Mo put Dan Qing and other idle looks, silent poetry in praise of Qianqiu.
--Ming Xu
”
Painting is silent poetry, poetry and painting are the same, with poetry into the painting, out of the painting outside the picture. The combination of landscape painting and landscape poetry is the fusion of scenery and mood, and the poem in the painting tells the author's state of mind when painting, which makes the scenery more soulful, so that every thick and light outline has the ability to dialogue with the heart.
"Landscape Qingyin - Early Qing Dynasty Landscape Painting Exhibition" has now been launched, so let me listen to the poetry and painting in the clear sound of the landscape with me
"Donkeys cross the river with heavy snow, and the wine is cold and not beautiful." Mr. Mo Xiao came to Duling, and the plum blossoms landed on the ground. ”
Figure | Qing Liu Du Snow Mountain Travel Map
"Shanshui Qingyin - Exhibition of Landscape Paintings in the Early Qing Dynasty" was exhibited
At the end of the Ming Dynasty, Lan Ying's painting style spread widely in Jiangsu and Zhejiang regions, and there were many teachers, such as Liu Du, Feng Xianxiang and others, thus forming the "Wulin School". Liu Du, as one of the representatives of the "Wulin School", his pen is composed of hills and springs and stones, with meticulous arrangements, buildings and figures, precise and meticulous, and deeply rational.
Landscapes are the most difficult to paint with snow scenes, this snowy mountain travel map, trees and stones depicted in fine brushes, except for the branches with chalk hooks, all use the slingshot bullet powder method to sprinkle powder on the painting, showing the vivid scene of snowflakes flying.
"Two or three rafters in the knothouse, leisurely in the rocky ravine. Scattered for the sun duck, the whistle of the cloud fell out. ”
Figure | Qingzhuang Shuosheng Rock Ravine Knot House Diagram
Zhuang Yisheng was a four-year jinshi of Shunzhi, an official to the Right Chunfang Shuzi of Zhan Shifu, and a waiter in Hanlin Academy, with a negative talent, gong poems and ancient words, good at writing MoLan, landscapes and rivers more small scenes, absurd and interesting.
His picture of the rocky ravine knot house, the set is virtual reality, and the artistic conception is lonely and distant. In the painting, the rocky flat lake, the valley spring, the wild tree cottage, the rocky shore of the lake, the mountain road is winding, and one person holds a raft to the mountain, which is quite wild.
"The valley is silent and the people sit quietly, and the deep trees and clouds come and the birds don't know."
Figure | Qing Zhou Qia Valley meditation map
Zhou Qia, a hydrogeographer and a staff member of Jin Fu, the governor of the river during the Kangxi Dynasty, personally went to the Yellow River to survey the coast of the Yellow River, traversed the four prefectures of Yan, Yu, Yong, and Ji, and wrote three volumes of "Watching the River Chronicle", and drew it for dedication.
Zhou Qia's landscapes, characters, flowers and birds, insects and fish chase the ancients, especially exquisite photo. In this picture of the valley sitting, he renders the valley silence to the fullest. In the picture, the trees are interlaced, lush and shady, the clear stream is babbling, the rubble is flowing, the grass is overgrown, the second high priest wears a robe, looks at ease, sits quietly and talks on the banks of the stream, people and scenery are integrated, and it seems to be like the people in the painting, there is no distraction, and the ears are full of the sound of birds singing in the valley.
"Whoever cares about idle dwellers should come to the second middle."
Picture | Qing Tang Guangqi with a picture of sipping tea
Tang Guangqi was a disciple of Wang Wu, a famous painter of the Early Qing Dynasty, whose sketches were passed down to the fullest, and the flowers and birds were far away from Zhao Chang, and the nearfa Chen Chun and Lu Zhi. He was generous and righteous in his life, and he made a living by writing in his later years.
This painting depicts a deep valley of high rock, a waterfall, a crane dancing deer singing, and a painting pavilion located on the shore of a stream, where Coats gathers. The picture arranges a wealth of images such as guqin, bonsai, and ancient artifacts, and shows Gao Shifuqin, sipping tea, poetry, painting and singing, and other elegant collection activities.
"The pines are green, but the warblers are noisy. The deep valley was unattended, and the rain was falling and dew marks. ”
Figure | Qing Shen Zongjing Songyin Cong Cuitu
Shen Zongjing was a 27th-year scholar of the Kangxi Dynasty, an official to the Taibu Temple, a poet, a good calligrapher and painter, a rhythm of tone, and a drum and piano. Landscape and water masters Ni Zhan and Huang Gongwang, who also used the Juran method, were closely influenced by Wang Yuanqi's painting style. His works are arranged in mountains, trees and stones, all extremely rigorous, not a single impetuous, the pen power is ancient, quite charming, life paintings, ink paintings, occasional green color, small small scenes are especially good.
This pine-shaded and densely composed picture is rigorous, the layout is lofty, and the artistic conception is quiet. In the painting, there are high rock deep valleys and hanging waterfalls and flowing springs. The near shore is towering with pines, the green mountains are faint in the distance, the mountain temples are deep, and the trees are beautiful. The author uses the long and short staggered phids and flexion of the throbbing to show the morphology and texture of the mountain stone, alternating between the thickness and light of the ink, dry and wet, and the dense pen, which is a masterpiece.
Appreciate the artistic conception of paintings, and interpret the thoughts of poetry
Walk into the "Landscape And Water Qingyin - Early Qing Dynasty Landscape Painting Exhibition"
Enter the landscape of the landscape
Use "poetic feelings" to calm down the impetuous heart
Source: Shandong Museum WeChat public account