Text/Ziyi
No one expected that "Every Day Upward", which had been broadcast for more than 10 years, had survived one accident after another of the Daily Brothers Group to quit, but had not been able to survive the hard threshold of "host card".
After the rectification, the program, whether in the content or the host lineup, has been completely arranged and adjusted;
The theme now is to strive to create "a literary and artistic public welfare talk show that conforms to the main theme and mainstream values", and the taste of de-entertainment is very strong.
And The big Zhang Wei and Wang Yibo that we have always been familiar with, at the same time withdrew from the host team of the program group, and Wang Han began to have a new helper, that is, Qi Sijun.
In fact, he is not a newcomer in the true sense, but an "old friend" of Mango Station. For example, the recent "Brother Who Cut Through Thorns" and the mango double eleven party have his presence.
It can be said that the new show brings us a different experience.
The latest issue of "Every Day Upward" invited a number of big names in the industry to show the strength and positioning of the current war films to the audience, bringing us new knowledge.
If I hadn't watched it, my understanding of civil war films would still be stuck in the prejudice of "eight hundred mile rifle hit the enemy."
For previous war films, the audience's attitude is clearly polarized.
Before that, the biggest impression of many people on war films was the anti-Japanese drama, which may be particularly liked by the older generation, but the younger generation does not recognize it.
Why is there such a huge differentiation?
We can glimpse from a certain anti-Japanese drama, for example, this sentence "Eight hundred miles away, a shot kills the devil's machine gunner"
This line undoubtedly idolizes the anti-Japanese fighters.
The older generation of people who have experienced war, based on the pain of past wars and hatred for the enemy, this undoubtedly hit the cool point of this part of the audience and received unanimous praise.
But for the new generation of young people, it is not very buying:
How far is eight hundred miles?
The distance from Beijing to Jinan was about 409 kilometers, that is, the gun was fired from Beijing to Jinan.
There are also a lot of unconvincing plot designs.
For example, the design of the plot of the plot such as the stone bombing the plane in "Iron Blood Mission", the bullet in "Sharp Gun" will turn, and the grenade hitting the airplane in "Indelible Fan Number" all make it unacceptable to the young generation who have received modern education and have a universal level of knowledge and certain judgment ability, and it is impossible to talk about recognition and love.
In recent years, domestic military-themed films and TELEVISION dramas have been frequently produced - such as "Red Sea Action", "Wolf Warrior", "Eight Hundred", "Chosin Lake" and other films, which not only created box office miracles, but also appeared phenomenal national films, touching many Chinese film fans.
Why has the war film market changed so dramatically?
What is it that makes China's younger generation of young people begin to accept and love domestic military-themed film and television works?
This issue of "Every Day Upward" gives the answer.
Without the active atmosphere of the Tiantian brothers, and without the gag jokes of Zhang Wei, the veteran host Wang Han directly led the audience, allowing us to directly appreciate the rise of Chinese war films.
As the China Filmmakers Association, Li Xuezheng, secretary general of the Military Theme Film Studio Committee, believes that as a display of contradictions between human beings and human beings, war films have always been the main force of the film industry.
Take Hollywood as an example: military films in Hollywood's film industry account for 60% of all film resources, while China's current military-themed films only account for 20% of the total film industry, so the development potential of China's war films is very huge.
Lin Feng, the action director of the movie "Chosin Lake", has been in the industry for thirty years and has a solid foundation, and has served as a stand-in for "Huang Feihong".
Under his guidance, the actors in the film behave heroically but not recklessly, truthfully without being handsome. The flowing hands of the clouds bring everyone a cleaner and neater look of action.
It is inevitable that there will be injuries in war films - various gunshot wounds, abrasions, frostbite, old scars, etc., to create a good wound effect, can help the audience better feel the cruelty of war and highlight the veterans' experience.
As the special effects makeup director and prop director of the movie "Eight Hundred" and "Chosin Lake", Xue Song.
