun, the mountains are steep and magical. It towers over a continuous meridian ridge and branches through double bells. The confluence of the three rivers swirls on its right side, and to its west is the towering Phoenix Ridge. In the face of the Yaling Ridge, it suddenly stopped, and many peaks surrounded and arched. The king of the mountain has been depressed for tens of thousands of years, and it is said that the crown of the Yellow Emperor of Xuanyuan is buried here. King Mu of Zhou rode eight horses up mounted the Taihang Mountains. Emperor Wu of han set up a temple here for the sake of immortality.
So he began to build a terrace and build a mausoleum. The walls are surrounded by hundreds of millions of feet and planted with a thousand kinds of cypress trees. The mountains are vast and thick, and the auspicious gathering is strong. From time to time, clouds fill the air, sending wind and rain to moisten the earth. The five generations of Wei and Jin dynasties are the leap year, the Tang and Song dynasties are the morning and evening, and the years of sacrifice are experienced, and the clouds of Xiangrui flutter. Tall cypress trees towering in the sky, low cypress branches whisking the clouds. The trunk of the tree stands tall and straight, the branches are slender and swirling, the leaves are lush and delicate, and the aroma it spits out is strong.
It is neither smoke nor dew, and the color is green and green. Dark green horizontal cloth half ridge, emerald green piled high hill. The reeds are white, and the algae in the water are turquoise. As soon as the wind blew, the leaves turned dark and returned to yellow in a moment. It looked down on the Yellow Emperor's mausoleum, as if Sensen was lined up next to DingHu Lake. It is proud of the four seasons that never change color, and it is not afraid of cold snow and frost.
When the spring god gave the order, the grass and trees flourished, and the grass grew taller and taller. In the early morning, the sun rises, the scribes and beautiful women come one after another, and the riotous inkers and the princes and grandsons, each bringing fine wine, climbing the bridge mountain, sitting on the grass, walking in the shade of the cypress tree, burning the bark and leaves of the dragon, drunk, fluttering, like a god, cultivating the heart in a verdant Berlin.
Then the heat and heat came, the clouds were spitting fire, the mountains and rivers were steaming hot, and the earth would be scorched. But the cypress trees are covered with thick shade, and under the trees, it is like sitting in a big house, and the cool breeze is blowing, making people shiver, as if they hear the autumn wind and autumn rain. The nights are silent and cool, and the days are singing and dancing.
When the leaves of the sycamore fall, the frost forest dresses up the face of the autumn slaughter, the laurel shadow sways, and the bright moon shines in the air. The cypress leaves are densely green, and everywhere you look is lush. The mountains are high and the moon is small, reflected in the river. The waterfall erupted from the dragon's mouth like a white exercise, and the water beads illuminated the Crystal Palace. Borrowing how far away the Pillar of Heaven is, I believe that the Guanghan Palace can be reached.
Wait until the north wind whistles, the black clouds roll over, the snow will fall, the sky will be white, the heavens and the earth will be difficult to distinguish, and the pedestrians will be cut off. The leaves have fallen, leaving the dead branches bald. Ice flowers condensed everywhere. The ice and snow are like crouching tigers and leopards, like the ice pillars of the Tianshan Mountains breaking. Then sweep the snow on the rocks, sandwiched with ice chips, white grease snow can be boiled, refreshing breath can be taken away. It was as if the same mountain in the sky asked, learning the secret from Guangchengzi.
"Chaos" said: Kunlun Mountain comes from the west, the memorial bridge mausoleum, the Qi River is depressed and clear, and the two waters surround it. The tomb of the Yellow Emperor of Xuanyuan is solemn. The soaring dragon whiskers should not be caught, leaving only the good scenery of this cemetery. The cypress contains smoke, and sometimes the immortals soar. Green cypress leaves, growing for the sake of the saints. The Emperor opened for the Tao and blessed my Great Qing Kingdom. The auspicious and harmonious atmosphere rises, and the lushness is more prosperous. The princes of all nations sacrificed the kings together and destroyed their weapons as one. Divination is as lush as pine and cypress, and there is no one who does not praise the virtues of the Yellow Emperor.
