During the 2021 Zijin Culture and Art Festival, the special performance of "Art Moving Youth" Jiangsu Outstanding Young Quyi Talents was staged at the Jiangnan Theater on the evening of the 10th. The Zijin Culture and Art Festival", sponsored by the Propaganda Department of the Jiangsu Provincial Party Committee of the Communist Party of China, the Department of Culture and Tourism of Jiangsu Province, the Federation of Literary and Art Circles of Jiangsu Province, and hosted by the Jiangsu Provincial Qu Artists Association, specially set up two special sessions in Nanjing and Suzhou. Among them, the Nanjing special performance mainly performs Yangzhou playing words, Yangzhou commentary, Xuzhou piano book, allegro, etc., and Suzhou is the special performance for the evaluation of the bomb. Backstage of the performance, a number of masters and apprentices were interviewed by the reporter of the Yangtze Evening News.
Ma Wei visited Wang Litang
Master said:
Conditions are much better now, but there is still a long way to go
Famous artists of quyi performed together with high apprentices and Zijin literary and artistic talents, and the inheritance and interpretation of masters and apprentices was wonderful. Combined with the "Famous Teachers with Apprentices" plan, Lu Jiaqi, disciple of famous quyi teacher Sheng Xiaoyun, Shao Liuqing, disciple of Lu Jianhua, Liu Weijun, disciple of Huang Xiafen, Zhao Songyan, disciple of Li Renzhen, Xu Nina, disciple of Wei Yuncai, Ge Juan, disciple of Zhang Qiaoling, and 11 other talented artists of Zijin Literature and Art, Cai Yuliang, Chen Feng, Kang Kang, Tan Min, Ji Fengchun, will bring special performances, and famous teacher Sheng Xiaoyun and others will perform on the same stage.
Yangzhou commentary pays attention to rich details, clear character images, and funny and vivid language. "Wang Shaotang Shakes His Lips and Resists Japan" brought by the famous Yangzhou commentator Ma Wei is a passage in the long-form newly edited Yangzhou commentary "Wang Shaotang". The story tells the true story of yangzhou critics represented by Mr. Wang Shaotang during the Songhu War of Resistance against Japanese Aggression, who used their artistic expertise to take the initiative to unite with "shaking their lips to resist Japan and drumming their tongues to be loyal" to raise funds to support the anti-Japanese resistance in the book field for a week. Ma Wei told reporters that the significance of performing this play is extraordinary, and Yangzhou quyi artists perform for patriotism and not to be slaves to the country.
"To inherit art through bibliographies, but more important than art is the 'Tao', which is the 400-year history of Yangzhou Commentary, don't break it in our hands." In the interview, as the fifth generation of Wang Pai's "Water Margin", Ma Wei deeply felt the heavy responsibility on his shoulders. "We do TikTok to attract a younger generation of audiences, and at present we have not mastered the main crowd of people around 30 years old, and in the past our predecessors conquered this part of the audience." Moreover, in art, we face predecessors like Wang Shaotang like primary school students, and we still have to continue to learn, and there are still many things to do. ”
At present, Ma Wei's apprentice Zhang is a post-00, and the fate of master and apprentice is quite touching. "Knowing him through a charity event in Yangzhou, he is very filial piety. My mother was paraplegic because of a failed operation, and since the fourth grade of primary school, he has carried his mother to the sun every day and has to do housework, and such a child has touched me. Once a reporter interviewed him, he said he wanted to learn from me, so I went. Contacts have been established since then. Ma Wei said that later Zhang Zheng was admitted to the art school, and we began to pair up with "famous teachers and apprentices", and he was very serious about learning art as a whole. At present, he is the fastest to learn in this batch, and he has taught him a 280,000-word bibliography in 3 years.
