Wang Yun was a famous courtier in the early Yuan Dynasty, and some of the edicts of Kublai Khan's era were mostly written by Wang Yun. Wang Yun originally served in other places, and in the 28th year of the Yuan Dynasty, Kublai Khan called him back to the capital and asked him to put forward some constructive suggestions, so Wang Yun gave Kublai Khan the "Book of Ten Thousand Words", which proposed to "reform the old system, depose the corrupt officials, all be enlisted, and promoted to talent." Most of these suggestions were adopted by Kublai Khan, for which Wang Yun was awarded the "Hanlin Bachelor". During Wang Yun's tenure in the imperial court, he also compiled a "Chenghua Chronicle", which Yuzong Zhenjin thought was very good, so he sent the book to the emperor's grandsons to read.
Wang Yun wrote the "Chenghua Chronicle" in the thirteenth year of Qing Tongzhi Yushan Gu's engraving of the "XiaoshiShanfang Series"
Regarding the value of Wang Yun in the history of literature, the "History of Chinese Literature" edited by Yuan Xingpei gives the following summary: "In the process of its development, the prose of the Yuan Dynasty had different orientations between Zong Tang and Zong Song. Early prose writers such as Yao Fu and Yuan Mingshan tended to be Zong Tang, mainly teachers of Han Yu, who had a strong and profound style; other writers, such as Liu Yin and Wang Yun, taught The Song Dynasty, and the style tended to be easy and smooth. In the later period, the tendencies of Zong Tang and Zong Song gradually merged. ”
For Wang Yun's upbringing, the most famous theory is that he was a disciple of the great poet Yuan Haoqing. This statement was approved by the Siku Guanchen, who said in the "Outline of the General Catalogue of the Four Libraries": "The source of the Yun article is good to ask, so its wave of meaning does not lose the previous people's manners." The psalms are strong and can also be attributed to their teachers. In the discussion of various works, the relevant politicians are particularly clear and clear, and they know it very well. History is called talented, but not vain. ”
At the beginning of this passage, it is said that Wang Yun's article is derived from Yuan Haoqing, and praises Wang Yun's article quite a shadow of Yuan Haoqing. The "History of Literature in the Yuan Dynasty" edited by Deng Shaoji believes that this statement is unreliable, and the basis for this conclusion comes from the annotation in the poem "Chasing After Mr. Yuan Yishan" written by Wang Yun: "Yu Nian Twenty-Xu, with the time of writing to Mr. Yu, the public is very happy, personally deleted, and there are "writing is more important than Xiang Quan" and "Taishan dust". That is, to go westward, to be preached. Yu yi did not do anything, and still has a cloud of resentment. Wang Yun said here that he took the article to Yuan Haoqing in his twenties, Yuan especially liked it after reading it, and helped to make deletions and pointing, and later Wang Yun wanted to see YuanHaoqing, but because of the delay in things, he did not go to success, and Yuanyuan's death made Wang regret it. In response to this passage, the book edited by Deng Shaoji made the following assertion: "Therefore, the Siku Guanchen 'Originated from the Yuan and asked questions' and 'Si Xiangqi's teacher' Yunyun, which is not only based on insufficient evidence, but also suspected of taking it for granted. ”
Wang Yun wrote the "SlightLy Supplementary Map of the Chenghua Affair of King Yun of the King of The King of The King", six volumes, the Plate of the Wuying Hall of qing guangxu, illustration 1
Wang Yun wrote the six volumes of "A Brief Supplement to the Work of King Yun Chenghua of the King of The King of The King", the plate of the Wuying Hall of qing guangxu, illustration ii
In fact, Wang Yun's real teacher was Wang Pan, who was also a famous scholar of that era, and he advocated: "Articles are precious to be self-sufficient and do not follow the words of predecessors", Wang Pan's concept has a deep influence on Wang Yun, and later Wang Yun's articles especially emphasize this point. However, Wang Yun also stressed that the article should have its roots, and he said in the "Quotations from the Collected Writings of Mr. Guo Guo": "Although the article derives the Six Classics, describes the sons of the sect, and is the work of special speech and is reasonable, it is necessary to cultivate its roots morally, ask and store its essence, have a source of essence and its vocabulary, and do not quit for it, so as to be mature, to be self-sufficient and useful, and to be superficial and old, so that it can create a neutral and mellow realm, without plagiarism and deception, and eliminate the evils of absurdity." Therefore, it is very difficult, and famous people are rare. This statement is very orthodox.
