The debut of the new album "Vast Land" of The Western Hu yang has served as a producer

A few days ago, the initiator of the new folk song rock in the mainland and the pioneer of Xinjiang pop music, Xiyu Huyang, released his new music album "The Vast Land" again after a year, this album has a new income of 9 original and adapted songs, which is also the song with the most national pop characteristics of Xinjiang carefully selected by The Huyang in the Western Region, in his slightly vicissitudes and exotic voice and singing voice, take you to break free from the shackles of reinforced concrete, dream of this Tianshan Gobi, and chase the wild waves of freedom in your heart.

From "New Loulan Girl" to "Immortal Love Song" to the album "I Came from Tianshan" that retraced the Silk Road last year, the Western Hu Yang, which has the ability to create songs, innovatively integrates Xinjiang's musical elements into the current pop rock music, creating a new "Chinese New Folk Rock" that integrates its own folk songs and the avant-garde rock of the times, showing the world China's new folk music rock, and also infiltrating his love and praise for the land of Xinjiang. Originally born in Sichuan but deeply intoxicated by the western land of Xinjiang, since 2005, he chose to stay in Xinjiang to start large-scale music collection and production, not only was invited to participate in the production of a number of globally released Xinjiang national music albums, but also participated in the production of Tengger's album "Dream", the establishment of poplar music institutions, years of continuous research and creation, and finally achieved the current "desert music knight".

The new creative music album "Vast Land" released again after a year, The Western Huyang continues to create music rich in Xinjiang national pop characteristics, as an album defined as "Return to the Silk Road Music", the Western Huyang uses music to depict the beauty of this Western Region to us, and once integrated into satal, Balaiman, Ai Czech, Bouncer, Oh Na, Tambourine, Stone Knock, Sand Hammer and other representative Xinjiang folk instruments, in his vicissitudes and hoarse and high-pitched outpouring of the song, Reproducing the glorious and mysterious history and national customs of this land, the album also includes for the first time the familiar and classic Xinjiang folk songs such as "Hongyan", "Youth Dance", "Dabancheng", "In That Distant Place", etc., and adapts and interprets them with their own new musical forms, so that these old songs are also draped in the "shell" of the times, bringing people a new audition feeling and more easily accepted by people at present.

Perhaps different from Wang Feng's rock music of "roaring" at life, the rock and roll of the Western Huyang has a kind of detachment and fraternal feelings between heaven and earth, in this new album, the Western Huyang also expresses his spiritual washing and life perception in walking in this land, just like the title song of the same name, "The Vast Earth, Please Don't Forget Me." I want to release the fanaticism in my heart", he is like a brave and fearless and free music knight in the vast Gobi, singing between heaven and earth, in the torrent of the times, the smallness of the self and the wildness inherent in your heart but bound, taking you to break free of the confinement of reinforced concrete and walking in the wind and sand Silk Road thousands of miles away, solving the confusion and confusion in your heart, looking for the faith in freedom in your heart, the wild waves of unruly, using music to blow the spiritual horn of the new era for you, and guiding you the direction of life and dreams.

Times are changing, we are too late to say goodbye to the past, but before the future arrives lost and self-doubting, looking directly at the vastness of heaven and earth, looking directly at the truth and thoroughness of life, may you live as you have never cooled the frenzy.