Some time ago in the live broadcast room, actor Gazi brother Xie Mengwei connected pan Changjiang, and Pan Changjiang educated him in a serious and long-term manner.
He said that as an actor, the first should be to hone your acting skills, not to pick up bad films, and second, not to wade into the muddy waters of live broadcasting.
Uncle Pan's words made Xie Mengwei cry bitterly, and he had the intention of changing his past mistakes and starting again.
Unexpectedly, after this conversation, Xie Mengwei continued to bring goods and apologized to the public for selling fake wine.
And Pan Changjiang also played live streaming with goods, and the heat was not much worse than Gazi.
On the one hand, he took over a network movie "Wusong Blood Battle Lion Building", in which he played Wu Dalang.
On March 7, this network was launched, and as of now, douban score is 4.5 points.
"Water Margin" is one of the four famous works, the original book has a total of 120 times (there are also 100 times and 70 times two versions), and the chapters describing Wu Song account for 10 times, which is called "Wu Shi Hui" by the storytellers.
"Wu Ten Times" is the most wonderful chapter in the book, Wu Song fights the tiger, Ximen Qing and Pan Jinlian steals love, Wu Dalang is killed, and the story of Wu Song avenging his brother is a household name.
The film begins after Wu Song fights the tiger and continues to talk about the murder of Wu Da and the Wu Song Blood Battle Lion Building.
At first glance, this network university looks full of cottage flavor, but when you look at Wu Song's starring role, it is Ding Haifeng.
Ding Haifeng is the actor of Wu Song in the 1998 CCTV version of "Water Margin", which won the love of thousands of viewers with his heroic appearance and sharp skills.
But 23 years later, he has become the director of Zhao Donglai, why did he go back to the road to re-play Wu Song?
With curiosity, Pigo watched the movie, and it was difficult to say a word—
Simply put, the movie has three major hard wounds.
First: the whole story is already a household name, and there is really nothing new to tell.
It can be seen that the screenwriter also wants to tell some new ideas, such as the flashback in the middle of the plot to explain pan Jinlian's fate before marrying Wu Dalang.
She was previously the handmaiden of a large family, the old man coveted her beauty, and the hostess was jealous, so he married her to Wu Dalang, who was "three inches of Dinggu bark".
I originally thought that the whole film would make a big fuss about this piece, such as using Pan Jinlian's inner entanglement to show the oppression of women in feudal society.
However, after watching the whole film, I did not see Pan Jinlian's inner world, until finally Wu Song killed his sister-in-law, Pan Jinlian said weakly: "I want to fight against the sad fate." ”
This theme should have been played out, and the screenwriter was too lazy to let the protagonist say it directly, making people taste the same as chewing wax.
Second: Pan Jinlian and Ximen Qing's actors are obvious plastic surgery faces, and the acting skills are really difficult to compliment.
You can close your eyes, I think everyone can instantly recall Wang Siyi's version of Pan Jinlian.
This version of Pan Jinlian looks very good, but it has become a net red face, and you can't remember what she looks like after watching it, as for the acting skills, don't mention it.
And in terms of appearance, Wang Siyi's version of Pan Jinlian is more convincing and can see the beauty, but from the makeup to the clothing are relatively simple, the behavior is more conservative, and the traditional moral constraints faced by women under the times can be felt, so the huge contrast between the behavior of the characters before and after is more impressive.
The new version of Pan Jinlian is full of charm, and the dress also deliberately caters to the preferences of modern men, and the whole painting style has gone crooked.
However, Pan Jinlian's popularity is indeed high, after starring in this film, the actress quickly became a vibrato red, rising hundreds of thousands of fans, and Pan Changjiang interacted intimately in the live broadcast, but this pair of "yearless CP" Pi Ge is really not moving.
And Ximen Qing is also played by Small Fresh Meat.
As the first villain in the film, he wrote "I am a scumbag" on his face, completely without the feeling of performing Sven scum, sinister and insufficiently oppressive.
Especially in the last climactic scene, he did not give Wu Song a little confrontation, Wu Song picked him up like a small chicken, the audience originally expected a big battle, the result is this?
Third: The biggest hard injuries in the whole film are Pan Changjiang and Ding Haifeng.
Objectively speaking, the biggest selling point of this network is these two old drama bones, but they are very embarrassed to act, not that their acting skills are not good, it is really their age is too contrary.
If you think about it, 64-year-old Pan Changjiang and 52-year-old Ding Haifeng starred in Wu Dalang and Wu Song, can this play still be watched?
In the film, Pan Jinlian's actor Zhang Xiyuan is 32 years younger than Pan Changjiang and 6 years younger than Pan Changjiang's daughter Pan Yang, and the two are more like a father and daughter, without a little wu Dalang and Pan Jinlian feelings.
There Ding Haifeng is also very embarrassed, when he filmed "Wusong fighting tiger" was a real tiger, this film probably considered his age, directly cut off this clip, otherwise the old arm and leg of Wu Song has not become the dessert of the tiger?