Regarding the specific practice of the article, Wang Yun has an article called "Literary Order", in which he states: "The works of the text have different origins: those who intend to resign first, and those who resign first and intend to resign." It is easy to resign first, and it is difficult to resign first. After the meaning is first, the words are smooth and reasonable; after the words are first, the words are separated and the reasons are obedient. This inevitable theory is also the most well known to scholars. That is to say, Wang Yun still emphasizes that the content of the article is the first, that is, the ideological nature of today is the most important, and whether the article is beautifully written is the second thing. Having said this, Wang Yun did not deny the value of rhetorical beauty, and he said in "Mao Chang Feng Le Shou Bo": "Three hundred elegant styles, one returns to innocence."
The song is wonderful, which is the transmission? Wen Wen Leshou, a famous artist in the early Han Dynasty. The first word of the training came out, and then it was corrected and corrected. The wind of Dun Hou is eternally inciting. ”
Wang Yun's poetic view admired Sheng Tang, and he expressed his views in the poem "Even Book":
When Tang reached the peak of the Kaiyuan Dynasty, he seemed to be happy when he saw people.
Always in the dream of Chang'an Road, the donkey recites poems into snow full of shoulders.
Regarding Wang Yun's poetic view, the "History of Literature of the Yuan Dynasty" gave this evaluation: "He said that Yuan Hao asked Zong Tang obviously lost one-sidedness, but the aesthetic views embodied in his opinions also happened to coincide with the views of the later Yu Ji, Yang Zai, Fan Zhao, and Jie Daisi, that is, under the premise of Zong Tang, they promoted the bland and gentle Wang and Meng shifeng. Yuanren on Yuan poetry, often said that after Yuan Zhen and Dade, the wind of Zong Tang flourished. As an early scholar of the Yuan Dynasty, although Wang Yun's poetry was not outstanding, his views on poetry did play a certain pioneering role in the rise of the Zongtang poetry style. ”
Wang Yun wrote the six volumes of the "Brief Supplement to the Qing Ding Yuan Wang Yun Chenghua Affair", the Qing Guangxu Wuying Hall Plate, and the Preface I of Wang Yun
Among the poems written by Wang Yun, the works that can embody this poetic view are "Crossing the Shagou Shop":
Takayanagi long tu sent guests groaning, dark panic timing changes into songbirds.
The breeze broke through the heat for three consecutive days, and the good rain arrived at ten thousand gold according to time.
The distant ridge hugs the village around the wild color, and the clouds follow the horses to make light yin.
The whip is happy to enter the boundary of the fat city, and the mulberry shade is thick and the wheat waves are deep.
Unfortunately, there do not seem to be many people who can reach the above level in Wang Yun's poems, so Gu Sili said in the "Selected Poems of Yuan, Wang Yun's Small Biography": "The Qiujian Collection is combined into one hundred volumes... However, if there is too much storage, there are few choices, and it will be painfully shaved, and the wonderful will become more and more beautiful. Deng Shaoji interpreted this passage of Gu Sili as follows: "This is actually a euphemism for the majority of mediocre works. ”
In fact, Wang Yun does have a more in-depth study of Tang poetry, for example, he believes that absolute sentences are the most difficult to write, and Wang Yun directly expressed his own view in the article "After the Selection of Three Hundred Poems": "Qianxi said that the Tang people especially used small poems, and their intentions and narratives did not reduce the length at the beginning. And the promotion is four sentences, the intention is exhausted, and the high simplicity is frustrated, so it is difficult to hear. Therefore, there must be something to be written about, such as Wang Mo jieyun: 'There is no reason for the west out of the Yang Pass.' 'The old walker is miserable, and the drunkard has to drink. The words of Yang Guan must not be left untouched. Yu Yiyi: From the ancient and simple and the fiber, from the fiber out of the discussion, this small poem so the most difficult to work also. "Although it is difficult to write good poetry with such a deep understanding, it seems to be a real confirmation: it is easy to understand one, but it is not easy to achieve this kind of good.
