Qing Xiaoyun from the "Landscape Scroll" part
At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the painters in the Huizhou (ancient name Xin'an) area lamented the destruction of the country and the death of their families, and a group of relict painters, represented by Hongren, Dai Benxiao, and Cha Shibiao, retreated into the mountains and forests. They take the landscape of southern Anhui as the theme of their creation, the pen and ink are simple, the painting style is unique, the realm is cold, and they euphemistically express the inner relics complex. They do not apply the painting programs of their predecessors, but look for appropriate painting vocabulary to express their emotions and show certain regional artistic characteristics.
Qing Xiaoyun from the "Landscape Scrolls" partial Collection of Tianjin Museum
On new exhibits
Exhibit appreciation
Autumn Ridge Spring Map
Qing Xiaoyun from "Qiuling Mountain Spring Chart Axis" Color on paper Shunzhi Pengshu (1658) Tianjin Museum Collection
The scenery of the autumn mountain residence is painted in color, and the book is self-titled with five poems: "Banyan Yingcao House, there is a flowing spring on the stone." Sit still and swing the five strings. Reading is still too old, and there have been years of planting trees. Eyes extremely autumn clouds outside, love deep frost leaf edge. Savages love landscapes, and half of the walls are written with cold smoke. The verses not only point out the meaning of the painting, but also express the author's thoughts of escaping in the mountains and forests. Although Xiao Yuncong did not enter the Qing Dynasty, his style of work tended to be mild compared with painters with strong relics such as Hongren. The mountain stone dry pen outline, the pen and ink are simple, the pen and ink are folded in many ways, and the color is light and elegant, which is different from the bitter coldness of Hirohito. Department of Funds: "Peng Shu was taught by Mr. Ru Weng Shetai. Yu Lake Xiao Yun from. "Wu Shu" is the fifteenth year of Qing Shunzhi (1658), when the author was 63 years old. Yu Lake system is now Dangtu, Anhui.
Qing Xiaoyun from the "Qiuling Mountain Spring Chart Axis" part
Xiao Yuncong (1596-1673), zizhimu, no. silent, no boring Daoist, Anhui Wuhu people. Entering the Qing Dynasty, Du Zhi calligraphy and painting poetry. Good at painting landscapes, the style is clear and elegant, and in his later years, he put pens on his own style. Gong Shiwen ,Jing Liu Shu (精六書), author of the Meihuatang Manuscript.<
Cloud and water shadow diagram
Qing Cha Shibiao "Yunrong Water Shadow Chart Axis" color on paper Kangxi Xin You (1681) Tianjin Museum Collection
This drawing pen is sparse and simple, the wind god is scattered; the layout is open and closed, deep and cold; the pen is rough and luxurious, especially the pen used for water and grass, handsome and bold. The picture is rich in layers, the close-up scene depicts the slope of the stone and water grass, the middle scene is the river and the fishing boat, although the characters do not depict the facial features, but the shape is concise and summarized, the posture is vivid and interesting, and the scene of the conversation between the two is vividly depicted.
Department: "Yun Rong Shui Ying imitates Bai Shi Weng painted in the Han Shang Yu Lou, Xin You' Shi Biao." "Xin You" is the 20th year of the Kangxi Dynasty (1681), when the author was 67 years old. Plutonium "ShiBiao Private Seal" White Text Square Seal, "Zha Er Zhan" Zhu Wen Square Seal.
Ancient wooden empty jai diagram
Qing Dai Benxiao "Ancient Wood Empty Jai Chart Axis" Ink and Ink on Paper Kangxi Gengwu (1690) Tianjin Museum Collection
The biggest feature of Dai Benxiao's pen and ink is "thirsty pen scorched ink". This picture depicts a close-up view of dead trees and huts, the pen and ink are dry and thirsty, and the painting is desolate and cold, which is the style expression of its "essence returns to darkness, and the dry mallet is the freshest".
Sign: "Gengwu Xia June lower string painting, for Mr. Yi's old Zongtai, Eagle Ashan Kiriko Ben Xiao." "Plutonium" Ben Xiao "Zhu Wen Fangyin." In the lower left corner, there is the "Han Zhai Jian Zang" White Text Square Seal side, which can be known to have been the old collection of Xu Shichang in modern times, and the "away from the sand" White Text Rectangular Seal side.
Dai Benxiao (1621-1691), ziwu Xu,Ying Ashan Qiao (阿山樵), a native of Anhui and County. His father died of hunger strike when Ming died, and Ben Xiao lived in seclusion in the Eagle Mountain in cloth clothes, desperate to advance. He has a high temperament and is friendly with Hongren, Gong Xian, Shi Tao, etc. Gong Shiwen is good at calligraphy and painting, and is good at seal engraving. Happy dry pen scorched ink landscape, the composition is sparse, the artistic conception is dull.