2024年中歐書畫名家國際藝術線上交流展——祝光鴻
祝光鴻，浙江省建德市人，1938年8月出生，藝名：山裡人。社會兼職：中國美術家協會會員、中國書法家協會會員、中國書畫藝術進階美術師（家）、中國國畫家協會會員、中國通俗文學研究會會員、中國書畫名家研究會名譽主席、中國紀實文學研究會會員、中國作家創作協會會員，中國九州楓林國際書畫院院士、華夏夕陽紅書畫協會理事、杭州市美術家協會會員、中國國際畫院院士、中國回憶錄研究會終身會長、中國非物質文化藝術傳承人。
1951年至1957年7月系中、國小學生。1958年參加工作，1961年5月4日參加共青團。開始走向自學文學、美術、代課、民辦教師的漫長道路；1969年至1970年12月因繪畫被打成“現行反革命”，回鄉勞動改造。1971年1月複職，1980年12月轉為公辦教師，其間曾任學校業務主管、負責人、鄉鎮人民代表、國小校辦廠長之職。一直從事教育工作，1992年4月退休，退休後一直從事書畫、文學創作。創作了《新安江山水》、《山城風光》、《西湖覽景》、《永康方岩全景圖》、《江郎山韻圖》等二十多幅大型實景國畫作品，八十餘幅花鳥國畫作品。其中入編國家級大型畫冊出版發行作品52幅，國家、省、市報刊發表42幅，獲金獎七幅，銀獎一幅（包括詩詞、格言金獎）。其中論文“黨中央十七屆六中全會提出建設文化強國宏偉目标是新時期全黨全民的奮鬥目标”入編《國學·作家·詩人名鑒》（3卷）由中國作家出版社出版，國家新華書店總店發行經銷，多家主要刊物刊發，引起國家政壇重視，獲金獎。
個人事迹入編《世界優秀專家人才名典》、《共和國功勳人物志》、《新中國60年傳世文藝家》《新中國書畫60年》等。2010年7月被“中國焦點人物雜志社”根據出版、報刊等各大新聞媒體推薦評為“中華精英人物”。2011年美術作品六幅入編《世界藝術通史》，人生格言65條入編《21世紀名人詩詞格言經典》，由中國文化傳媒出版社出版發行。
2012年中共中央組織部黨建研究室舉辦的“建黨90周年優秀幹部評選活動”中榮獲“優秀幹部”稱号。2012年8月個人業迹及文學作品、格言10條，詩詞五首入編大型愛國主義教育文獻《共和國史冊上的優秀兒女》（由中國國史研究編修館研究室、中華人民共和國日史編輯委員會編撰，中國家譜出版社出版）授予“德藝雙磬的藝術家”光榮稱号。2012年9月人生格言12條入編“古今中外名家語錄精編”《永恒的光輝》，由華人國際新聞出版集團面向世界出版發行。2012年7月受邀中國藝術學會出版個人專訪特刊。
作品《人間天堂》、《江郎山》等十二幅經國家郵政局稽核同意作紀念郵票圖案通用出版發行。
藝術源于生活，是時代的花朵、時代的結晶；不同時代的藝術，有不同的藝術價值。她無統一的标準、模式，隻要能反映時代生活、促人向上、受人民群衆青睐的文學藝術都是好作品。
人類生活猶如茫茫大海，時代花朵千紫萬紅，異彩紛飛，這就需要我們的藝術家、文學家深入生活接受教育和陶冶，汲取精華、概括生活内涵，才能描繪抒寫出反映時代的好作品。
“密不通風，疏可走馬”、“注意畫面留白”、“挫落”、“虛虛實實”、“濃淡有勻”……等教學述語，是繪畫者熟耳的語言。但是怎樣“密”？如何“疏”？又怎樣“留白”、“挫落”？至今沒有解答結論，還是要繪畫者在創作中去摸索、看看畫畫……我經過幾十年的繪畫創作體會到：其實還是寫作知識。所謂“密”，就是對表現畫面中心部分（中心段）應該畫仔細，繪周全，達到中心畫面突出；對陪襯部分的畫面，要色淡，稀少，“疏”、“虛”，防止畫面喧賓奪主；對畫面中的遠近、濃淡層次間的部位“多留白”畫雲，有利于整個畫面承上啟下，遠近層次統一，引人尋味聯想。為了達到更好的視覺效果，再從整體畫面着手去“挫落”修整。
一個成熟人的氣質風度、思想境界是由他（她）的生活經曆、文化修養和基因個性組合而成的。不能一朝一夕學會，也不能強裝做作。藝術家在完成創作作品中用詞、寫句，用筆運墨中離不開自我的思想境界、觀點，所謂“詩言志”、“墨迹顯人性”的流露。同時在創作中，從安排繪畫素材、處理畫面布局、詳略素材搭配及技巧等基本技能，都需作者的組織能力、概括能力、文學修養等寫作技能。可見文藝工作者具備一定的思想精神與文化素質的重要。文學修養不僅是人為修養的基礎，也是一切文藝工作者從事文藝創作的基礎，需要重視文學學習。
偉大的文藝家賀綠汀說得好：“任何藝術，脫離了自己的民族，便是沒出息的；民族的，才是世界的。”是以對中國畫的改革應該堅持繼承傳統基因技能前提下，吸取現代生活内容，實行改革探索。教育者教人要先教做人，傳授藝術要先傳授人品。引導學生深入生活，向人民大衆學習，努力克服“文人相輕，同行必妒”的封建惡習。才能廣泛團結廣大同仁，為實作中華民族文化複興“中國夢”共同奮鬥。
Zhu Guanghong, born in August 1938 in Jiande City, Zhejiang Province, with the stage name Shanli Ren. Social part-time jobs: member of the China Artists Association, member of the China Calligraphers Association, senior artist (master) of Chinese calligraphy and painting art, member of the China Artists Association, member of the China Popular Literature Research Association, honorary chairman of the China Calligraphers and Painters