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Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

author:The art is boundless

Then he introduced Wang Yuanqi's landscape paintings.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

There are poems in the painting of the Qing Dynasty Wang Yuanqi

This figure takes the picture in the poem of Wang Ma jie, and there is a poetic meaning in the painting, and the practical Huang Gongwang pen intends it. The water's edge is made of cobblestone, and it is clear that it is the pen of the foothills.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Smoke floating far from the axis of the Qing Dynasty Wang Yuanqi

The scenery in the picture is dense, and the mountain stones are made of cattle hair, which has Wang Shuming's penmanship. In the midst of the lofty mountains, a stream meanders down into Osawa, the trees are lush, and the points of the leaves are mostly flathead points, weeping leaf points and mixed points.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Mountains and rivers Huancai Map Qing Dynasty Wang Yuanqi

The mountain stones in the picture are colored with small turquoise, and the trunks are first rubbed with ink color, and then dyed with a light ochre cover, making the picture elegant and neat, full of beauty, making Wang Yuanqi a detailed work.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Danshan Bishu Axis Qing Dynasty Wang Yuanqi

The mountain peaks in the picture stand in a row, like optimus prime. The whole picture is finely crafted with penmanship and beautiful color, which is a rare masterpiece of green landscapes.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Huashan Autumn Color Axis Qing Dynasty Wang Yuanqi

Huashan has always been known for its danger, the Huashan Mountain depicted in the picture is even more dangerous and abnormal, the sea of clouds churning between the mountainsides, like a fairyland, a high waterfall falls from the middle of the mountainside, spreading thousands of miles, the trees between the hills are full of springs, converging into a deep pool; under the foot of the mountain are dotted with several huts, a number of mangrove trees, so that the silent natural scenery has a humanistic atmosphere, from the realm of no self to the realm of me, becoming a place to live and swim. The painter repeatedly rubbed out the texture of the mountain stone with dry brush and light ink, deepening the feeling of the thick and vast mountain peaks, and the leaves and slopes were lightly colored, making the picture more vibrant.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Xia Shan Xu zhao scroll Qing Dynasty Wang Yuanqi

The whole picture is shrouded in a faint, dreamlike morning light and shadow, which is particularly warm and vibrant, which is in strong contrast with the early Qing Dynasty Hongren and the Bada landscape.

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Yunshan Endless Chart Axis Qing Dynasty Wang Yuanqi

Appreciation of Wang Yuanqi's Landscape Paintings (Part 2)

Xishan Forest House Diagram Qing Dynasty Wang Yuanqi

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