In terms of appreciating the form of the gods, in addition to paying attention to the beauty of the structure of the knot and the integrity of the posture, calligraphy is actually very exquisite. Calligraphy is actually given by the shape of calligraphy, and the momentum beauty of calligraphy is felt from the form of calligraphy. This is also the aura on the pen and ink that the calligrapher Su Shishu said. Jiang He, a master of calligraphy and painting in the Qing Dynasty, also said in his calligraphy treatise that calligraphy pays attention to internal and external qi. Good calligraphy works are both internal and external, so that people can feel the surging elegant atmosphere of pen and ink from the inside out.
Nie Shuai talks to Mihoko
Nie Rongzhen calligraphy
What Xiaobian wants to talk to you about today is the calligraphy works of Fu Shuai Nie Rongzhen. Although the calligraphy letters exposed by Nie Rongzhen are not considered to be of the highest quality in terms of horizontal attainment, the kind of internal and external qi embodied in Nie Rongzhen's calligraphy works shocked the editor's heart. Such calligraphy works are written with a majestic and arrogant pen, rampant and introverted, which is really a clever hand. The editor flipped through the historical materials and learned that Marshal Nie Rongzhen's calligraphy study was to seek refinement rather than broadening. Nie Rongzhen's calligraphy aesthetic vision is also focused on the excellent calligraphers of the past, such as Mi Fu and Liu Gongquan.
Nie Shuai took a group photo
Nie Rongzhen's free personality and truth-seeking mentality, it is no wonder that even the famous writer Wei Wei praised him as the Marshal of The Thousand Autumns. In fact, from the internal and external qi of Marshal Nie Rongzhen's ancient calligraphy, we can also see the eclectic, dashing and free, flying pen and ink of Nie Rongzhen's calligraphy. For example, in the inner qi of calligraphy, Nie Rongzhen's calligraphy strokes are dense and elegant, the weight of the lines changes continuously, ups and downs, and fat and thin are also skillfully formed in the transformation of temperament on the turn of the strokes, which can be said to be achieved in one go.
The external atmosphere of Nie Rongzhen's calligraphy is actually connected by virtual reality, and you can see the atmosphere between the lines of his calligraphy, or the contrasting technique, whether it is intricate or should be brought, the flowing atmosphere of calligraphy is always running through. It is precisely because this breath is constantly changing with the help of the qizheng of the knot, so the magnanimous momentum of Nie Rongzhen's calligraphy seems very natural, and it is not deliberately manipulated.