Li Changgeng, a native of Pingjiang County, Hunan Province, the 10th Standing Committee member of Pingjiang County, the chief editor of Pingjiang Art Newspaper, the president of Pingjiang Painting Academy, the director of Huaifu Art Museum, graduated from the former Hunan Provincial Arts and Crafts Staff University, a national first-class artist, a member of Hunan Provincial Artists Association, a director of Yueyang Artists Association of Hunan Province, an executive vice chairman and secretary general of Pingjiang County Artists Association of Hunan Province, a member of the Artists Association of Central State Organs, a special painter of the Calligraphy and Painting Institute of the Central University for Nationalities, a special painter of China Painting and Calligraphy Newspaper, a special painter of China Painting and Calligraphy Newspaper. China Education Television] "Ink Danqing" and "Famous Lecture Hall" column signed artist, "Sketch China" Chinese oil painting sketching club member, "Li Kedian Painting Academy" special painter, [Nanchang Institute of Technology - Academy of Fine Arts] distinguished professor.
Chinese painting works have been collected by cultural institutions such as CCTV - Calligraphy and Painting Channel, China Education Television, Li Kejian Painting Academy, Shaolin Temple, Aomen Lotus Satellite TV, and Gaole Art Museum in the United States.
His Chinese paintings have been featured by CCTV-Calligraphy and Painting Channel, China Education Television, Macao Lotus TV, and Hunan SATELLITE TV for many times.
Graphic appreciation
Poetic rain ink
Li Changgeng is a painter with profound literary skills, which is his "trust". He had both art and Chinese education, and there were not many painters in the group of painters. Chatting with him is a pleasure that the topic is constantly extending, not "running the sea" with a mouth, but a random trigger of literature, art, history, humanities, Buddhism, Tao, etc., which is very enjoyable. As a painter, art that lacks cultural support will not go too far, nor will it have the connotation of abundance.
Li Changgeng is a painter with great potential, he can see all the flowers and birds in his landscape, especially the landscape. Reading Mr. Li Changgeng's landscape paintings can be described as flexible and ethereal, profound, poetic, personality and unique. Mr. Li Changgeng's landscape painting "ingenious composition" Wang Wei's "Treatise on Landscape and Water" said: "Whoever paints landscapes, flattens the top of the mountain, cliffs connected by steep cliffs, rocks that hang stones, round people who shape mountains, and rivers that lead to roads." The two mountains are called 肑也, the two mountains and water are called Jianye, the ridge-like and high-rise ones are called Lingye, and the extreme-eyed and flat-eyed ones are named Sakaya. According to this, it seems that the rough knowledge is also".
That is to say, as a painter, if you want to reduce and express the complex and complicated scenery of mountains, stones, grasses, clouds, sheds and other complex scenes in nature with a paintbrush, and then become a beautiful painting and art work, if you do not repeatedly deliberate and carefully think, you will form a chaotic and messy situation. Before painting, Mr. Li Changgeng always thinks about a number of scenes and scenes that he wants to paint, thinks in a unified way, grasps the theme, decides to choose, and then carefully organizes, repeatedly ponders, rationally lays out, and then goes to paint. According to his painting method, it is to first consider the intention, trade-off, theme, highlights, blank space, proportion, momentum, light and shade when composing the picture, and strive to achieve a bamboo in the chest, the primary and secondary are clear, there are echoes and responses, virtual reality is born, tension and harmony are degreed, and there is a certain "law" to follow on the whole. To put it bluntly, that is, the so-called "high and far" has a cause, "far-reaching" is visible, "flat and far" can be reached, and there is a master and a subordinate, and the hierarchy is clear. In addition, most of his works are "realistic" and "realistic", so it seems to be quite in line with Lao Tzu's "mixed things, born in the world." Lonely, independent and unchanging, circumnavigating without dying, can be the mother of heaven and earth.