This fu is the longer one of the Huangling poetry fu texts discussed in this book. Its theme is distinct, and all the depictions are closely related to the bridge tomb gubai. The first section writes about the location of mountains and rivers and the Yellow Emperor's mausoleum; the second and third sections write about the image of Gubai, whose stems, branches, leaves, and colors are depicted delicately and beautifully. From the fourth to the seventh section, according to the chronological order of spring, summer, autumn and winter, write about the changes of Qiaoling Gubai in the four seasons of the year. It writes about the different roles of cooper in different seasons from the perspective of tourists viewing the scenery, and uses spring flowers, summer clouds, autumn moons, and winter snow to set off the show, strength, pride, and tenacity of gubai. The last paragraph, the eighth paragraph, is the word "Chaos". Ancient Chinese rhetoric ends with a summative passage of "Chaos". "Chaos" is the ending of a movement, which is used to summarize, lyrically, and express wishes. Mr. Liu Lao, the author of "Qiaoling Gubaifu", was a Qing Dynasty official and imperial scholar, and naturally prayed in "Chaos" for Xuanyuan Huangdi to bless him with the Qing Empire. Unfortunately, this last feudal dynasty was soon overthrown by the Xinhai Revolution. The feudal dynasty is nothing more than a hurried historical visitor, but the spirit and blood of the Yellow Emperor are eternal.
In modern and contemporary times, there are many poems written about Huangling Gubai, among which the poem "Huangling Gubai" by Xie Jueya, a revolutionary old man who came to pay homage to the Yellow Emperor's Mausoleum during the War of Resistance Against Japan, is the most imposing:
Five thousand years of temples are ruined, and the old cypress has dozens of evergreens.
The root was angry and the weight was loaded, and Sun Zhi was quite empty next to him.
No monument is for Bai To remember the age, opening the sky and the earth flood.
Emperor Wu chased away three thousand miles, disarmed and hung a tree to offer merit.
This tree has been around for 2,000 years to see the giant Sun Congweng.
Zhongzhou gods are the most important, and Lu Kai Qin Oak is inferior.
The gods cared for the remaining anger, and the wind and rain groaned to the dragons.
From the height of history and the indignation of reality, this poem writes the cooper in the poet's eyes, the long scroll of history in his heart and the infinite passion. The Eight Scenic Spots of Huangling are different from the pure natural scenery of various places, it is not only a beautiful natural landscape, but also the most historical cultural landscape, which contains profound cultural connotations, making it a condensation and symbol of the broad national spirit.
Fifth, do not ask about hanging Jia Bai, but listen to the song of the horse - commemorate Xuanyuan and go on a new journey
In November 1982, he Jingzhi, then serving deputy director of the Propaganda Department of the CPC Central Committee and acting minister of the Ministry of Culture and one of the authors of "The White-Haired Girl", returned to Yan'an again, passing through Huangling County, climbing The Bridge Mountain to pay homage to the Yellow Emperor Xuanyuan and write a poem:
Forty years of wind and clouds, several degrees of Gurudwara Mausoleum. The ancient cypress is now green again, and the warriors have more white hair. Don't ask for a carbole, but listen to the horse song.
The guide car is sent again, and the heart is chasing thousands of miles.
This poem writes about the history of the forty years of revolutionary storms, the mood of the veteran soldiers who have been enriched by Tianhuafa, the scene of the ancient cypress of the bridge and the scenery of the tomb is renewed, and it is also written about the heroic mood of the journey of thousands of miles in the new period. The guide car mentioned in the poem has surpassed the Yellow Emperor's tools to break through Xuan you in the fog at that time, but the theory of building socialism with Chinese characteristics in the new era. With the help of this guide car, the new long march has begun. "Don't ask about hanging jiabai, but listen to the horse song", expressing the spirit and strong determination of contemporary Chinese to devote themselves to the construction of the four modernizations.
