愛新覺羅·恒钺（趙仲傑），鑲黃旗滿洲人，1951年生于北京，努爾哈赤第十三世孫，順承郡王府世祖 勒克德渾後人，出身于一個家道淵遠，教育頗嚴的家庭，六歲臨習書帖，後專攻繪畫。1983年入中國書畫函授大學學習，1986-1988年于中國北京畫院研究所學生班，師從王文芳先生，專攻山水畫創作。又受教于姚治華、石齊、史國良、周韶華諸先生。多次參加國内外書畫大展，多幅作品被法國友人、博物館、畫廊、市政府收藏。于1989年、2013年、2014年、2016年相繼在美國舊金山多次舉辦個人畫展，并在2017年紐西蘭舉辦一帶一路個人畫展。
現為國家一級美術師，中國書畫家聯誼會新文藝工委會委員，世界華人藝術家聯合會副秘書長，美國舊金山美術家協會海外理事，中國西安美院客座教授，中國廣告學院客座教授，中央文史館、中央書畫藝術研究院副院長，中國書畫家聯誼會高校書畫藝術創研基地常務理事兼藝術委員會副主任，中國公共關系學會藝委會委員，中國名家畫院畫家，中國北京西部畫院藝委會副主任，中國民族畫院畫家等職。
他的作品以其質樸、自然、粗一犷，表現大自然内蘊的力量，畫面尋求強烈的張力及律動。他在以墨為主的中國畫畫面中潑墨潑彩，尋求畫面具象、意象、抽象 三象歸一的構架；利用色彩的色階變化和墨色的互滲互化，在畫中巧妙結合，營造國畫中三美，即 （筆墨美 形式美 意境美）讓作品更貼近大自然，使畫面更具有視覺沖擊力。他把傳統與現代巧妙地融合在一起，在追求現代彩墨畫的過程中，逐漸形成了自己獨具特色的山水畫表現風格。
Aixinjueluo Hengyue (Zhao Zhongjie), born in Beijing in 1951 in the Manchu region of the Yellow Banner, was the 13th grandson of Nurhaci. He was a descendant of the founder of the Shuncheng County Prince's Mansion, Le Kede Hun. He came from a family with a distant background and strict education. At the age of six, he began studying calligraphy and calligraphy, and later specialized in painting. In 1983, he enrolled in the Correspondence University of Chinese Painting and Calligraphy to study. From 1986 to 1988, he studied in the graduate class of Beijing Academy of Painting, China, under Mr. Wang Wenfang, specializing in landscape painting creation. Also trained by Mr. Yao Zhihua, Shi Qi, Shi Guoliang, and Zhou Shaohua. I have participated in numerous domestic and international calligraphy and painting exhibitions, and many of my works have been collected by French friends, museums, galleries, and municipal governments. In 1989, 2013, 2014 and 2016, he held several personal art exhibitions in San Francisco, the United States, and in 2017, he held a personal art exhibition along the the Belt and Road in New Zealand.
I am currently a national first-class artist, a member of the New Literature and Art Working Committee of the Chinese Calligraphers and Painters Association, Deputy Secretary General of the World Chinese Artists Federation, Overseas Director of the San Francisco Artists Association in the United States, Visiting Professor of the Xi'an Academy of Fine Arts in China, Visiting Professor of the China Advertising Academy, Vice President of the Central Museum of Culture and History and the Central Academy of Calligraphy and Painting Art, Executive Director and Deputy Director of the Art Committee of the Chinese Calligraphers and Painters Association's College Calligraphy and Painting Art Innovation Research Base, Member of the Art Committee of the Chinese Public Relations Society, Painter of the Chinese Famous Artists Academy, Deputy Director of the Art Committee of the Beijing Western Academy of Painting, Painter of the Chinese Ethnic Painting Academy, and other positions。
His works, with their simplicity, naturalness, and roughness, depict the inherent power of nature, and the images seek strong tension and rhythm. He splashes ink and colors in Chinese painting, mainly using ink, seeking a unified framework of concrete, imagery, and abstraction in the painting; By utilizing the changes in color levels and the mutual infiltration and transformation of ink, we cleverly combine them in the painting to create the three beauties of traditional Chinese painting, namely the beauty of brushwork, form, imagery, and environment, making the work closer to nature and making the picture more visually impactful. He cleverly integrated tradition and modernity, gradually forming his own unique style of landscape painting expression in the pursuit of modern ink painting.