I don't know its name, but the word strong is known as the Tao, and the name of the strong word is great. The great is gone, the passing is far away, and the far is reversed. Therefore, the way is great, the heavens are great, the earth is great, and the people are great. There are four great realms, and human beings inhabit one of them. Man's Law, Earth's Law, Heaven's Law, And Dao's Nature" (see Chapter 25 of the Tao Te Ching.) The gist is that before the heavens and the earth arose, there was a chaotic existence. Silence, emptiness! Be independent and never change. Run all the time and never get tired. It can be called the mother of all things in heaven and earth. I don't know his name, so I wrote "Tao" and reluctantly gave him a name called "Da". Great, it flies infinitely, flies away and goes far, far away and back. Therefore, the Word is great, the heavens are great, the earth is great, and the man is great. Four of the largest in the universe are human beings. But man must take the earth as the dharma, the earth as the dharma, the heavens as the dharma, the heavens as the Dharma, and the Tao himself as the Dharma) doctrine.
Mr. Li Changgeng's landscape painting "beautiful lines"
The Han Dynasty Cai Yong's "Nine Forces" said: "The book of husbands originates from nature, nature is established, and yin and yang are born; Yin and yang are born, and the situation is out of the ordinary. Hide the head and tail, the force in the word, the next pen force, the beauty of the skin. Therefore, it is said that the momentum is unstoppable, the momentum is unstoppable, but the pen is soft and strange. "The method of using the pen in Chinese painting is much the same as that of calligraphy.
Li Changgeng's Chinese paintings mainly use "line", because he knows that "line" is the most fundamental means of modeling in Chinese painting. The freehand lyricism of the line pen and ink is due to the various changes that appear in the movement of chinese painters in the brush, so that the "line" has a vivid vitality. As a Chinese painter, Mr. Li Changgeng integrates personal thoughts, feelings, emotions and interests in the process of "running the pen", so that the lines in his Chinese paintings have distinct personality characteristics, and then also show people's aesthetic hearts, personalities, temperaments and ideals. In order to achieve the effect of "shaping intentions", he pays attention to uniform force when transporting the pen, and the pen is sent to; It is cornerless and rounded when writing.
It can be described as "subtle and whirlwind, calm and weighty". At the same time, he also pays attention to "timely change", whether it is a center or a flank, a counter-attack or a smooth forward, and will adapt to changes as needed. You see, Mr. Li Changgeng's landscape paintings are like this, not only giving in to each other, but also echoing each other; Not only is it followed by back and forth, but it is also momentum. Quite in line with Lao Tzu, "The world knows that beauty is beautiful, and evil is evil." Everyone knows that what is good is good, and what is not good is not good. There is no symbiosis, difficulty and ease, long and short phases, high and low phases, sound and sound phases, and back and forth" (See the second chapter of the Tao Te Ching. Roughly speaking, it means that everyone in the world knows that beauty is beautiful, and this is ugly. We all know that good is good, and this is evil. Being and not being are interdependent, difficult and easy are mutually reinforcing, long and short are compared to each other, high and low are each other's directions, sound and echo echo, and front and back are accompanied by the moral righteousness.
Mr. Li Changgeng's landscape painting "Color and Ink Blending"
Shi Tao, a famous painter in the early Qing Dynasty, once said in "Shi Tao Painting Quotations, Change Chapters, and The Third": "To the point that people cannot, not unable to also, unable to do so, is the ultimate law, everything must have the right to have the scriptures, there must be laws, and once you know the scriptures, you will change their rights; Once you know the law, you can contribute to it. For the change of ink color, the ancients had the so-called "five colors" (that is, scorched, thick, heavy, light, and clear), and also had the "six colors" (that is, "dry, wet, thick, light, black, white"). But no matter which way of saying it is, it is nothing more than talking about the "change" of ink color. Mr. Li Changgeng's landscape paintings are particularly prominent in this regard. His landscape paintings are "thick" with ink: not light and thin, not artificial, simple and natural; Ink color "transparent", not cloudy, not rigid, clear layers; The ink is "rich", not sluggish, not dry, and the layers are changeable. "It seems like a large blank space, but it is actually the color of the lake light and water", Mr. Li Changgeng's landscape painting works are like this, and the ink used not only has "changes", but also has "charm", and with the clever use of ink, it fully expresses the three-dimensional sense, texture and sense of space near and far.