Contemporary people from all walks of life make pilgrimages to the Yellow Emperor's Mausoleum and Xuanyuan Temple, or write poems in the old style, and lyrically write poems in the new style, which are all kinds of things and spectacular. Not thin new poems love old poems, poems are not old and new, but in the superiority and inferiority. Good new poetry, still praised. But the Gurudwara is a solemn matter, so it is more appropriate to use classical poetry to praise the ancestors. However, many people today do not understand the rhythm of poetry, and it is common for sentences to rhyme. Therefore, this part of the poem can be viewed as a free poem with neat sentences, not required from the rhythm, but only commented on its content. Judging from the authors of contemporary poems dedicated to Huangling, there are leading cadres, old revolutionaries, scientific and technological personnel, writers and poets, journalists and teachers, workers and peasants, overseas wanderers, Compatriots from Hong Kong and Taiwan, and so on. They all gave their hearts equally in front of their ancestors.
Yang Mo, the author of "Song of Youth" and a famous female writer, went to Yan'an in May 1984, passed through the Huangling Tomb, visited xuanyuan temple, and wrote this verse:
The ancestors of Xuanyuan five thousand years ago,
Presented in front of the descendants of China five thousand years later,
Majestic!
My heart is full of emotions!
One or two sighs can be said; with a thousand emotions, it cannot be elaborated. At this point, silence is better than sound. If there is no word on the stele, it is a great merit. The feeling in my heart is that only the lofty impression is used to represent a thousand words, which is like the sea and is invincible.
The vice president of the China Yuelian Society, the poet Ma Xiaoxiao, expressed his nostalgia in the form of couplets, expanding it: six thousand years up and down, and hired all of Shaanxi:
Exploring in front of Banpo Village, lyrical on the top of the bridge, the pioneering culture of 6,000 years in China, the long-standing gongjun genealogy;
Teach Jiatai to learn art, drink horses by the yanhe river, the second hometown of Qinchuan eight hundred miles, and sing with deep affection.
Ma Xiaoxiao traced down Banpo and Shennong, and recalled the yan'an revolution, and its final foothold was still the ancestor of Qiaoshan, the founder of Chinese civilization. The poet is deeply affectionate, singing and singing, but unable to help himself.
Journalist, poet and poet Jiang Guoxian, when he was worshipping the tomb of the Yellow Emperor on the Qingming Festival in 1952, filled in a "Youth Tour" with a basically strict grid:
Qiaoshan Ancient Cypress is full of green peaks and densely surrounds the Yellow Tombs. In the spring of March, the sky is clear, and the festival is clear.
The east wind is mighty and proud, and there is joy everywhere. Hundreds of millions of gods, Kunpeng spread its wings, and public sacrifices were made to the heroic spirits.
Although this phrase was written in the early fifties, forty years later, it still does not diminish its reality. Today, following the socialist construction in the 1950s, China is also spreading its wings and flying high.
Zhang Guo, president of the Shaanxi Provincial Poetry Society and consultant of the Shaanxi Poetry Society, wrote several poems "Huangling Lyrics":
In the east, the rugged bridge lingxiong, the show to the fen rui xia nong.
The monument of a house will always shine, and the water of the thousand autumns will be long and watery.
China zhao created humanities and enlightenment, and the great cause flourished yu Yu cheng.
The merits of the world are admired by hundreds of generations, and the people of The People are admired.
The soul of the ancestors of the nation, the industrious and wise people.
High scenery big fresh wind tree, wanli shenzhou wanli spring.
Four
The ancient civilization has opened a new era, and the triumph of the four modernizations has shaken the eight wildernesses.
The rising sun is full of flowers, and the yellow and red children are thriving.
