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Co-starring Michelle, Hu Hongjun, He Yiting, Luo Tianyu and Shi Xiu, tvB Taiqing's emotional drama "Moonlight on the Fifth Day of October" has been broadcast for a week.
Since it is a remake of the series, it is conceivable that the reputation of the series is not particularly ideal. The performance of the two protagonists, Hu Hongjun and He Yiting, was even more complained about by the outside world: miserable.
This is the first time that TVB sweet little flower He Yiting has been upgraded to play the first female lead series. Coupled with the challenge to the classic role that Charmaine She has played, it is conceivable that her pressure is naturally bursting.
It can be seen that the executive producer of the series actually wants He Yiting to have a brilliant performance in the play, and arranges for her to play the triangle alone. In addition to playing the classic heroine Zhu Junhao, He Yiting also played two roles: Zhu Junhao's mother Sasha and the younger version of Zhu Shahua.
But after all, she is still a newcomer in the acting industry, so He Yiting's performance this time is indeed not particularly ideal. Especially in a quarrel scene between her and the male protagonist Hu Hongjun, which was broadcast earlier, many viewers were quite embarrassed.
The plot tells that Zhu Junhao, played by He Yiting, quarreled with his first brother played by Hu Hongjun because of a small matter.
Often the quarrel scenes are more testing of the actor's acting skills, because the high-pitched transformation from the demeanor, body, and even the voice must be well interpreted.
And He Yiting was obviously too strong in this scene, the whole person's expression was more stiff, and what was even more frightening was that her voice became unusually sharp because of the high emotions. Many netizens are criticizing her: the voice is too noisy, and it is too embarrassing to look at it at all.
Since He Yiting first took over the filming of this drama, she herself knows very well that after the series is broadcast, it will definitely be criticized by the outside world.
After all, she is challenging such a classic screen image that the audience will inevitably compare her to the original version. Therefore, it can be said that she has been fully prepared to accept the negative evaluation of her from the outside world.
In the impression of the editor, He Yiting is also one of the more prominent comprehensive qualities in TVB in recent years.
She was the runner-up of Miss Hong Kong in 2017, and in the final of that year, she unexpectedly fell hot, because of the influence of various factors, she lost to Lei Zhuang'er, whose appearance and temperament were not as good as hers, and could only relegate to second place.
Fortunately, after the game, He Yiting was not snubbed by the top management, and soon got the opportunity to take the position. In addition to serving as a host in major variety shows and large-scale live broadcast programs, she has also obtained many acting opportunities.
Like the earliest "Demon 2.0" and "She Her Girlhood" are cameos. In "Airport SWAT", He Yiting's role began to increase, and her performance was decent.
In addition, this year she also participated in another Taiwanese drama "Ren Doctor Under the Stars". It may be a role setting or not a protagonist, but only for the sake of supporting roles, He Yiting is obviously better in this drama than "Moonlight on the Fifth Day of October" where she is the heroine.
But as a small flower in the upper position, there are two Taiwan Celebration dramas broadcast in succession, and it is very obvious that the top management wants to hold her heart. Therefore, the outside world is also speculating that this year's female artists who have made leaps and bounds of progress are none other than He Yiting.
In general, Xiaobian is still quite optimistic about He Yiting. Her appearance is indeed more eye-catching, belongs to a more sweet type, and the audience is naturally good.
As for the problem of acting, I believe that the top management of TVB will also give enough opportunities to hone through various roles in various types of dramas in the future.