After his elaborate and clever use, the glutinous rice paper of the rock sugar gourd can be made into a dry skin on the mouth, and the black sesame paste can also be made into realistic traces of war smoke on the soldier's face.
The frostbitten gloves carefully designed by Xue Song can not only shoot in close-up, but also reduce the actor's makeup time and speed up the shooting progress.
The two-ton prop tank can be said to be the largest prop ever displayed on the stage of "Every Day Upward" - the bean fighter.
Focusing on heavy equipment for thirteen years, Jin Chengfeng produced more than a dozen war vehicles for the film.
The tank on display this time originated from Japan, when the Japanese specially made a small tank after measuring the width of China's roads.
This kind of tank is stuck in the road, and basically no one can pass. This prop tank is made according to industry standards and can also fire cannons.
Listening to Jin Chengfeng's eloquence, the audience not only knows the origin and design intention of the props, but also feels the huge shock brought by the props.
As an indispensable firearm in war, the role of prop guns is particularly important in large-scale war films.
At that time, the guns of the movie "Chosin Lake" were responsible for Liu Zhen, and the average age of Liu Zhen's team was only twenty-six years old, which was exactly part of the audience group that required the details of the movie.
Therefore, he himself also has a thought about the guns of the props.
Using safe cold flames to simulate the fire effects of real guns, the design of blocks such as shell throwing and recoil makes the props more realistic.
The most common in war movies is large explosions.
As the multiple winners of the "Golden Rooster Award" Best Fireworks Award, Yin Xingyun and his apprentice Qingbo not only brought the audience a very visual explosion demonstration, but also a professional and responsible professional attitude.
As an explosion plot with a high risk factor, the importance of safety cannot be ignored.
In war films, there are countless explosions of all sizes, and once there is an accident, it will undoubtedly have a great impact on the safety and shooting of the actors.
The impact of the explosion accident in "I Have a Date with Spring" is still far-reaching.
The heroine Ren Jiaxuan (SHE's ELLA) skin was burned, which indirectly led to the end of her later divorce, and Yu Haoming was forced to leave "Every Day Upward" to recuperate.
The degree of burns in the two men was grade III, to the extent that skin grafting was required.
Therefore, as the person in charge of the blasting props, in addition to replacing the gunpowder with a safer air explosion, Qingbo tried all the blast points six times in order to strive for foolproof, and only then did he dare to let the actors play with confidence and boldness.
From the development of war films to the depiction of details, from heavy equipment to explosions, to firearms, to wounds and a series of close cooperation, a highly ornamental war film can be presented to the big screen for the audience to watch.
These are inseparable from the careful production of the production staff behind the scenes.
It is precisely because of the excellence of this group of people that China's war films can be taken to a higher level and toward a higher intention and standard.
It can be said that the issue of "Every Day Upward" is closely related to the theme, plays the purpose of patriotic education, and well popularizes the behind-the-scenes knowledge of war films, killing two birds with one stone.
It has been decades since the end of the war, and the older generation has personally experienced the cruelty and pain of the war, so the memory of the war is particularly deep.
It is precisely because the anti-Japanese dramas have taken a fancy to this point, so a large number of TV dramas that idolize our army, make friendly troops cowardly, and Japanese pseudo-idiotic tv dramas sprung up like mushrooms after the rain.
Although this caters to the hopes of the older generation, it is also a distortion of history, and it is even more disrespectful to the martyrs who defended their homeland with blood.
The younger generation not only needs to understand the real historical truth, the war, and understand the sacrifices and sacrifices of the martyrs, so as to know that peace is not easy to come by, learn to cherish the current peaceful life, and cultivate the national spirit of a new generation of young people who are confident and self-reliant.
After the revision of "Every Day Upward", the ratings of "Every Day Upward" have declined briefly, but I believe that its reputation will slowly become better with the construction of the new host Group and the continuous optimization and adjustment of the content, so let us look forward to it.