The poem praises the soul of the ancestors of the nation, and even more praises the spring of the ten thousand miles of shenzhou, and the triumphant song of the four transformations shakes the eight wildernesses. At the moment of the rapid development of socialism with Chinese characteristics, the great good time when the rising sun and the sun are full of flowers, all the descendants of Yanhuang should dedicate their strength to jointly revitalize China. The poems are written with enthusiasm and ideals.
Carrying forward the spirit of the Yellow Emperor is the common will of the descendants of Yanhuang. Xue Zhengdong, a retired cadre of the Shaanxi Provincial Department of Culture, wrote in "Picking Rhymes on Qiaoshan Mountain":
Qiaoshan ancient cypress lush, dense annual cycle of vicissitudes.
The number of classics does not forget the ancestors, and the five continents are in the same way.
Offering a pillar of incense from The Yellow Tombs, the sons and daughters of China are the most affectionate.
There is no herb at the end of the world, and it is not as full as the moon in the hometown.
And now Yudian is in a magnificent place, and the prosperous scenery is better than the Han and Tang Dynasties.
Thousands of miles of rivers and mountains are full of spring colors, and the ancient civilization is more brilliant.
The descendants of Yanhuang, no matter where they are, will not forget their ancestors, and the spirit of the Yellow Emperor is the internal motivation that motivates them to work hard.
Vice Chairman of the Yan'an Regional Federation of Literature and Literature and Vice President of the Yan'an Poetry Society Liuyang River Filling Double Tone "Jiang Chengzi" Words "Huangling Ancestor Worship":
The chaotic world is vast, the years are long, and it is difficult to think about. The first ancestor of humanity, where is the hometown? Therefore, there is a cup of soil on the bridge mountain, hanging the sun and the moon, and appreciating the vicissitudes. Meritorious service over the history of the collection, the establishment of the family state, the prosperity of the Tang Dynasty. Internal and external troubles, the fire knows Vajra. The leaves fall back to the roots and self-solidifying, summoning Er Cao, and trying to strengthen themselves.
Fu Jikang, deputy director of the Huangling County Chronicle Compilation Office, wrote "Qiaoling Lyrics":
The Yellow Emperor has been driving the dragon for 5,000 years, and the sons and daughters of the Tomb Keeper have been passed down from generation to generation.
Takatsuka's old remainder of heavenly qi, and the divine light tasted for a moment.
Yan Huang's descendants have inherited their ambitions, and the economy has soared.
When the mountain flowers are full of flowers, the old appearance changes for a new day.
Although the angles are different, the spirit of remembering the ancestors and striving for self-improvement is the same, and after reading it, it can give people a strong sense of the times.
Carry forward the spirit of the Yellow Emperor and usher in the twenty-first century, the new poems in this regard include Liu Xia's "Ballad of Depression" poem in three sections, the third of which is:
Depressed water sweet, depressed water warm,
Depressed water flows in the heart,
Go to the end of the world,
Blood and kinship are constantly cut.
yes! Depressed water sweet, depressed water warm,
Frustrated water flows into the Yellow River,
The spirit of the Yellow Emperor is passed down from day to day.
Look at his "Footprints of the Yellow Emperor":
Stepping on the drums of the ancestors and tribes hunting,
Break through the dullness and silence of the ancient wilderness,
Crossing the chaotic barbaric obscurity,
Lead a people out of primitive slash-and-burn cultivation.
yes! Footprints of the Yellow Emperor,
The imprint of a childhood in five thousand years,
The flashing totem of five thousand years of civilization.
The wind and rain rings that confirm the vicissitudes of change,
Shine with the great deeds and feats of the world.
The echo of distant footsteps is leisurely,
Calling on the Chinese nation
Push open the window ledge of the twenty-first century.
Ah, the footprints of the Yellow Emperor,
An eternal emblem of five thousand years of history,
A symbol of immortality in a five-thousand-year-old country!
The poems are written passionately, but there is no lack of thickness and solidity, and the spirit of the Yellow Emperor, as a baseline throughout 5,000 years of history and the new century in the future, adds inner strength to the poems.