Research Association, member of the China Documentary Literature Research Association, member of the China Writers Creation Association, academician of the China Kyushu Fenglin International Calligraphy and Painting Academy, director of the China Sunset Red Calligraphy and Painting Association, member of the Hangzhou Artists Association, academician of the China International Painting Academy, lifelong president of the China Memoirs Research Association, and inheritor of China's intangible cultural and artistic heritage.
From 1951 to July 1957, I was a primary and secondary school student. I started working in 1958 and joined the Communist Youth League on May 4, 1961. Starting to embark on a long path of self-learning literature, art, substitute classes, and private teachers; From 1969 to December 1970, he was labeled as "current counter revolutionary" due to his paintings and returned to his hometown for labor reform. I resumed work in January 1971 and became a public teacher in December 1980. During this time, I served as the school's business supervisor, person in charge, township representative, and primary school factory director. I have been working in education and retired in April 1992. After retirement, I have been engaged in calligraphy, painting, and literary creation. I have created more than 20 large-scale real-life Chinese painting works, including "Xin'an River Landscape", "Mountain City Scenery", "West Lake Scenery", "Yongkang Fangyan Panorama", "Jianglang Mountain Rhyme", and more than 80 flower and bird Chinese painting works. Among them, 52 works were included in the national large-scale picture album for publication and distribution, and 42 were published in national, provincial, and municipal newspapers and magazines, winning seven gold awards and one silver award (including a gold award for poetry and maxims). The paper "The magnificent goal of building a strong cultural country proposed by the Sixth Plenary Session of the 17th Central Committee of the Communist Party of China is the goal of the whole party and the people in the new era" was included in the "National Studies, Writers, and Poets Mirror" (3 volumes), published by China Writers Publishing House, distributed and distributed by the National Xinhua Bookstore, and published in multiple major publications, which attracted attention from the national political arena and won a gold medal.
