Now the entertainment industry film and television circle is booming, the scale of practitioners is getting bigger and bigger, and the competition is becoming more and more fierce.
On the one hand, there are constantly new people pouring into the entertainment industry, which has a greater impact on the predecessors, but it is also facing the pressure of the predecessors, and it is not easy to get ahead, and only a small part of them may stand out.
On the other hand, in the face of new talents, the challenges and pressures of the predecessors are also very large, many middle-aged actors are also caught in the bottleneck of the mid-life crisis, the age is not up and down, the image is not old and not young, playing young roles is too old, playing the elderly feels too young, the age increases popularity slips, and the play path is also a bit limited.
Therefore, some popular first-line actresses, when playing the works of the big heroine, can not only play the state that coincides with the real age, in order to connect back and forth relatively naturally, they also have to say that they are old and tender.
For example, Zhang Ziyi previously starred in his first TV series "Shangyang Fu", in the plot part of the heroine's fifteen-year-old, he also went out on his own to interpret the age state of fifteen with the age of forty. Although Zhang Ziyi and the stylist have worked hard, the effect presented by the final TV series is still somewhat embarrassing, and the audience complains that Zhang Ziyi is too illegal and too embarrassing.
And Liu Tao's two recently broadcast dramas "Daming Palace Words" and "The Sea of Stars", the heroine's age span is large, and there are many young scenes, but Liu Tao is more than forty years old, to play a state of one or two decades old, even if the makeup modeling and filter effect cover up, you can still see the age traces, slightly contradictory, but also some viewers continue to spit on.
Perhaps with the experience of Zhang Ziyi, Liu Tao and other middle-aged and elderly actors challenging the poor effect of young roles, the actresses in the future will interpret the role of the big female protagonist, and will also pay attention to avoiding the embarrassment of the large age span.
For example, Yang Mi did this kind of reasonable treatment of the age span in the new drama "Lady Hu Zhu". In the plot of the first two seasons, the heroine played by Yang Mi is still in the girlhood, if according to the treatment of other actresses before, Yang Mi can also play the juvenile version by herself, anyway, she is a baby face, looks young, and is slim and thin.
But Yang Mi did not do this, but the girlhood of the role played by small actors. Although the role of this young actor is not much, it soon transitions to the adult version of Yang Mi's appearance, but it leaves a good impression on the audience, making people bright, like a glimpse of surprise.
This young actor and Yang Mi's same appearance style and even temperament, round face, exquisite facial features, combined together is very beautiful and stunning, as well as the girl's youth and freshness, raising hands and feet are beautiful and stunning. It can be said that this small actor is well chosen, which adds a lot to the beginning of the TV series.
But such a reasonable treatment is also a double-edged sword, that is, the small actors are too well chosen, when the plot transitions to yang Mi's appearance, it feels that the contrast is still relatively large, even if Yang Mi looks younger and younger, but there are many similar roles of senior actors, or it makes people a little aesthetic fatigue, otherwise the small actors are so fresh and natural.