In the twenty-first century, we must enter a well-off, moderately developed and eventually highly developed. At the end of the twentieth century, after the return of Hong Kong and Macao, the important task of the twenty-first century is the reunification of the descendants of Yan Huang on both sides of the Taiwan Strait. In the poems that carry forward the spirit of the Yellow Emperor, the unification of the Taiwan Strait is a major theme involved for many people.
Tan Weixu, who was first vice governor of Shaanxi Province and then vice chairman of the Shaanxi Provincial Committee of the Chinese People's Political Consultative Conference, composed three songs in 1979, the first two of which were:
The bridge is lush and green, and the hall is revered.
Majestic and thousands of autumn karma, magnificent and prosperous.
The roots are deep and leafy, and the source is far away.
Brothers from all over the world, thinking of the same thing.
TWO
Regulus is a worldly ruler, and the clothes are five thousand years old.
The heart of a hundred refinements is more blazing, and the thousand hammers are stronger.
Occasionally there are deviations, and there is always a reunion.
Nine hundred million Yan Huang people, the same root wear a day.
The poem points out: The four seas and one family, under the shade of the leaves of Xuanyuan, the common ancestral root, will eventually be reunited.
Xu Shanlin, who first served as vice governor of Shaanxi Province and then vice chairman of the Standing Committee of the National People's Congress, said in his "Mausoleum of the Yellow Emperor":
The founding of the country is eternal and empty, and the history of humanities is endless.
Zhuang Muqiao Mountain condenses the atmosphere, and the ancient Cangbai relics are majestic.
The letter of the hundred countries is handed over to the world, and the literature has been passed down through the west and the east for thousands of years.
Kyushu Mingyue Ancestral Mausoleum is there, and the sons of Wanfang are looking for the same sect.
Su Ming, vice chairman of the Shaanxi Provincial Federation of Returned Overseas Chinese, said: "Sizu":
Overseas wanderers often think of their ancestors, leaving the branches and leaves looking forward to returning to the roots.
Yuncheng did not hesitate to go far, and the heart incense was sacrificed to Huangling.
Yang Kuizhang, vice chairman of the Guangdong Provincial Committee of the Chinese People's Political Consultative Conference, said in "The Mausoleum of the Yellow Emperor":
Autumn wind and autumn rain visit Huangling, desert plateau rain and light dew.
Cuibai millennia old world, article wanshi haishan qing.
Xuanyuan Han Wuzhong Xingye, Gui Yan Huang huang after someone.
I don't believe that Jin Ou can be eternally absent, a round of Haoyue ancient and modern Ming.
All these contain the meaning of the unification of the mountains and rivers of the motherland. Gong Baocheng, vice president of the Shaanxi Calligraphy Society, said it more directly in the rhymeless poem "Tong Worship ancestors":
Unify the Chinese industry, honored by wangugao,
Qingming worshipped the ancestors and looked forward to Taiwan.
Zhang Hua, deputy director of the Shaanxi Provincial Soil and Water Conservation Bureau, "The Tomb of the Yellow Emperor" specifically says:
Qiaoshan Ancient Cypress is green, and sun and moon lake is deep and silvery.
The two sides of the strait were reunified in Japan, and Kyushu was jointly sacrificed to the Han and Tang Dynasties.
The poem connects the bridge tomb with the Sun Moon Lake, anticipating that after the reunification of the two sides of the strait, the Chinese nation will build a powerful country that surpasses the prosperity of the Han and Tang dynasties.
Journalist and poet Jiang Guoxian wrote in "Self-Written Chongyang Wentai Compatriots Will Sacrifice HuangLing":
The ancestors of humanities rose up in the flood, and the dragons rode the hot sun and moonlight.
Depressed water clear flow extension, bridge mountain cypress crown.
All the lands in Kyushu are Chinese, and hundreds of ethnic groups share the same temple.
