Lang Taosha is the name of the Tang Jiaofang song. Sui and Tang Dynasties were happy to be happy, and the literati were good at taking pleasure into poetry. In the Middle Tang Dynasty, Liu Yuxi and Bai Juyi sang harmony in the minor key "Lang Taosha" and created the first Lefu song lyrics "Lang Taosha", composing seven words and no sentences, four sentences and twenty-eight words. There are two formats, one is the servant type and the other is the flat type.
The Quan Tang Poems say in the lyrics section that "the Tang Ren Lefu originally used the law and other poems and vocal songs, and its harmony was used as a real word, and the length and length of its sentences were filled in by the person who beat the song". In the atmosphere of the era of combining poetry and music, Liu and Bai Shan learned folk songs and created the seven-word absolute sentence style singing and "Wave Taosha" according to the popular song tune of the time, which were included in the "Modern Song Lyrics" by the "Lefu Poetry Collection". It was originally a miscellaneous piece of loose or mutilated folk music, which was preserved by the music house organization, and its content was mostly the poet's nostalgic works.
Miscellaneous lyrics
【Tang Dynasty】 Liu Yuxi
One
Nine curves of the Yellow River Wanli sand, the waves and winds from the end of the world.
Now go straight up to the Milky Way, and go to the morning glory weaver girl's house.
Second
The edge of the Luoshui Bridge is oblique in spring, and the blue stream is clear and shallow to see Qiongsha.
For no reason, the wind was fierce, and the Mandarin ducks were stirred up.
Third
The tiger's eye pattern flows east of the water, and the duck head spring of Qinghuai Xiao color.
Look at the sand at the ferry port, but how many people in the world are crossed.
Fourth
Parrot Island head waves fluttering sand, Qinglou spring looking at the sun will be oblique.
The swallows fight for the house, and the lonely husband does not remember home.
Fifth
Flowers bloom on both sides of the Maojin River, and the spring wind and waves are shoveling sand.
The girl cuts the Mandarin Duck Brocade and will bow to the midstream sunset.
Sixth
The sunshine Chengzhou River fog opens, and the gold panning woman accompanies the river Kuma.
The royal seal of the beautiful jewelry is all in the sand.
Seven
August Roared, and the head touched the mountain back several times high.
But he went into the sea gate and rolled up the sand like a snow pile.
Its eight
Mo Dao's rumors are as deep as the waves, and Mo Yan's migration is like sand.
Although it is hard work, blowing out the wild sand begins to reach gold.
Nine
The flowing water and sand panning are not suspended, and the waves are born after the previous wave is not extinguished.
People suddenly remember Xiao Xiangzhu and sing back to greet the gods three or two times.
【Tang Dynasty】Bai Juyi
A wave of sand comes and goes, a wave destroys a rebirth.
Stir each other up for a day without rest, and will make friends with mountains and seas for a while.
The white waves are vast and connected to the sea, and the pingsha is boundless.
Twilight couldn't stop coming and going, so he ordered the East Sea to become a mulberry field.
Ten thousand miles in the grass lake, one person in the yellow plum rain.
Sad to see the beachhead night berth, the wind overturned the dark waves hit the sound of the boat.
Asking about the rivers and lakes and the sea, what is the love of the king and the heart of the concubine.
Hatred is not as good as the tide has faith, and lovesickness begins to feel that the sea is not deep.
The dust on the seabed will always come, and the fossils on the top of the mountain will not last.
Who said that Xiao Lang threw the little woman, and the bow of the ship went and did not return.
Drifting to the end of the world, there are still a few migrant students.
But when he went to the imperial countryside to regain his wealth, please don't forget the waves and sand.
【Tang Dynasty】Huang Fusong
The beachhead is joined by thin grass, and the waves are half-sinking.
Sulu Mianzhou is not the old pu, last year's shayan was the heart of the river.
Wild song cardamom northern people are sad, pine rain pu wind wild boat autumn.
The waves rise and the plovers cannot sleep, and the cold sand flows into the river.
Waves and sand
【Tang Dynasty】 Sikong Tu
There is no need to drift jade cave flowers for a long time, and the song prefers to surf the sand.
The Yellow River was victorious over the Tianhe River, and thousands of miles entered the Han family.
[Yuan Dynasty] Wang Zhe
If you know the nine nine mysterious talks, the bright moon shines clearly on the bitan.
There will be a pun, the first three and the last three three.
【Ming Dynasty】 Tang Zhen
The Huai River reaches the Qing River, so the storm can be helpless.
The east bank of the sandbuck is long on the west bank, and there are more ships in the south than in the north.
The pond is dangerous, and the wild sand and vicious waves are frightening.
When they met, they tried their best to persuade the public not to cross, and Shu Dao heard that the guest line was broken.
The back wave rushes to the front wave, and the front sand goes to the back sand pile.
In the sand, the wind and fog are always sad.
【Qing Dynasty】Mao Qiling
Look at the orange blossoms in front of the fairy orange mountain, and the single shirt is cut on the orange mountain hemp.
The spring river is empty of blue, and the waves are scooping up the yarn.
The fir wood is made of bamboo as a cornice, and the river tide can be bitter and the rain can be sweet.
Lian Chao only drank the rain on the eaves, and the tide of the river was staggered with salt.
Note: The picture is a painting by the Qing Dynasty painter Jia Yan (1612~1692).