Wang Yun wrote the six volumes of the "Brief Supplement to the Qingding Yuan Wang Yun Chenghua Affair", the Qing Guangxu Wuying Hall Plate, and the preface to Wang Yun II
Wang Yun also had some words to pass down, Deng Shaoji believed that the level of Wang Yun's words exceeded his poetry, this sentence was originally from Zhou Yi's point of view, and when praising Wang Yun's words in the "Hui Feng Words", he said: "Qinghun Chaoyi, the style of the two Song Dynasties", and the example cited in the book "History of Literature in the Yuan Dynasty" is Wang Yun's "Partridge Heavenly Gift says Gao Xiuying":
A short shirt with light makeup and red sleeves on the spot. Cover up the song fan beads into a string, blowing off the light jade with incense. From Han Wei to Sui and Tang Dynasties. Who teaches if the generations manage the rise and fall. A hundred years is always a scene, and the door hammer is not easy.
Wang Yun also composed some small songs, which are more skilled than his poems, such as his "Double Mandarin Duck Lefu Acacia Song" written by [Zhenggong], and I excerpt the first half of the song as follows:
The dust is red, the lychee wind blows off the bustling dream. The jade did not come to the palace to close, and the green mountains were still in the imperial walls.
Chaos, Nai Jun He, from the sparse north to go more. The dust has faded red and pink, and the lychees are still on the slope of Ma Song.
Year east tour, Luoyang City, Tianle Palace night through the bright. I don't remember Li Twilight stealing songs, and there is a new sound of flute playing in the restaurant.
Raining bells, but returned to Qin, just like Zhang Hui's new song. Long remember the emperor and tears to listen, Yue Ming Nan Nei is even more empty.
Yi Kaiyuan, the immortal in the palm of his hand, entered the deep palace for twenty years. Long remember the feast at the Gate of Heaven, and the hundred officials downstairs to collect money.
From the content point of view, it is obvious that Wang Yun is talking about the story of Tang Xuanzong and Yang Guifei, and he also made an explanation in the small preface to the song: "Read the "Kaiyuan Testament" and go to take the Tang poetry and do it. A 'Hundred Gongjin' was painted by Guan Ren Nanlu in the "Huaqing Palace Map". ”
Wang Yun wrote the "Brief Supplement to the Qingding Yuan Wang Yun Chenghua Affair" in six volumes, qing guangxu wuying hall plate, Wang Yun preface three
Wang Yun also composed ten poems of "Pinghu Le Yi hai March 7 feast lake endowment", and I excerpt three of them as follows:
The spring breeze blows the water to raise the lake, and the green swing column. The two-leaf orchid radius bucket came and went, thousands of people shouted, and the red clothes came out of the depths of the waves. Aotou tour, raccoon flowers, good twilight early spring.
San'in Shu zen said Lan Ting, like Jueping Lake Victory. Spring clothes at the beginning of the beautiful makeup, jade double bottles, Xinglai into nowhere. The king feasts high, and on this day of the year, the song and dance are raised to the level.
Willow side fly cover cluster of clear smoke, people feast on pinghu lake. Bi Yiyao re-reflects the song fan, Qi Luo feast, and the spring breeze face of life several times. In the Painting of Jiangshan, a temporary figure, obliquely re-retained.
For this group of poems, Zhu Yizun included it in the "Dictionary", which shows that this kind of small order can also be called a kind of word.
No handwriting is recognizable on the tombstone
Look for a circle and don't see any relevant text introduction
Generally speaking, the small orders of loose music made by Wang Yun lacked the popularity of similar works of that era, and his small orders never wrote about eroticism, which was his intention, Wang Yun once said: "Even if there is success, it is inevitable that the pen and ink will be exhorted to be narrow ears", so Deng Shaoji felt that the kind of works made by Wang Yun were "insufficient in taste of loose music".