My personal achievements have been included in the "World Excellent Experts and Talents Dictionary", "Records of Meritorious Figures of the Republic", "60 Years of Inherited Literary and Artists in New China", "60 Years of New Chinese Calligraphy and Painting", etc. In July 2010, he was recommended by major news media such as publishing and newspapers by the China Focus People Magazine as a "Chinese Elite Figure". In 2011, six art works were included in the "General History of World Art" and 65 life maxims were included in the "Classic Poems and Mottoes of 21st Century Celebrities". They were published and distributed by China Culture and Media Publishing House.
In 2012, the Party Building Research Office of the Organization Department of the Communist Party of China Central Committee won the title of "Excellent Cadre" in the "90th Anniversary of the Founding of the Communist Party of China Outstanding Cadre Selection Activity". In August 2012, I was awarded the honorary title of "Artist of the Double Bells of Virtue and Art" for my personal career, literary works, 10 maxims, and five poems, which were included in the large-scale patriotic education literature "Excellent Children in the History of the Republic" (compiled by the Research Office of the Chinese National History Research and Editing Museum, the Japanese History Editing Committee of the People's Republic of China, and published by the Chinese Genealogy Publishing House). In September 2012, 12 life maxims were included in the compilation of "Eternal Glory" by famous quotes from ancient and modern Chinese and foreign scholars. It was published and distributed to the world by the Chinese International Press and Publication Group. In July 2012, I was invited by the Chinese Art Society to publish a personal interview special issue.
Twelve works, including "Heaven on Earth" and "Jianglang Mountain", have been approved by the National Post Office for universal publication as commemorative stamp patterns.
Art originates from life and is the flower and crystallization of the times; Art from different eras has different artistic values. She has no unified standards or models, and any literary and artistic works that can reflect the life of the times, promote progress, and be favored by the people are good works.
Human life is like a vast sea, with colorful flowers of the times. This requires our artists and writers to go deep into life, receive education and edification, absorb essence, and summarize the connotation of life in order to describe and express good works reflecting the times.
Teaching slogans such as "dense and unobstructed, sparse but easy to walk", "pay attention to leaving blank space in the picture", "setback", "virtual and real", "even intensity", etc. are familiar language to painters. But how to be "secret"? How to "sparse"? How to "leave blank" and "fail" again? So far, there is no answer to the conclusion. It is still necessary for painters to explore and see painting in their creations... After decades of painting creation, I have realized that it is actually writing knowledge. The so-called "secret" means that the central part (central section) of the performance image should be carefully and thoroughly drawn to achieve a prominent central image; For the accompanying parts of the picture, the color should be light, sparse, "sparse" or "empty" to prevent the picture from being dominated by noise; By leaving more white space between the distant and distant layers in the picture, it is beneficial for the entire picture to connect the past and the future, unify the distant and near layers, and evoke thought-provoking associations. In order to achieve better visual effects, we need to start with the overall picture and adjust it accordingly.
The temperament, demeanor, and ideological realm of a mature person are composed of their life experience, cultural cultivation, and genetic personality. You cannot learn it day and night, nor can you pretend to be artificial. Artists cannot do without their own ideological realm and viewpoints when using words, sentences, and ink to complete their creative works. The so-called "poetry expresses aspirations" and "ink reflects human nature" are expressed. At the same time, in the process of creation, basic skills such as arranging painting materials, processing screen layout, detailing material combinations and techniques all require the author's writing skills such as organizational ability, summarization ability, and literary cultivation. It can be seen that it is important for literary and artistic workers to possess certain ideological, spiritual, and cultural qualities. Literary cultivation is not only the foundation of human cultivation, but also the foundation for all literary and artistic workers to engage in literary creation. It is necessary to attach importance to literary learning.
The great literary and artistic figure He Luting once said, "Any art that is detached from its own nation is unproductive; what belongs to the nation is the world." Therefore, the reform of Chinese painting should adhere to the premise of inheriting traditional genes and skills, absorbing modern life content, and implementing reform exploration. Educators should first teach how to be a good person, and when imparting art, they should first impart character. Guide students to delve deeper into life, learn from the general public, and strive to overcome the feudal bad habit of "literati being inferior to each other, and colleagues being jealous". Only by widely uniting our colleagues can we work together to achieve the Chinese Dream of cultural rejuvenation of the Chinese nation.