2024年中欧书画名家国际艺术线上交流展——王志安
王志安，出生于1944年，5岁开始学习书画艺术，至今70多年。王志安先生毕业于西北师范大学美术系，现任甘肃省马家窑文化研究会名誉会长、西北民族大学马家窑文化研究院院长。王先生的人生经历非常丰富，他也有特殊的一段人生砺炼经历，但是王先生没有因为特殊的经历被打倒，他却利用了这段时间大量的学习，读书提升自己,升华了自己。在90年代他在自己的家乡马家窑文化遗址所在地创建了临洮县马家窑文化研究会。之后用出色的研究成果，把县级的研究会成功提升为甘肃省马家窑文化研究会。他对文化研究和艺术追求的执着表现得到了社会的公认，他把马家窑文化的研究拓展向艺术，哲学、人类学、民族学、等多个学科领域，成为中国民间研究马家窑文化第一人。
2003年他正式创立了全国首家非国有马家窑彩陶文化专题博物馆，馆藏珍藏了一批极其珍贵的彩陶文物，很多彩陶是国内外独一无二的孤品。2005年他担任了西北民族大学马家窑文化研究院院长，因此他也是把马家窑文化从民间研究带进了大学殿堂的第一人。2006年CCTV电视台十台播出的“神秘的中国彩陶”中他作为主讲人，讲述了他对马家窑纹饰的原创性的精彩解读。
王先生在书画艺术上有很深的造诣，基于王先生多年对彩陶的丰富收藏和和对马家窑文化的深入研究，马家窑文化便在他的心灵中产生了一种奇特的艺术效应，使彩陶文化和书法艺术已经微妙契合在一起，给他的书画艺术创作注入了新的灵感，形成了他艺术创作的丰富源泉。王志安先生多年来一直耕耘在书法艺术的创作园地中，形成了自己独特的艺术风格和文化风貌。
孙奇峰对他的书法给与很高的评价，说他的字：“劲险刻厉、妙于取势、纯熟自然、柔中带刚、古朴通变。”沈鹏先生说他的瘦金书：“笔法古雅，用笔干净利落，结体简约流便，法度森严。虽字字独立，却气韵流畅衔接自然。其字形略取纵势，重心安稳，中宫开阔。审美取向以中正为主，而不以奇崛，险怪取胜。”罗扬先生说他的书法：“师古不泥，自出新意，笔精墨妙、出神入化。是典型的文人书法家。”并说“他的眼睛不是盯着名利的市场，而是盯着气象万千、万紫千红的文化和艺术大千世界，所以看到他书法的时候可以让我们在喧闹的红尘中感到一种宁静，在躁动的书坛中感到一种典雅。”
王先生在马家窑文化研究领域中的丰富成果，直接带动了他的艺术灵感，触动和拓展了他的文化艺术情思，撩起了他深度的艺术创作活力。他以中华民族深厚的文化传统为依托，以扎实的艺术功底为基础，在书法领域创造出了自己个性鲜明的艺术风格。2013年媒体评处出《中国当代最具学术价值和市场潜力的三十位书法家》，他就是其中的一位。纵观他在文学领域，马家窑文化研究领域，书画艺术创作领域所取得的令人叹服的成就，他的书法写出了自己的面貌和文化的风采。他就是我们这个大时代中真正优秀的书法艺术家。
连辑先生谈王志安书法艺术：
我在甘肃工作期间一直很关注王志安先生，他有特殊的人生阅历，也有系统的艺术训练，又有执着的马家窑文化情怀。在甘肃，在国内，从书画艺术角度，从马家窑文化学者的角度，他是一位有分量的，值得大家提起的优秀艺术家和学者。 我离开甘肃以后也一直关心马家窑文化艺术的研究，包括新近出现的一些成果，也一直关注王志安先生书画艺术的发展和学术研究。最近去临夏参加了一次马家窑彩陶学术研讨活动，我深深感觉到我们国家最近这几年，因为有像王志安这样愿意坐冷板凳，不图名不图利的纯粹学者对马家窑彩陶文化的执着关注，使得我们国家在新石器以后，彩陶文化研究领域，对马家窑的看法和评价发生了很大的提升，认为马家窑彩陶文化是中国“仰韶文化”最典型的代表，具有世界级的意义，这种学术评价是在不断发展过程中的。现在这个评价越来越受到业内学者充分一致的肯定，这里头有着王志安先生的功劳。为什么关注马家窑这块?我觉得有几条。第一，他本身就是当地生长斯长于斯的有情怀的学者，对马家窑本身的理解来自于他的血脉，来自于他的人生阅历，来自于当地历史文化对他的滋养。第二，他本身从小就学艺术，是从学美术出身的，所以他的这种学术经历让他比常人更多的关注马家窑彩陶所体现、展示的历史文化信息、美学特征、审美情趣和对后来中华传统文化在发展过程中人类童年时期文化艺术成果的表达和展示。这是他之所以关注马家窑的第二点。第三，他自己本身作为一个艺术家，除了从事书画这种艺术实践以外，也想用更多的时间通过对马家窑文化的研究，丰富他的艺术经历、艺术思想、学术成果积累，让他不仅成为一个有成就的实践型艺术家，也逐渐成长成为一个有学术理想、学术品格和学术成就的学者，这两条都是做到了的。
他的书法成就比他的绘画还要高，第一，他也有他书法的学术积淀和理论指导。第二，他自己也有他的范式或者是他的榜样，在楷书上他可能更多的研究瘦金体这类的写法。行书是他主攻的方向，他行书非常大的一个特点就是很年轻，他已经年逾古稀，但你看他的字和充满活力的，有向上、健康、正能量的热情，在他的书法里充分的体现着。我看他很喜欢拿狼毫写字，喜欢拿刚健的毛笔写字，喜欢用中锋写字，十分肯定，他喜欢非常正确的结体，把每一个笔画的线条、质量阐述到位，在整个谋篇布局里头一气呵成，把神采贯穿其中。看他的字会觉得我们自己也会变得年轻，变得健硕，变得朝气蓬勃，给我留下很深印象。