Lao Tzu's Tao Te Ching says: "The five colors blind people", because he advocates "seeing simplicity and embracing simplicity". Zhuangzi fully inherited and developed Lao Tzu's view of color, and he said in the "Heavenly Dao": "The husband is quiet, idyllic, lonely and meaningless, the peace of heaven and earth and morality... The foundation of all things. The core of Zhuangzi's color concept is "pure white and simple, not stained with fiber dust.". Taoist thought has greatly influenced the emergence and development of landscape painting in China. Mr. Li Changgeng is a person who advocates Taoist culture, which can be seen from his "micro name" as "big sound" - "big sound" (see Chapter 41 of the Tao Te Ching), which means that the better the music, the longer and lower. Of course, this is also another aspect of Mr. Li Changgeng's low profile. Therefore, most of his landscape paintings are mainly ink colors, which fully reflects the philosophical concept of "emptiness and tranquility" of Taoist thought. The simple black ink reflects the simple concept, although it does not have the dazzling stimulation of the crowd, it appears idyllic and simple. Transforming rich colors into idyllic ink color changes is the characteristic of Mr. Li Changgeng's landscape paintings, and it is also his philosophical improvement of the essence of Chinese painting. Mr. Li Changgeng uses ink color changes to express the colors of all things in the world, of course, in the performance of painting colors, pursues the strong contrast between strong colors and ink colors, and achieves "thick and not colorful, colorful and vulgar"
Mr. Li Changgeng's landscape paintings are "rich in meaning"
Meaning is the soul of Chinese landscape painting, and it is also a realm that the painter has refined and summarized from his life experience and finally formed into artistic processing. This realm, with limited "visual sensibility" image, induces people's associations in "combination of virtual and real", "conveying divine portrayal", and "vivid rhyme", so that the viewer is infected in the "inexhaustible realm", resonates, realizes "scene fusion", and then understands its "extra-scenic meaning" and "foreign connotation". Shi Tao once said: "Mountains and rivers make the mountains and rivers of the generation, and the mountains and rivers meet the gods and trace the deeds." It refers to the realm of "the unity of heaven and man" and "the two things I forget".
"Rich meaning" is the biggest feature of Mr. Li Changgeng's landscape paintings. He once said: To create a landscape painting, it is not only necessary to have a good "composition", but also to have the "meaning" of beauty, because the "artistic conception" is the "soul" of landscape painting. If a landscape painting cannot leave room for the viewer to associate, let the viewer be emotionally infected and cause a certain degree of resonance, and then feel the "unspoken meaning", "sound outside the string" and "taste outside the world" in the landscape painting.
Most of Mr. Li Changgeng's landscape paintings are from sketches, that is, the so-called "foreign teacher creation, the source of the heart" is also. Therefore, the mountains, cliffs, trees, rivers, flowers and plants in his paintings are formed in a situation of distance and distance, and everything is exquisite and reasonable everywhere. In this way, nature consciously or unconsciously produces "qi rhyme". Mr. Li Changgeng's landscape painting "Victory with Scenery", he pays attention to realism, composes the artistic conception with a real and touching spatial situation, integrates ideals and feelings into the real scene, mainly through the situation itself to induce the viewer to associate, similar to the "selfless realm" of "poetry".
Mr. Li Changgeng's landscape painting "wins with intention", he pays attention to emotional expression, highlights personality and emotion, and requires "between likeness and non-inferiority" in "shape", similar to the poem's "realm with me". At the same time, Mr. Li Changgeng's landscape paintings pay attention to the "combination of artistic conception", and achieve a high degree of combination of "feelings" and "images", and then reach the "natural" realm of "scene fusion", "material and self coordination", "unity of heaven and man", which is quite in line with Lao Tzu's "Kong De's appearance, but the Tao is from it." The Tao is a thing, but trance. Trance, there are elephants. Trance, there's something in it. There is a fine in it. Its essence is very true, and there is faith in it" (see Tao Te Ching, chapter 21. The gist of it is that the highest form of morality is complete obedience. The Tao, as a being, is completely trance-like. There is an image in the trance, and there is reality in the trance. In his deep darkness, there is a spiritual being. This spirit is true and true, full of faithfulness) righteousness.
Looking at Mr. Li Changgeng's landscape paintings, the author found that the landscape paintings he created were open, magnificent, majestic, and beautiful. Lida "qi", "potential", "intention", "realm" penetration. Therefore, it is quite popular with readers and collectors.
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