2024年中歐書畫名家國際藝術線上交流展——王志安
王志安，出生于1944年，5歲開始學習書畫藝術，至今70多年。王志安先生畢業于西北師範大學美術系，現任甘肅省馬家窯文化研究會名譽會長、西北民族大學馬家窯文化研究院院長。王先生的人生經曆非常豐富，他也有特殊的一段人生砺煉經曆，但是王先生沒有因為特殊的經曆被打倒，他卻利用了這段時間大量的學習，讀書提升自己,升華了自己。在90年代他在自己的家鄉馬家窯文化遺址所在地建立了臨洮縣馬家窯文化研究會。之後用出色的研究成果，把縣級的研究會成功提升為甘肅省馬家窯文化研究會。他對文化研究和藝術追求的執着表現得到了社會的公認，他把馬家窯文化的研究拓展向藝術，哲學、人類學、民族學、等多個學科領域，成為中國民間研究馬家窯文化第一人。
2003年他正式創立了全國首家非國有馬家窯彩陶文化專題博物館，館藏珍藏了一批極其珍貴的彩陶文物，很多彩陶是國内外獨一無二的孤品。2005年他擔任了西北民族大學馬家窯文化研究院院長，是以他也是把馬家窯文化從民間研究帶進了大學殿堂的第一人。2006年CCTV電視台十台播出的“神秘的中國彩陶”中他作為主講人，講述了他對馬家窯紋飾的原創性的精彩解讀。
王先生在書畫藝術上有很深的造詣，基于王先生多年對彩陶的豐富收藏和和對馬家窯文化的深入研究，馬家窯文化便在他的心靈中産生了一種奇特的藝術效應，使彩陶文化和書法藝術已經微妙契合在一起，給他的書畫藝術創作注入了新的靈感，形成了他藝術創作的豐富源泉。王志安先生多年來一直耕耘在書法藝術的創作園地中，形成了自己獨特的藝術風格和文化風貌。
孫奇峰對他的書法給與很高的評價，說他的字：“勁險刻厲、妙于取勢、純熟自然、柔中帶剛、古樸通變。”沈鵬先生說他的瘦金書：“筆法古雅，用筆幹淨利落，結體簡約流便，法度森嚴。雖字字獨立，卻氣韻流暢銜接自然。其字形略取縱勢，重心安穩，中宮開闊。審美取向以中正為主，而不以奇崛，險怪取勝。”羅揚先生說他的書法：“師古不泥，自出新意，筆精墨妙、出神入化。是典型的文人書法家。”并說“他的眼睛不是盯着名利的市場，而是盯着氣象萬千、萬紫千紅的文化和藝術大千世界，是以看到他書法的時候可以讓我們在喧鬧的紅塵中感到一種甯靜，在躁動的書壇中感到一種典雅。”
王先生在馬家窯文化研究領域中的豐富成果，直接帶動了他的藝術靈感，觸動和拓展了他的文化藝術情思，撩起了他深度的藝術創作活力。他以中華民族深厚的文化傳統為依托，以紮實的藝術功底為基礎，在書法領域創造出了自己個性鮮明的藝術風格。2013年媒體評處出《中國當代最具學術價值和市場潛力的三十位書法家》，他就是其中的一位。縱觀他在文學領域，馬家窯文化研究領域，書畫藝術創作領域所取得的令人歎服的成就，他的書法寫出了自己的面貌和文化的風采。他就是我們這個大時代中真正優秀的書法藝術家。
連輯先生談王志安書法藝術：
我在甘肅工作期間一直很關注王志安先生，他有特殊的人生閱曆，也有系統的藝術訓練，又有執着的馬家窯文化情懷。在甘肅，在國内，從書畫藝術角度，從馬家窯文化學者的角度，他是一位有分量的，值得大家提起的優秀藝術家和學者。 我離開甘肅以後也一直關心馬家窯文化藝術的研究，包括新近出現的一些成果，也一直關注王志安先生書畫藝術的發展和學術研究。最近去臨夏參加了一次馬家窯彩陶學術研讨活動，我深深感覺到我們國家最近這幾年，因為有像王志安這樣願意坐冷闆凳，不圖名不圖利的純粹學者對馬家窯彩陶文化的執着關注，使得我們國家在新石器以後，彩陶文化研究領域，對馬家窯的看法和評價發生了很大的提升，認為馬家窯彩陶文化是中國“仰韶文化”最典型的代表，具有世界級的意義，這種學術評價是在不斷發展過程中的。現在這個評價越來越受到業内學者充分一緻的肯定，這裡頭有着王志安先生的功勞。為什麼關注馬家窯這塊?我覺得有幾條。第一，他本身就是當地生長斯長于斯的有情懷的學者，對馬家窯本身的了解來自于他的血脈，來自于他的人生閱曆，來自于當地曆史文化對他的滋養。第二，他本身從小就學藝術，是從學美術出身的，是以他的這種學術經曆讓他比常人更多的關注馬家窯彩陶所展現、展示的曆史文化資訊、美學特征、審美情趣和對後來中華傳統文化在發展過程中人類童年時期文化藝術成果的表達和展示。這是他之是以關注馬家窯的第二點。第三，他自己本身作為一個藝術家，除了從事書畫這種藝術實踐以外，也想用更多的時間通過對馬家窯文化的研究，豐富他的藝術經曆、藝術思想、學術成果積累，讓他不僅成為一個有成就的實踐型藝術家，也逐漸成長成為一個有學術理想、學術品格和學術成就的學者，這兩條都是做到了的。
他的書法成就比他的繪畫還要高，第一，他也有他書法的學術積澱和理論指導。第二，他自己也有他的範式或者是他的榜樣，在楷書上他可能更多的研究瘦金體這類的寫法。行書是他主攻的方向，他行書非常大的一個特點就是很年輕，他已經年逾古稀，但你看他的字和充滿活力的，有向上、健康、正能量的熱情，在他的書法裡充分的展現着。我看他很喜歡拿狼毫寫字，喜歡拿剛健的毛筆寫字，喜歡用中鋒寫字，十分肯定，他喜歡非常正确的結體，把每一個筆畫的線條、品質闡述到位，在整個謀篇布局裡頭一氣呵成，把神采貫穿其中。看他的字會覺得我們自己也會變得年輕，變得健碩，變得朝氣蓬勃，給我留下很深印象。