【注】：连辑先生是中国艺术研究院原院长，非遗中心主任。本文是连辑先生在王志安先生北京书法展览研讨会上的发言。
【各界名家对王志安文化艺术的评价】
王志安先生的书法得六书之神韵，化而为己所用，象外求趣，生动飘逸。有篆籀之圆转，汉隶之严正，瘦金之劲健，皆融入王书之肌肤，经得起细细品味，与时下装腔作势，空泛无力，浪得虚名的书家不可同日而语焉!
——甘肃考古所原所长‹边强›评
王志安先生是国内著名书画家，我的忘年交，去年九月他来加拿大访问、讲座、采风、展览书法艺术，我有幸组织和陪同。他勤于思考，在他的手机上随时做笔记，而且是手写输入，我在旁边看着，觉得每一个字都是书法作品，非常美。
他年轻时曾蒙冤入狱，不仅练出了好身板，而且让他拥有了当今社会难得的独立思考能力。他有强烈的民族自豪感，他致力于研究和向全世界传播有5800多年历史的“马家窑文化”，让让我看到，他有观察世界事物时的深刻的洞察力和历史纵深感，也有高度的人文情怀。
他的加拿大日记，全文材料丰富、思路清晰、论证严密、一气呵成，同样是七十多岁的老人，王志安先生高瞻远瞩、洞察世事，令人钦佩不已。
他的书法，用笔老辣而又严谨，大气而又沉稳，不仅体现出极深的书法功底，而且有一种扑面而来的新鲜用笔情调，有自己独特的艺术风格和耐人寻味的书法情趣。所以在加拿大的书法艺术展出，深受欢迎和喜爱。
五湖散翁王志安先生有鲜明的文化个性，在信息化时代，保持独立思考难能可贵。兼听则明，多方获取真实信息和了解各方观点，站理不站队。对自己感兴趣的话题，甚至能用文章的形式发表意见，对自己认真，对他人负责，令人尊重。
——加拿大‹李建春›于埃德蒙顿2019年11月评
【注】：李建春：加拿大停不住俱乐部创始人、会长。河北邯郸人，就读于清华大学等学府，2006年移民加拿大，从事中加文化交流活动，志在同胞中普及中华文明知识，加强中加友好往来工作。成立了电影、户外、高球、跳水、舞蹈、历史等四十多个主题群，丰富同胞生活。传播中华文化。2019年五湖散翁访问拿加时，李建春与邓宏海，朱建华等著名学者和成功企业家一块参与了热情接待。
Wang Zhian, born in 1944, began learning calligraphy and painting art at the age of 5 and has been studying for over 70 years. Mr. Wang Zhian graduated from the Department of Fine Arts at Northwest Normal University and currently serves as the Honorary President of the Gansu Majiayao Culture Research Association and the Dean of the Majiayao Culture Research Institute at Northwest University for Nationalities. Mr. Wang has a very rich life experience, and he also has a special period of life refinement experience. However, Mr. Wang was not defeated by this special experience. Instead, he used this period of time to study extensively, improve himself through reading, and elevate himself. In the 1990s, he established the Lintao County Majiayao Cultural Research Association in his hometown where the Majiayao Cultural Site is located. Afterwards, with outstanding research results, the county-level research association was successfully upgraded to the Majiayao Culture Research Association in Gansu Province. His persistent expression in cultural research and artistic pursuit has been recognized by society. He has expanded the research on Majiayao culture to multiple disciplines such as art, philosophy, anthropology, ethnology, etc., becoming the first person in China to study Majiayao culture among the people.
