"Museum of Innocence" - is it the obsession of lust, or the pursuit of true love

The book "Museum of Innocence" tells the story of Mustafa Kemal, a 30-year-old rich man who is married, who falls in love with his poor relative, an 18-year-old girl Fusong, and in Kemal's villa, the two people interact passionately more than 40 times, which has become Mustafa Kemal's lifelong obsession and unforgettable memory.

In the first few chapters of the book, a considerable part of the content writes about "sex", and there are young readers who leave messages, feeling that the male protagonist Mustafa Kemal is just obsessed with the feeling of having sex with Fu song. In fact, for many years, it has been consistently infatuated with "this person" to feel together, to reject and reject temptations from any other opposite sex, to be able to keep the heart and keep the body as one, and the inner attachment is not only the pleasure brought by the body, but also the high unity and harmony of the soul and the body.

Superficial reading, only "sex" can be seen. In one chapter, the author wittily says, "If it is for students to read as a textbook, please skip this section." ”

"I saw my soul come back from my body and was kissing Fursong in a corner of heaven." Whether it is fate, or desire, or the germ of love, love that began with desire has penetrated Mustafa Kemal's soul. Mustafa Kemal failed to take the step of chasing "true love."

The day after Mustafa Kemal and his fiancée Sibel held a grand betrothal ceremony, Fu Song did not say goodbye. Mustafa Kemal was in pain, thinking day and night, looking around, as if he were possessed by a demon. Faced with the warmth of Sibel, he became depressed and indifferent. In the end, the paper could not contain the fire, and After knowing that he had long since transferred his love, Sibel immediately returned to the engagement ring, and never saw Mustafa Kemal for the rest of his life for 37 years.

Reading this, I greatly admire Sibel's determination, determination, self-esteem and strong self-control. I have been deeply in love, hurt to the extreme, will be so desperate. In Turkey, which has a conservative tradition and regards the virginity of women above all else, it has given everything to Sibel, no pleading, no hysterical fuss, and decided to let go. A weak woman who has been indulging in the fantasy of good love can do this, and perhaps only one sentence can explain it - mourning is greater than heart death.

In the face of endless deception and betrayal, what was once love turned into deep disgust and disdain.

A year later, Mustafa Kemal finally found Fusong, who was already a wife. In order to dispel his deep love for Fusong, Mustafa Kemal gave up all his upper-class social networking and went to Fusong's house four times a week to eat with Fusong, Fusong's husband, and parents, and watch TV. In order to have a reason to be close to Fusong, he even paid for Fusong's poor screenwriter husband to make a movie, so that Fusong could realize her dream of becoming a movie star.

This pathological follow-up lasted for eight full years.

I've always had a puzzle about this part. Does Fusson still love Mustafa Kemal? If she loves, why did she keep a loveless marriage for eight years, enjoy Mustafa Kemal's great financial support, and watch Kemal suffer but not divorce? The interpretation in the movie "Museum of Innocence" is that Fusong's interaction with Mustafa Kemal was originally out of love and the vanity of the girl to cling to the powerful, and after Mustafa Kemal's betrothal, the eight-year-long relationship between her and Mustafa Kemal was out of revenge and exploitation.

Eight years, two people tug-of-war persistence, it is really incredible.

Eight years later, Fusong divorced her husband, who had a new love. The film company funded by Mustafa Kemal was given to Fusson's husband. Just when Mustafa Kemal was full of joy and busy keeping her marriage to Fusong traveling, and yearning to start a new happy life with Fusong, Fusong died in a car accident. Mustafa Kemal, who was sitting in the co-pilot, survived.

The feelings of losing and regaining, gaining and regaining, with the demise of Fu song, came to an abrupt end.

In Mustafa Kemal, it is not only the love for Fusson that presents it, but an almost morbid obsession. He has an infatuated side, but also a particularly annoying point, that is, he never thinks that he betrays his fiancée, how hateful the feelings of cheating on his fiancée are, and he is selfish in nature and feels that he is particularly wronged, and always wants to get all the love. This is also the root cause of many men's inferiority.

The male protagonist, Mustafa Kemal, bought the house of the Fusong family to display all the items he collected related to Fusson. He did not remarry after that, but went to old age in the company of those hairpins, earrings, lipstick and other supplies with the smell of fleur-de-sufficiency.

Perhaps, this is the innocence of the feelings that "Museum of Innocence" wants to express?

Nobel Prize winner in literature and Turkish writer Orhan Pamuk is indeed proficient in writing, and the portrayal of the psychology of the characters is quite accurate and the transmission is extremely accurate.

I love you, even everything you touch. - "Museum of Innocence"

The book is more than 1600 pages long in WeChat reading, and I am very tired to read, and I finally finished reading.

For the hero and heroine, I don't like it.