When he saw Pan Jinlian wrapping her arms around her neck and saying to Wu Song, who was full of folds, "Sister-in-law has come to teach you about men and women." "I got goosebumps in embarrassment and fell to the ground.
Fortunately, in the last scene, Ding Haifeng still contributed a good fight scene, although his skills were not as good as that year, but the tendon meat of a body could still see the self-cultivation of an actor.
And the role of Pan Changjiang is too jumpy, age is only a problem, the most important thing is that he is not suitable for playing Wu Dalang at all, in addition to height, the two do not have any similarities.
Wu Dalang is that kind of obscene and pitiful honest man, and Pan Changjiang's temperament is too strong to play that kind of humility, when watching the movie, he played Wu Dalang gave me a feeling of calmly and calmly seeing through everything.
Especially in the section of "Da Lang drank medicine", Pan Changjiang on the hospital bed was still full of breath and full of spirit.
Several times I felt that Pan Jinlian was going to kneel down and kowtow to him: "Teacher Pan, am I wrong or not?" ”
After watching the film, I asked myself two profound questions.
First: Am I watering in my brain? Spend an hour and a half looking at something like this.
Second: how can Pan Changjiang and Ding Haifeng pick up such a film!
I'm sure that how much humiliating it is to play water margins, the two old drama bones are like spiegels in their hearts, and they themselves are not expected to watch the final film.
The most fundamental reason behind this is that the old drama bones have not caught up with the good times.
At that time, the actors were also called literary and artistic workers, they were no different from ordinary factory workers, even if they had a high reputation, they did not make any money by fame.
Jet Li's salary when filming "Shaolin Temple" was 1 yuan a day, and then he was called by Liu Jialiang to go to Hong Kong to shoot a play, and the salary rose to 2 yuan a day, while the salary of the Hong Kong dragon set actors in the same crew was 50 yuan a day, so angry that Jet Li never filmed with Liu Jialiang after that.
In the 86 version of the "Journey to the West" crew, director Yang Jie's salary is 90 yuan per episode, and the salary of several leading actors is 80 yuan per episode, when the small fresh meat Wang Bozhao came to the crew to shoot 3 days of drama, took away 1500 yuan of remuneration, which is the salary of six children for 6 years.
Chen Chong was less than 20 years old to star in "Little Flower" and won the Hundred Flowers Award, but almost did not make any money, and when she studied abroad, domestic stars began to make money, Chen Chongkong had to brush plates in the United States to make money.
There is also the Spring Festival Gala that all Chinese know, the actors who participated in the performance almost no remuneration, such as the 2012 coat brother Zhu Zhiwen on the Spring Festival Gala, and finally got 3,000 yuan of labor fees, compared with the stars who often spend hundreds of thousands of appearance fees on weekdays, it is drizzle, so like Pan Changjiang, the spring festival gala regulars, the output of works almost all rely on the Spring Festival Gala, but the money earned is far less than we think.
The so-called "people do not suffer from widowhood and suffering from inequality", in the eighties and nineties of the last century, everyone was very poor, these actors can balance the mentality, but then with the impact of Hong Kong and Taiwan pop culture, the fan economy developed rapidly, to now the traffic is productivity, the annual income of a traffic star is comparable to a listed company, and the mentality of the old drama bones who missed the dividends of the times was unbalanced.
Some actors are already in high positions, such as Li Xuejian, who has been elected president of the Filmmakers Association (now retired), and money is no longer important to him.
Some of the drama bones have become famous all over the world, such as Feng Gong, who is a famous person himself, while his student Jia Ling made "Hello, Li Huanying", and another student, Pan Binlong, won the overall championship of "I Am an Actor".
Feng Gong has long been not short of money, and the contentious apprentice has brought him a full sense of accomplishment, which is equivalent to indirectly extending his artistic life, so he has also lived the life of an idle cloud and wild crane, and from his vibrato video, you can see the calm and calm of the old artist.
There are also some drama bones that are a little desolate, old, can't play the main role, watching the juniors make a lot of money, thinking about the descendants of the family, they obviously want to do something.
For example, a six-year-old child, when he was young, did not make any money, when he was older, he wanted to generate income, but also to write books, tour around the country to sell his books, just so blindly tossed, the money earned less than a fraction of small fresh meat, forcing him to make a lot of extreme remarks, was ridiculed by netizens as "six studies".
There are also Pan Changjiang and Ding Haifeng, although they are now about to continue to make films, but if it were not for such a large network, it would be almost impossible for them to play the main role again, and the income was also greatly discounted, and they could only sell their feelings, open up, and finally earn a pension fee.
Pan Changjiang has been advising his daughter not to enter the entertainment circle in the past, and he said in an interview that the water is too deep, and his daughter has been eating and drinking all her life.
In fact, this can also be given to old drama bones such as Pan Changjiang and Ding Haifeng, in the words of the audience: shouldn't the old drama bones bend their waists for money?
Finally, I sincerely hope that the old drama bones can hear the voices of the audience and maintain the integrity of the artists.
Text/Pippi Film Editorial Department: A Chicken
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