The two systems and three links are like a naked child, and the Jin Ou is unified as Tengjun.
It is mentioned here that the two sides of the strait will first open up shipping, postal services, and trade, and then implement two systems under the premise of one China. After reunification, if the two sides of the strait help each other and complement each other and benefit each other, the Chinese dragon will surely soar in the universe.
Zhang Guo also said in the fifth song of "Huangling Lyrics":
Brotherhood is deeply rooted in dreams, and Qiaoshan Ali is closely connected.
The Two Systems of the National Bank of China are wise and wise, and the Moon Garden of the Jin'ou People is unified.
Qiaoshan and Alishan are connected by brothers and sisters, and under the wise policy of one country, two systems, the reunification of the motherland and the gathering of relatives are what a situation it is?
Lyricist Dang Yong'an wrote the "Huangling Festival" in the form of "Qinyuan Spring":
During the Qingming Dynasty, the rain on Qiaoshan Mountain rests, and the four wild flowers are fragrant. Worship Xuanyuan my ancestors, raise a glass with friends, whisper in front of the pavilion, and have long thoughts. In ancient times, dust flew around the world, and Xiu Dezhen traveled to persuade Nongsang. Five thousand years, left to plant cypress, lush and green. The Yellow River is coming from the west, and the thunder is high. Run the homeland of Shenzhou, new Qiwei, waves and whirlwinds, And FuhuaZhang. Ascend to the far cry, return to Taiwan Island, Jin Ou Long Garden to be dressed. Fight for time, teach the magnificent Huaxia, and the earth will regain its light.
This song is far away from the return of Taiwan Island, and it is sincere.
Yao Ping, former secretary general of the Shaanxi Poetry Society, wrote in his 1996 "Ode to Return":
Looking forward to seeing through Hong Kong back, next year will surely sound the thunder of the sky.
The dragon tengnan kingdom adds a good scene, and the lion roars in the east to show talent.
Mainland Yaofeng three generations, Tianya Yugong Jiuzhou kai.
Yan Huang was originally from the same root clan, and He Ri Feihong returned to Taiwan.
The "three generations" in the poem refer to the era of three generations of leaders of Mao Zedong, Deng Xiaoping, and Jiang Zemin. The poem returns from Hong Kong to taiwan and hopes for taiwan's reunification, showing the will of the Yellow Emperor's descendants to be one family.
There is a Mr. Wang Youzhi, and his "Gurudwara Yellow Emperor's Mausoleum has a feeling" is quite meaningful. Wang Youzhi was a native of Hancheng and served as the mayor of Xi'an during the Kuomintang rule before liberation. After liberation, he accepted the transformation of the people and later served as a standing committee member of the Shaanxi Provincial Committee of the Chinese People's Political Consultative Conference. He wrote in the poem
During the Qingming Dynasty, the scenery is good, and the decoration of the bridge is more enchanting.
The founding father of the majestic century, the Chinese civilization should be proud.
The Kuomintang and the Communist Party of China used to sweep the tomb together, so why is it difficult to cross the sea and drive the Golden Bridge.
To unify the motherland and build the four modernizations, heroic figures look at the present dynasty.
Mr. Wang Youzhi is a member of the Kuomintang, and he mentioned that in 1937, the Chinese Kuomintang faction Zhang Ji and Gu Zhutong and the Communist Party of China sent Lin Boqu to jointly pay tribute to the past of the Yellow Emperor of Xuanyuan, and he believed that in the past, the two parties could cooperate to resist the aggression of Japanese imperialism. The meaning of poetry is long-centered.
Every year the Qingming Festival Huangling - Conclusion
The Yellow Emperor of Xuanyuan will always exist in the hearts of the Chinese people. Whenever there is Qingming and Chongyang, whether it is far overseas or whether it can personally climb the Bridge Mountain, the descendants of Yanhuang always follow the ancestral roots.
