Wang Yuanqi character Maojing, Lutai, Shishi Daoren, grandson of Wang Shimin. Good at painting landscapes, inheriting family law, learning the four families of the Yuan, taking Huang Gongwang as the sect, likes to use dry pen to burn ink, layer by layer, calm with the pen, claiming that the pen has a vajra pestle. Together with Wang Shimin, Wang Jian, and Wang Yi, they were called the "Four Kings", forming the Loudong School of Painting, which was the 300-year painting circle of the Qing Dynasty and became the backbone of the Orthodox School.
Wang Yuanqi was influenced by Huang Gongwang. Painting likes to use dry pen, first use pen, then use ink, from light to thick repeated smudge, from sparse to dense, repeatedly rubbed, dry and wet at the same time, the picture appears to be integrated. His early landscape paintings directly originated from his grandfather and had a stronger appearance, the smell of pen and ink was more mellow, he was committed to imitating the ancients, the forms were rich in variation, but he lacked the breath of life and true feelings; in middle age, he came out of the imitation of the ancients, and the pen and ink were beautiful; in his later years, he used the pen to be sharp and illusory, and the truth and meaning of the ancient, and the astringency was seen in the mature. Its use of color is mottled, which is the ultimate use and fusion of light and turquoise techniques. In the picture, you can see the overlapping of pens and pens, and the places where the hue is immersed, completely informal and straightforward and natural and interesting.
Early Spring Figure Qing Dynasty Wang Yuanqi
The composition of the picture is flat and far, the layers of mountains pushing into the distance, a flood of blue water from the steaming clouds and mist of the mountains, converging on the right side of the picture into a vast lake, the trees between the stones in the lake are newly spitting out, and the spring light is fertile; the author dyes green on the mountain stones, roofs, and leaves, so that the whole picture is full of vitality, and the ochre on the roots and trunks of the mountains enriches the layering of the picture.
Divine Qi Foot Figure Qing Dynasty Wang Yuanqi
This picture is a work of Wang Yuanqi imitating Dong and Jushan Shui, and according to the title, it was made for his disciple Mingji. MingJi was Jin Yongxi, one of Wang Yuanqi's four great disciples. Wang Yuanqi taught Ming Ji xi Dong and Ju Shan Shui with the main purpose of "The Perfection of God's Qi And Feet", and he believed that Dong and Ju Paintings had the characteristics of "the whole is muddy and imposing", and to embody this characteristic, it is necessary to be transparent and clear in rendering, but it is not easy to achieve ingenuity and ingenuity, and it is not easy to transform the gods, therefore, the work is all piled up into mountains of stones, the pen and ink are blended and the levels are clear, and the gods are completely full of qi with the impermeable wind, which is a painting model made by the painter ji a lifetime of painting for his disciples, and is one of his masterpieces in his later years.
Fuchun Mountain Map Qing Dynasty Wang Yuanqi
This picture is created by the painter imitating the brushwork of the Yuan Dynasty painter Huang Gongwang's famous work "Fuchun Mountain Jutu". Wang Yuanqi in this imitation of the use of wrinkles and dot dyeing freely, superb technique, especially in the use of pen and ink, first pen and ink, smudging dyeing many times, from light to thick, gradually increasing, and finally with burnt ink to break awake, giving people a heavy feeling.
Yunyuan Liuquan Figure Qing Dynasty Wang Yuanqi
In the picture, the distant mountains are steep, the clouds are steaming, the front slopes are stacked with stones, the trees are numerous, a few huts or deep hills and ravines, or built by the water, a bend of streams from the deep mountains, forming a vast water in front of the mountain. The painter uses the brush from time to time, layer by layer, so that the picture appears thicker and more vivid.
Mountain village rain scene Qing Dynasty Wang Yuanqi
The picture in the picture is both distant and far-reaching, a series of alpine terraces hidden in the depths of the clouds, dotted with lush trees, like houses, a small stream twisting and turning, flowing into the mountains of Daze, a person is walking over the bridge with an umbrella, and at the front of the picture is a tall cypress tree with a curved trunk and leafy branches. The whole picture is covered with ink and is shrouded in smoke and rain.
Jiangshan Qingji axis Qing Dynasty Wang Yuanqi
The picture is a three-stage "S" shape layout, the distant view is a rolling mountain; the middle view is a mountain peak, a beautiful tree, a patchwork of houses; the close view is a sudden hill, a tall tree, a no-man's empty pavilion, and a fading grass swaying with the wind. The whole picture is light and elegant, and it has the interest of Huang Zijiu.
Gaoling Hirakawa map
The mountain peaks in the picture are towering, the mountains are continuous, majestic and steep, the waterfalls in the mountain streams pour down, several houses are hidden in the mountains, the green trees at the foot of the mountain are slender and tall, and the river flows down to the deep pool. It presents a sense of eternity but eternity, and less of the cold and desolate atmosphere of Ni Zhan, Bada, And Gradualjiang.
Qiushan Tu Axis Qing Dynasty Wang Yuanqi