【注】：連輯先生是中國藝術研究院原院長，非遺中心主任。本文是連輯先生在王志安先生北京書法展覽研讨會上的發言。
【各界名家對王志安文化藝術的評價】
王志安先生的書法得六書之神韻，化而為己所用，象外求趣，生動飄逸。有篆籀之圓轉，漢隸之嚴正，瘦金之勁健，皆融入王書之肌膚，經得起細細品味，與時下裝腔作勢，空泛無力，浪得虛名的書家不可同日而語焉!
——甘肅考古所原所長‹邊強›評
王志安先生是國内著名書畫家，我的忘年交，去年九月他來加拿大通路、講座、采風、展覽書法藝術，我有幸組織和陪同。他勤于思考，在他的手機上随時做筆記，而且是手寫輸入，我在旁邊看着，覺得每一個字都是書法作品，非常美。
他年輕時曾蒙冤入獄，不僅練出了好身闆，而且讓他擁有了當今社會難得的獨立思考能力。他有強烈的民族自豪感，他緻力于研究和向全世界傳播有5800多年曆史的“馬家窯文化”，讓讓我看到，他有觀察世界事物時的深刻的洞察力和曆史縱深感，也有高度的人文情懷。
他的加拿大日記，全文材料豐富、思路清晰、論證嚴密、一氣呵成，同樣是七十多歲的老人，王志安先生高瞻遠矚、洞察世事，令人欽佩不已。
他的書法，用筆老辣而又嚴謹，大氣而又沉穩，不僅展現出極深的書法功底，而且有一種撲面而來的新鮮用筆情調，有自己獨特的藝術風格和耐人尋味的書法情趣。是以在加拿大的書法藝術展出，深受歡迎和喜愛。
五湖散翁王志安先生有鮮明的文化個性，在資訊化時代，保持獨立思考難能可貴。兼聽則明，多方擷取真實資訊和了解各方觀點，站理不站隊。對自己感興趣的話題，甚至能用文章的形式發表意見，對自己認真，對他人負責，令人尊重。
——加拿大‹李建春›于埃德蒙頓2019年11月評
【注】：李建春：加拿大停不住俱樂部創始人、會長。河北邯鄲人，就讀于清華大學等學府，2006年移民加拿大，從事中加文化交流活動，志在同胞中普及中華文明知識，加強中加友好往來工作。成立了電影、戶外、高球、跳水、舞蹈、曆史等四十多個主題群，豐富同胞生活。傳播中華文化。2019年五湖散翁通路拿加時，李建春與鄧宏海，朱建華等著名學者和成功企業家一塊參與了熱情接待。
Wang Zhian, born in 1944, began learning calligraphy and painting art at the age of 5 and has been studying for over 70 years. Mr. Wang Zhian graduated from the Department of Fine Arts at Northwest Normal University and currently serves as the Honorary President of the Gansu Majiayao Culture Research Association and the Dean of the Majiayao Culture Research Institute at Northwest University for Nationalities. Mr. Wang has a very rich life experience, and he also has a special period of life refinement experience. However, Mr. Wang was not defeated by this special experience. Instead, he used this period of time to study extensively, improve himself through reading, and elevate himself. In the 1990s, he established the Lintao County Majiayao Cultural Research Association in his hometown where the Majiayao Cultural Site is located. Afterwards, with outstanding research results, the county-level research association was successfully upgraded to the Majiayao Culture Research Association in Gansu Province. His persistent expression in cultural research and artistic pursuit has been recognized by society. He has expanded the research on Majiayao culture to multiple disciplines such as art, philosophy, anthropology, ethnology, etc., becoming the first person in China to study Majiayao culture among the people.
