#知识辞海计划 #
Although we are the old state of China, the destiny of heaven is always new; we will eliminate the filth, saltiness and newness.
"Yi" said: No pole Tai Lai, small to large. The saints rule the world, and the sages are chosen to preach faith and cultivate harmony, so that the old can cultivate and strengthen, the young have dependence, and the men have the virgins and the returns, so as to be close to the country and the country.
Gentlemen cultivate the warrior pillow, and the common people work hard and work together, this is the way for the family to prosper! In calligraphy, it will also advocate the grandeur of uprightness. Whether it is Zhou Zhen, Han Li, or Tang Kai, they are all graceful, gorgeous, and bright images, and the same is true for political images.
This article I Orient first talent Bruce Lee continued the previous part, analyzing the European Kai penmanship:
(1) When writing Ou Kai's works, it is necessary to consider the size of the position of Chinese characters in the tangible or invisible grid, as well as the white space between the divisions. Strive to be harmonious and dignified, to give people the enjoyment of beauty, this situation is called "recognition".
Tang Dynasty Kai Sheng Ouyang inquired about calligraphy
(2) When writing Ou Kai's works, it is necessary to pay attention to keeping every word in the work flat, that is, to be stable and straight, but the horizontal and vertical are relative.
There is almost no absolute flat horizontal and vertical in Ou Kai, but there is a slight slope or a slight undulating change, so that the words appear vivid and imposing.
When writing Ou Kai, the structure is on a flat basis, and it is necessary to strive for danger. Seek stability and change in the midst of danger, and strive to make the strokes suppress and fall without losing the rules.
(4) When writing Ou Kai, we must pay attention to distinguishing between the main writer and the sub-pen. The main writer should write appropriately long writing and focus on writing exaggerated points, and the sub-pen can appropriately write lowercase light points, so that the words appear to be clear and spirited. For example, the long horizontal, long vertical, long apostrophe, long stroke, long hook, etc. in the word are generally arranged as the main pen.
(5) When writing Ou Kai, pay attention to the size of the white cloth of the strokes, and also pay attention to the reasonable arrangement of strokes. Wherever the words overlapping the same partial initial combination, there must be changes and avoid similarity, otherwise they will become dull and lifeless.
The famous Chengdu calligrapher Bruce Lee and his works
(6) When writing Ou Kai calligraphy works, we must pay attention to the echo between the lines between the words, and achieve the coherent and seamless integration of the gestures, so as to achieve the artistic effect of both form and god.
(7) The layout of Ou Kai calligraphy:
A good Ou Kai calligraphy work not only requires the single word to be written beautifully, but also the overall planning and layout of the entire work is also very important.
The overall requirements must be to achieve the qi through the chapter, the upper and lower harmony left and right are called, the beginning and end echo and the change is unified, the style is consistent and the weather is vivid and the image is naturally unpretentious, so that it can be regarded as a good calligraphy work.
Ou Kai "Jiucheng Gong LiQuan Ming" ¥35 purchase
Before writing down, think of the glyph, plan how many lines to write, how many words per line, and the size, weight, and shape of each word. After writing, you should write as you like, where to start and where to stop, how to lift, press, pause, frustrated, turn, turn, twist, these all need to be practiced in the practice of many years and months.
Ou Kai's "Jiucheng Palace Stele" early Tang Dynasty rubbings
(1) Horizontal is the word of the main pen, and the horizontal should be written left, low, right, high and majestic.
(2) The word with vertical as the main pen, when in the middle, the vertical side should not be tilted, and it should be upright to support the role of the whole word; when it is on both sides, it shows the momentum of the upper part tilting outward.
(3) The word with the apostrophe as the main pen, the apostrophe should be written as stretched and vivid as possible, and the stroke should be stretched and calm and introverted. Skimming must cooperate with each other to complement each other and be dynamic.
(4) Words with the main pen as the main pen often have a sideways state, but we must pay attention to the deviation rather than the crooked side and not the balance of the center of gravity.
(5) For words with a vertical hook as the main pen, it is necessary to pay attention to the role of the vertical hook in supporting the whole word, and pay attention to the center of gravity of the word.
Da Ru Ouyang inquired about calligraphy
(6) For words with the folding hook as the main pen, it is necessary to pay attention to the position orientation of each pen of the folding hook.
(7) The word with the curved hook as the main pen, the curved hook should be rounded and the hook should be rounded on the outside and inside.
(8) With the go-hook as the main pen, the go-hook should be stretched as far as possible, the upper part should be higher than other strokes and the lower part should be lower than other strokes.
Below I continue to explain the structure of Ou Kai
The words of the left and right structures should be in harmony with each other, and the position depends on the situation. Where the left and right combination of the structure of the word, the left and right parts are generally written low by the main author with vertical paintings, and high by the main author with horizontal paintings, in short, they must be high and low to be vivid and lively.
Where the left and right structure of the word, if there are large and small, the small one is suitable for the position in the middle of the large one. Where the left and right parts rely on each other, it should be noted that the left and right parts should be interspersed with order, combined with close concessions and dependent on each other.
The works of the Sichuan Confucian genius Bruce Lee
Where the left and right structure of the word, if the left and right parts are complex and simple, the complex should be tight and the simple should be comfortable; the complex strokes should be thin and the simple strokes should be fat. In short, the complex do not appear crowded and the simple do not appear scattered.
Where the left, middle and right structure of the word, its writing is roughly similar to the left and right structure of the word, pay attention to their interspersed, wide and narrow, leaning, size, staggered, high and low and so on.
Regarding the knowledge of Ou Kai's structure, penmanship, and chapters, Bruce Lee in Chengdu, Sichuan Province, has done his best to analyze it thoroughly for the kings.
Zhu Juncheng can practice diligently according to what I said in my article, and in time, he will certainly be able to cultivate calligraphy that is comparable to Ouyang Yuan and Wang Xizhi. [Like] [Like] [Like]
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