Unexpectedly, the two have not yet officially worshiped the teacher. "The master and the apprentice have a certain understanding of each other, and they are sure that the other party is the object of my professional entrustment, as well as the virtue of being a person, and in the future, at the right opportunity, we will complete the ceremony of worshiping the master." Ma Wei smiled and said, "It's like a lover, who already understands how this business is going through love, it's a ritual." ”
Looking back on my own learning and art past, "the teaching method is the same as oral teaching, and the foundation is based on traditional bibliographies, but the difference is that the conditions created by the province for 'famous teachers and apprentices' are much better than when I studied art in 1993." At that time, it cost more than 100 pieces to buy tapes every month, and the group was also in a slump, and it was predicted that Yangzhou Quyi would die within 5 years, but we persevered with our love for Quyi, and we also hoped to pass on this love. ”
Liu Qianjun and Master Huang Xiafen discuss art
The disciple said:
Yangzhou bullet words borrow from Suzhou bomb evaluation, which is really beneficial
In order to celebrate the 100th anniversary of the founding of the Communist Party of China, the performance used the form of music and art to interpret the feelings of home and country and the great love of others, and it was also a display of the achievements of "famous teachers and apprentices". This time to perform is the most experienced backbone, have reached a relatively mature stage of art, the program is very good.
Among them, Zhao Songyan, a disciple of Yangzhou bullet performance artist Li Renzhen, brought the Yangzhou bullet poem "Home" adapted from the true story, telling the story of what happened after the island hero Wang Jicai missed his daughter's wedding; Ge Juan, Tang Qinghe, Shen Shan, and others performed the Subei Qin book "Beacon Fire", praising the selfless dedication and noble spirit of the older generation of revolutionary heroes such as General Zhu Rui, the founder of the artillery of the Chinese People's Liberation Army, and his lover Chen Ruoke. Yangzhou lyricist Kang Kang's Performance of Yangzhou Lyrics "Kite" opens a red memory, an unwavering belief that is deeply moving. Tan Min's Yangzhou commentary "On the Post" portrays min Min, the 36-year-old Ruhua, who sacrificed himself at his beloved post and practiced the most simple original intention of a Communist Party member with his life. Ji Fengchun and his partner Tang Qi and Li Yingge brought the allegro book "Spring Breeze in the Lotus Flower", which is also a story based on real events. Under the guidance of the party's precise poverty alleviation policy, the poor remote village of northern Jiangsu, Lotus Dang, according to local conditions, joined hands with brother provinces to carry out shrimp and rice farming, and took off the hat of poverty in one fell swoop. In the new year of Gengzi, the rich Lotus Dang masses have contributed to the fight against the epidemic.
Liu Qianjun, winner of the Newcomer Award of the China Quyi Peony Award and a first-class actor of the Yangzhou Quyi Research Institute, performed the Yangzhou bullet lyrics "Wildfire Wind Fighting Ancient City • Golden Ring and Silver Ring" this time. In 2019, a 3-year famous teacher and apprentice began, although Liu Qianjun learned Yangzhou bullet words, but did not play cards according to common sense and chose to worship Suzhou Pingtan performance artist Huang Xiafen. The pair of teachers and apprentices taught in different places, and the apprentices ran to Nanjing from time to time, and they were very happy. The performance of "Wildfire Spring Wind Fighting Ancient City • Golden Ring and Silver Ring" has also been re-composed, and on the basis of Yangzhou's bullets, it integrates the singing voice of Suzhou Pingtan, which is softer and more gentle.
"There are fewer tunes and genres of Yangzhou lyrics, and I want to learn and learn from them to improve the shortcomings of Yangzhou's lyrics in playing and singing." These 3 years have benefited a lot and improved a lot. Liu Qianjun said that he worshiped Huang Xiafen as a teacher in 2013, "Quyi actors do not pay much attention to this aspect of vocalization, and Teacher Huang's vocal method is particularly scientific, she has learned from Teacher Jin Tielin, singing is refreshing, I listened to her "Forever Jiangnan" and had the idea of worshiping her as a teacher. After visiting the teacher, I put a lot of effort into the breath, as well as the singing voice, the song card, and the tune, and after the end of the 'famous teacher with apprentice', I still have to learn from the teacher, which is also the direction of my future efforts. ”
Yangtze Evening News/Purple Cow News reporter Zhang Nan
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Source: Purple Cow News