In 2003, he officially established the first non-state-owned Majiayao Colored Pottery Culture Theme Museum in China, which collects a group of extremely precious colored pottery relics, many of which are unique and unique both domestically and internationally. In 2005, he served as the Dean of the Majiayao Culture Research Institute at Northwest University for Nationalities, making him the first person to bring Majiayao culture from folk studies into the university hall. In the "Mysterious Chinese Painted Pottery" broadcast on CCTV Channel 10 in 2006, he served as the main speaker and gave a brilliant interpretation of the originality of the decoration of Majiayao.
Mr. Wang has profound expertise in the art of calligraphy and painting. Based on his years of rich collection of painted pottery and in-depth research on Majiayao culture, Majiayao culture has created a unique artistic effect in his soul, subtly blending painted pottery culture with calligraphy art, injecting new inspiration into his calligraphy and painting creation, and forming a rich source of his artistic creation. Mr. Wang Zhian has been cultivating in the creative field of calligraphy art for many years, forming his own unique artistic style and cultural landscape.
Sun Qifeng gave high praise to his calligraphy, saying that his characters were "sharp and sharp, skillful in taking momentum, pure and natural, soft with a strong tone, and simple and versatile." Mr. Shen Peng said of his thin gold calligraphy, "The brushwork is ancient and elegant, the brushwork is clean and neat, the structure is simple and flowing, and the law is strict. Although the characters are independent, the rhyme is smooth and connected naturally. The shape is slightly vertical, the center of gravity is stable, and the central palace is open. The aesthetic orientation is mainly centered on the middle and upright, rather than strange and dangerous, winning." Mr. Luo Yang said of his calligraphy, "Learning from ancient times is not muddy, creating new ideas, the brushwork is exquisite and the ink is exquisite." "He is a typical literati calligrapher who excels in his own way." He said, "His eyes are not fixed on the market of fame and fortune, but on the vast world of culture and art, which is full of colors and colors. Therefore, when we see his calligraphy, we can feel a sense of tranquility in the bustling world and an elegance in the restless literary world."
Mr. Wang's rich achievements in the field of Majiayao cultural research have directly inspired his artistic inspiration, touched and expanded his cultural and artistic sentiments, and aroused his deep artistic creativity. He relies on the profound cultural traditions of the Chinese nation and has a solid artistic foundation to create his own distinctive artistic style in the field of calligraphy. In 2013, the Media Review Office published "Thirty Contemporary Chinese Calligraphers with the Most Academic Value and Market Potential", and he is one of them. Throughout his impressive achievements in the fields of literature, Majiayao culture research, and calligraphy and painting art creation, his calligraphy has portrayed his own appearance and cultural charm. He is the truly outstanding calligrapher of our era.
Mr. Lian's Discussion on Wang Zhian's Calligraphy Art:
I have been paying close attention to Mr. Wang Zhi'an during my work in Gansu. He has a special life experience, systematic artistic training, and a persistent cultural sentiment towards Majiayao. In Gansu, in China, from the perspective of calligraphy and painting art, and from the perspective of scholars of Majiayao culture, he is an outstanding artist and scholar with weight and worth mentioning. After leaving Gansu, I have also been concerned about the research of Majiayao culture and art, including some recent achievements, and have been following the development and academic research of Mr. Wang Zhian's calligraphy and painting art. Recently, I attended an academic seminar on Majiayao colored pottery in Linxia. I deeply felt that in recent years, in our country, there have been pure scholars like Wang Zhian who are willing to sit on the sidelines, not seek fame or profit, and their persistent attention to Majiayao colored pottery culture has greatly improved our country's views and evaluations of Majiayao in the field of colored pottery culture research after the Neolithic Age. I believe that Majiayao colored pottery culture is the most typical representative of China's "Yangshao culture" and has world-class significance. This academic evaluation is in the process of continuous development. Now, this evaluation is increasingly receiving unanimous recognition from industry scholars, and Mr. Wang Zhian is credited with it.