In 2003, he officially established the first non-state-owned Majiayao Colored Pottery Culture Theme Museum in China, which collects a group of extremely precious colored pottery relics, many of which are unique and unique both domestically and internationally. In 2005, he served as the Dean of the Majiayao Culture Research Institute at Northwest University for Nationalities, making him the first person to bring Majiayao culture from folk studies into the university hall. In the "Mysterious Chinese Painted Pottery" broadcast on CCTV Channel 10 in 2006, he served as the main speaker and gave a brilliant interpretation of the originality of the decoration of Majiayao.
Mr. Wang has profound expertise in the art of calligraphy and painting. Based on his years of rich collection of painted pottery and in-depth research on Majiayao culture, Majiayao culture has created a unique artistic effect in his soul, subtly blending painted pottery culture with calligraphy art, injecting new inspiration into his calligraphy and painting creation, and forming a rich source of his artistic creation. Mr. Wang Zhian has been cultivating in the creative field of calligraphy art for many years, forming his own unique artistic style and cultural landscape.
Sun Qifeng gave high praise to his calligraphy, saying that his characters were "sharp and sharp, skillful in taking momentum, pure and natural, soft with a strong tone, and simple and versatile." Mr. Shen Peng said of his thin gold calligraphy, "The brushwork is ancient and elegant, the brushwork is clean and neat, the structure is simple and flowing, and the law is strict. Although the characters are independent, the rhyme is smooth and connected naturally. The shape is slightly vertical, the center of gravity is stable, and the central palace is open. The aesthetic orientation is mainly centered on the middle and upright, rather than strange and dangerous, winning." Mr. Luo Yang said of his calligraphy, "Learning from ancient times is not muddy, creating new ideas, the brushwork is exquisite and the ink is exquisite." "He is a typical literati calligrapher who excels in his own way." He said, "His eyes are not fixed on the market of fame and fortune, but on the vast world of culture and art, which is full of colors and colors. Therefore, when we see his calligraphy, we can feel a sense of tranquility in the bustling world and an elegance in the restless literary world."
Mr. Wang's rich achievements in the field of Majiayao cultural research have directly inspired his artistic inspiration, touched and expanded his cultural and artistic sentiments, and aroused his deep artistic creativity. He relies on the profound cultural traditions of the Chinese nation and has a solid artistic foundation to create his own distinctive artistic style in the field of calligraphy. In 2013, the Media Review Office published "Thirty Contemporary Chinese Calligraphers with the Most Academic Value and Market Potential", and he is one of them. Throughout his impressive achievements in the fields of literature, Majiayao culture research, and calligraphy and painting art creation, his calligraphy has portrayed his own appearance and cultural charm. He is the truly outstanding calligrapher of our era.
Mr. Lian's Discussion on Wang Zhian's Calligraphy Art:
I have been paying close attention to Mr. Wang Zhi'an during my work in Gansu. He has a special life experience, systematic artistic training, and a persistent cultural sentiment towards Majiayao. In Gansu, in China, from the perspective of calligraphy and painting art, and from the perspective of scholars of Majiayao culture, he is an outstanding artist and scholar with weight and worth mentioning. After leaving Gansu, I have also been concerned about the research of Majiayao culture and art, including some recent achievements, and have been following the development and academic research of Mr. Wang Zhian's calligraphy and painting art. Recently, I attended an academic seminar on Majiayao colored pottery in Linxia. I deeply felt that in recent years, in our country, there have been pure scholars like Wang Zhian who are willing to sit on the sidelines, not seek fame or profit, and their persistent attention to Majiayao colored pottery culture has greatly improved our country's views and evaluations of Majiayao in the field of colored pottery culture research after the Neolithic Age. I believe that Majiayao colored pottery culture is the most typical representative of China's "Yangshao culture" and has world-class significance. This academic evaluation is in the process of continuous development. Now, this evaluation is increasingly receiving unanimous recognition from industry scholars, and Mr. Wang Zhian is credited with it.