Comrade Buch, a representative of the Mongols, wrote in his poem:
Huaxia Taizu Ji has bears and pioneers the descendants of the Flood Wastes.
Ally with Jiang Yan Zhan Xuan You, guide the god car Yang ancient and modern.
Xuanyuan returned to the Heavenly Palace at the age of 100, and planted the descendants of Gu Baiyin by hand.
Today, Li Shu is grateful to Ze, and the Yellow Tomb is sacrificed every year in the Qingming Dynasty.
Li Ruobing, chairman of the Shaanxi Provincial Federation of Literary and Art Circles, also wrote:
Nongshen La moon ascended to the Yellow Tomb, and the silence of WanLai was light.
Unique ancient cypress greenery, looking back at the bridge mountain a touch of green.
The Xuanyuan Temple terrace burned incense, and the smoke swirled around the Dragon City.
Only to see the eyebrow dance of the ink guest, it seems to be a little clear.
Their poems express the voice and sincerity of hundreds of millions of Chinese sons and daughters, and are a summary of the poems of the Tribute to Xuanyuan And huangling. Without presumptuousness, I would like to conclude this article with the following ancient style:
The heart is full of poems, and the song of merit and praise is never finished.
The myth of Thang Long he zu xin, the beginning of Chinese civilization.
Qiaoshan Cuibai wrote Wenzhi, depressed mercury waves flowed auspiciously.
Bandai incense burns all over the globe, and the descendants of Yanhuang are sacrificed.
Blood is thicker than water and flesh, and the fallen leaves of the five continents are all rooted.
The two sides of the Taiwan Strait will eventually be reunified, and the gods of the Yellow Emperor will be overjoyed.
China's century-old shame has snowed, and the construction of the four modernizations has been developed by ten thousand troops.
In the heart of the long sacrifice Xuanyuan Mausoleum, 1.2 billion people recommend hot blood.
(The poem was published in the Shaanxi Daily on January 9, 1998.
It was also published in "Ancient and Modern Celebrity Yong Zhengzhou", Henan People's Publishing House, 2008).
(Note: The author of this article has authorized this headline)
(Ma Jiajun, a native of Qingyuan, Hebei, born on October 5, 1929, is currently a professor at the College of Literature of Shaanxi Normal University, a member of the Chinese Writers Association, a member of the Chinese Dramatists Association, a member of the Chinese Filmmakers Association, an honorary president (former president) of the Shaanxi Foreign Literature Society, a principle of the Chinese Foreign Literature Society, a principle of the Chinese Russian Literature Research Society, a former president of the Shaanxi Provincial Higher Education Drama Research Society, a former consultant of the Shaanxi Poetry Society, and a former executive director of the Shaanxi Provincial Federation of Social Science Societies. Shaanxi Province to build socialist spiritual civilization advanced individuals, Shaanxi Province to teach and educate advanced teachers, etc., enjoy special allowances from the State Council.
He is the author of 12 kinds of "Nineteenth Century Russian Literature", "The New Stage of Aesthetic History", "Poetry Exploration", "Exploration of World Literature", etc.; 4 kinds of "The Essence of World Literature" and "History of Western Drama" co-authored with his daughter Ma Xiaoyi; 9 kinds of "History of World Literature" (3 volumes) and "Research on Gorky's Creation"; edited 4 kinds of "30 Lectures on European and American Modernist Literature"; co-edited and co-authored "100 Topics of Marxism-Leninism", "Cultural Research Methods", "50 Lectures on Oriental Literature", "Western Literature in the Twentieth Century", etc. and more than 40 kinds.
It has been listed in more than 40 kinds, such as the Dictionary of Chinese Writers, the Dictionary of Chinese Poets, the Dictionary of Chinese Social Science Scholars, the Cambridge Dictionary of International Biographies (27th Edition in English), the Directory of Experts in Russian Studies Abroad (Russian Edition) of the Institute of World Literature of the Russian Academy of Sciences, and the Classics of Shaanxi Century of Literature and Art. ）
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