Why pay attention to the Majiayao area? I think there are a few. Firstly, he is a compassionate scholar who grew up in the local area, and his understanding of Majiayao itself comes from his bloodline, his life experience, and the nourishment of local history and culture. Secondly, he himself studied art from a young age and came from a background in art. Therefore, his academic experience has made him pay more attention than ordinary people to the historical and cultural information, aesthetic characteristics, aesthetic taste, and expression and display of the cultural and artistic achievements of human childhood in the development of traditional Chinese culture. This is the second reason why he pays attention to Majiayao. Thirdly, as an artist himself, in addition to engaging in artistic practice such as calligraphy and painting, he also wants to spend more time researching the Majiayao culture to enrich his artistic experience, artistic ideas, and academic achievements. This not only makes him an accomplished practical artist, but also gradually grows into a scholar with academic ideals, character, and achievements. Both of these have been achieved.
His calligraphy achievements are even higher than his paintings. Firstly, he also has his academic accumulation and theoretical guidance in calligraphy. Secondly, he also has his own paradigm or role model, and in regular script, he may have studied more writing styles such as thin gold font. Running script is his main focus, and one of his biggest characteristics is that he is very young. He is already over the age of ancient times, but you can see that his calligraphy is full of vitality and enthusiasm, with upward, healthy, and positive energy, which is fully reflected in his calligraphy. I think he really likes to write with wolf hair, a sturdy brush, and a center. He is very confident that he likes to use very accurate structures, explaining the lines and quality of each stroke well, and creating a seamless layout throughout the entire plot, embodying his charm. Looking at his words, I feel that we will also become young, healthy, and full of vitality, leaving a deep impression on me.
[Note]: Mr. Lianji is the former president of the Chinese Academy of Arts and the director of the Intangible Cultural Heritage Center. This article is a speech by Mr. Lian at Mr. Wang Zhian's Beijing Calligraphy Exhibition Seminar.
Evaluation of Wang Zhi'an's Culture and Art by Famous Masters from All walks of Life
Mr. Wang Zhian's calligraphy embodies the charm of the Six Books and is transformed into his own use, seeking interest from the outside, vivid and elegant. The roundness of seal and Zhou, the strictness of Han and Li, and the strength of thin and golden are all integrated into the skin of Wang Shu. They can withstand careful taste and are incomparable to the current calligraphers who pretend to be empty, powerless, and have earned a reputation!
——Former Director of Gansu Institute of Archaeology | Bian Qiang>Review
Mr. Wang Zhian is a famous calligrapher and painter in China. I am an unforgettable friend of mine. Last September, he came to Canada for a visit, lecture, style collection, and exhibition of calligraphy art. I had the privilege of organizing and accompanying him. He is diligent in thinking, taking notes on his phone at any time, and it is handwritten input. As I watched beside him, I felt that every word was a calligraphy work, very beautiful.
He was wrongly imprisoned when he was young, which not only helped him develop a good physique but also gave him the rare ability to think independently in today's society. He has a strong sense of national pride and is committed to researching and spreading the "Majiayao Culture" with a history of over 5800 years to the world. He has shown me his profound insight and historical depth in observing world affairs, as well as a high level of humanistic sentiment.
His Canadian diary is rich in materials, clear in thought, rigorous in argumentation, and coherent in one go. He is also an elderly person in his seventies. Mr. Wang Zhian has a broad vision and insight into world affairs, which is admirable.
His calligraphy, with its sophisticated and rigorous brushstrokes, grand and steady, not only reflects his profound calligraphy skills, but also has a fresh and refreshing brushstroke atmosphere, with his own unique artistic style and intriguing calligraphy charm. So the calligraphy art exhibition in Canada is very popular and beloved.
Mr. Wang Zhian, a scattered scholar from Wuhu, has a distinct cultural personality. In the era of informatization, maintaining independent thinking is commendable. By listening to both sides, one can gain true information and understand various perspectives from multiple sources, without standing in line. Being able to express opinions on topics that interest oneself, even in the form of articles, taking oneself seriously, being responsible to others, and being respected.
——Canada | Li Jianchun>Review in Edmonton, November 2019
[Note]: Li Jianchun: Founder and President of Canada's unstoppable club. A native of Handan, Hebei, studying at Tsinghua University and other universities. In 2006, he immigrated to Canada and engaged in cultural exchange activities between China and Canada. He is committed to promoting knowledge of Chinese civilization among his fellow countrymen and strengthening friendly exchanges between China and Canada. We have established over 40 theme groups, including movies, outdoor activities, golf, diving, dance, history, etc., to enrich the lives of our compatriots. Spread Chinese culture. In 2019, Li Jianchun, along with famous scholars such as Deng Honghai and Zhu Jianhua, as well as successful entrepreneurs, participated in a warm reception during the visit of Wuhu Sanweng to Naga.