Why pay attention to the Majiayao area? I think there are a few. Firstly, he is a compassionate scholar who grew up in the local area, and his understanding of Majiayao itself comes from his bloodline, his life experience, and the nourishment of local history and culture. Secondly, he himself studied art from a young age and came from a background in art. Therefore, his academic experience has made him pay more attention than ordinary people to the historical and cultural information, aesthetic characteristics, aesthetic taste, and expression and display of the cultural and artistic achievements of human childhood in the development of traditional Chinese culture. This is the second reason why he pays attention to Majiayao. Thirdly, as an artist himself, in addition to engaging in artistic practice such as calligraphy and painting, he also wants to spend more time researching the Majiayao culture to enrich his artistic experience, artistic ideas, and academic achievements. This not only makes him an accomplished practical artist, but also gradually grows into a scholar with academic ideals, character, and achievements. Both of these have been achieved.
His calligraphy achievements are even higher than his paintings. Firstly, he also has his academic accumulation and theoretical guidance in calligraphy. Secondly, he also has his own paradigm or role model, and in regular script, he may have studied more writing styles such as thin gold font. Running script is his main focus, and one of his biggest characteristics is that he is very young. He is already over the age of ancient times, but you can see that his calligraphy is full of vitality and enthusiasm, with upward, healthy, and positive energy, which is fully reflected in his calligraphy. I think he really likes to write with wolf hair, a sturdy brush, and a center. He is very confident that he likes to use very accurate structures, explaining the lines and quality of each stroke well, and creating a seamless layout throughout the entire plot, embodying his charm. Looking at his words, I feel that we will also become young, healthy, and full of vitality, leaving a deep impression on me.
[Note]: Mr. Lianji is the former president of the Chinese Academy of Arts and the director of the Intangible Cultural Heritage Center. This article is a speech by Mr. Lian at Mr. Wang Zhian's Beijing Calligraphy Exhibition Seminar.
Evaluation of Wang Zhi'an's Culture and Art by Famous Masters from All walks of Life
Mr. Wang Zhian's calligraphy embodies the charm of the Six Books and is transformed into his own use, seeking interest from the outside, vivid and elegant. The roundness of seal and Zhou, the strictness of Han and Li, and the strength of thin and golden are all integrated into the skin of Wang Shu. They can withstand careful taste and are incomparable to the current calligraphers who pretend to be empty, powerless, and have earned a reputation!
——Former Director of Gansu Institute of Archaeology | Bian Qiang>Review
Mr. Wang Zhian is a famous calligrapher and painter in China. I am an unforgettable friend of mine. Last September, he came to Canada for a visit, lecture, style collection, and exhibition of calligraphy art. I had the privilege of organizing and accompanying him. He is diligent in thinking, taking notes on his phone at any time, and it is handwritten input. As I watched beside him, I felt that every word was a calligraphy work, very beautiful.
He was wrongly imprisoned when he was young, which not only helped him develop a good physique but also gave him the rare ability to think independently in today's society. He has a strong sense of national pride and is committed to researching and spreading the "Majiayao Culture" with a history of over 5800 years to the world. He has shown me his profound insight and historical depth in observing world affairs, as well as a high level of humanistic sentiment.
His Canadian diary is rich in materials, clear in thought, rigorous in argumentation, and coherent in one go. He is also an elderly person in his seventies. Mr. Wang Zhian has a broad vision and insight into world affairs, which is admirable.
His calligraphy, with its sophisticated and rigorous brushstrokes, grand and steady, not only reflects his profound calligraphy skills, but also has a fresh and refreshing brushstroke atmosphere, with his own unique artistic style and intriguing calligraphy charm. So the calligraphy art exhibition in Canada is very popular and beloved.
Mr. Wang Zhian, a scattered scholar from Wuhu, has a distinct cultural personality. In the era of informatization, maintaining independent thinking is commendable. By listening to both sides, one can gain true information and understand various perspectives from multiple sources, without standing in line. Being able to express opinions on topics that interest oneself, even in the form of articles, taking oneself seriously, being responsible to others, and being respected.
——Canada | Li Jianchun>Review in Edmonton, November 2019
[Note]: Li Jianchun: Founder and President of Canada's unstoppable club. A native of Handan, Hebei, studying at Tsinghua University and other universities. In 2006, he immigrated to Canada and engaged in cultural exchange activities between China and Canada. He is committed to promoting knowledge of Chinese civilization among his fellow countrymen and strengthening friendly exchanges between China and Canada. We have established over 40 theme groups, including movies, outdoor activities, golf, diving, dance, history, etc., to enrich the lives of our compatriots. Spread Chinese culture. In 2019, Li Jianchun, along with famous scholars such as Deng Honghai and Zhu Jianhua, as well as successful entrepreneurs, participated in a warm reception during the visit of Wuhu Sanweng to Naga.