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Lupin III (III) - Lupin against monkey fist

author:AniTama
Lupin III (III) - Lupin against monkey fist

Author: Adi/Anitama Cover Source: Lupin III

The first two times we talked about the status and impact of the "Lupin III" series, and this time we talked about the history of the series.

I have said before that the original original work itself is not long, and it is a weekly manga that ends in nearly two years. The original began in 1967, and halfway through 1968, someone saw this animation brain, and this company was called Tokyo Movies. The company that is now called this name has not been merged, and there are people who do not watch old films but are still familiar with this name because until five years ago, Conan's nominal studio was still remembered as this name.

We know that this format of regular half-hour television animations was routinely broadcast weekly began in 1963, before the main market was in cinemas. Once a week, when it became a technical reality, it led to the first animation boom, and the number of animation studios soared, and it was in this wave that Tokyo Films was established in 1964.

But the first battle of the division was frustrated. It was also natural to think that in the context of the entire TV animation at that time, no one had established an experience system, and it was good to hit a wall early and wake up early. Tokyo Film is about to reform the system, and it is much better to have a company that manages the business and then a company that manages the work, and the two sides are separated.

At that time, the established factory such as Toei Animation was already doing this, and the animation works were handed over to the parent company Toei to operate, although Toei's own business scope was far from limited to animation. One of the early prototype ideas of the animation industry's now rotten multiple contracting structure is this, which was actually originally intended to borrow from the film industry, and the studio should not sell the film directly to the TV station. The film industry is not a studio directly selling finished products to the cinema, there is a step in the middle called rationing is distribution, the most profitable big man in the film industry is the distribution company layer.

The founder of the Tokyo film is Named Rei Fujioka, and he has an acquaintance in Toei Animation, Daiyoshiro Kumabe, who has just become independent, and Fujioka wants to take the opportunity to take him to the account, but the people don't want to do it. Fujioka turned his mind again, encouraging him to say that you should establish yourself as a king, and then we will form an alliance. Nanbe was moved by him, and dug a few corners inside Toei Animation, and with the four people he dug out, he built a new company called A Studio at the end of 1965.

Tokyo Film paid for the idea, a studio produced craftsmanship, and after completion, the finished product was sold by Tokyo Film, and this business partnership was established. The two did not establish a capital relationship, and of course, the newly eaten Tokyo movie did not have this ability. This studio was the one that later became a cutting-edge animation, the one that made Doraemon, but that's not what we're going to say.

In 1968, tokyo films started the idea of Lupin III's animation, and of course, it also pulled up a studio. Originally, there was not much planning, so I planned to make a short film to be released by Toho, only as a subsidiary work that was bundled with which masterpiece.

But before talking to Toho, there was a problem with the original author. The original author said that you know what is called youth manga, I have never made any plans to have anything to do with animation when I embarked on this road, and told you that I have been unhappy with animation for a long time.

Speaking of this original author, although he is Japanese, his pen name how to see how to be a foreigner, but also looks like a straw hat boy and their distant relatives. This name was not made by himself, it was thrown to him by Lupin's publishing house Futaba Society, but he was miserable and later became famous, and the audience only knew this foreign name. The foreign name translates to monkey fist, and we followed suit.

Fujioka went to great lengths to do ideological work for the monkey boxing teacher, and finally there was no way to throw out a big move, teacher, we first lost money to make a sample to show you, you at least look at it and then say it can't be done. The next year, as soon as the sample came out, the monkey fist teacher was attacked, and the inner cow was full of faces, ah, today Fang knows the artistic charm of animation, and the animation has a labor ranking I am accurate.

Now it's time to start, ah no. As a result, the big man in the film industry, Toho, said that I couldn't see that there were more films released by us. So this means that the Lupin animation project that has been vigorously engaged in for a year has been decisively blown.

In this way, the sample of the loss of money can really lose money, and the road begins to go back to the head. What to do, then change the road assembly, so go to the TV station.

This is the idea that modern audiences do not understand smoothly at the first time, and it is not natural to find a TV station at the beginning to animate. So before explaining some background, the first animation industry movie is the mainstream TELEVISION just started, the second Tokyo film into the television broadcasting industry just suffered, the third Lupin this theme itself is not a good choice for animation.

This delay is another two years, and a TV version of the sample must be improved. This time, there was finally a TV station that answered the call, which was Yomiuri Television station in Kansai, which belonged to the broadcasting network of the Japanese television series. Although it is not the core TV station in Beijing, it is also very good to belong to the second echelon of private television stations, about the general system of the entire industry of hundreds of TV stations in Japan, you can pay attention to the commercial column of this magazine will be detailed after the serial feature.

The supervision was continued by Masaaki Osumi, the supervisor of the sample, although at that time it was not officially called supervision, at most it was called a performance. This time, it was full of ambition, and Osumi gathered a group of craftsmen from studio a, and the boss, president Fujioka of Tokyo Film, became a producer, and it was very common for the executives of a small studio to be a producer himself.

The original work is a youth manga, and the audience group envisioned by the animation is also very old, and Osumi wants to do what he thinks is a kind of art work, not only the elementary school audience he can't even look at the middle school students. This means one thing, running out of business.

The contradiction between art and business is a subject that has never been extinct in similar industries, but this time it is obviously going to the extreme. Osumi is a front-line producer who really only has to think about the work itself, and Fujioka as the operator has no complete support for him, which is an example of a good boss who wants to thank the grace of knowledge, and it is really a death to the company.

Things are not about right or wrong but about timing, what is the right thing to do, the timing is not right, everything is wasted, and the theory put forward by the head of the Chinese philosophical group is here again. At that time, the animation industry was the era of ratings supremacy, which can be seen in the seventh episode of the commercial column. There are two iron laws in the era of ratings supremacism, the first is that ratings are hard indicators, and the second is that the audience of animation as a form of production is children. The deep penetration of these two articles is actually quite strong in the presence of the present, which is still true in the eyes of normal people, and most of them are not established in the eyes of the animation house, but we must have self-knowledge and self-awareness, don't produce the illusion that we are normal people.

In such an era, the TV version of "Lupin III" that began in 1971 is now called the first issue of the series, or according to my custom of the dynasty, it is called the first part, and according to the habit of the foreign devils, it is also called the first season.

The first episode was naturally frustrated, with a worldwide rating of 6.5%. What definition of the world band ratings is how to measure and how to calculate, this is also the scope of the serial topic of the business column to explain, now here is a general concept.

The broadcast period is at 7 o'clock on Sunday evening, which is the golden slot of the holiday day. In those days, films of this nature that averaged 15% of the world's ratings were popular enough. If the higher average to 20% of course is very high, then down, the average of more than 10% is also, double digits on the golden file is still qualified will not call you out of the egg. A single digit is not doubtfully within the scope of the purge object, and the studio should be invited to tea by the TV station at any time. This is quite polite, directly under a piece of paper to say that this piece of cut no you have done anything, that is actually more normal.

Yomiuri TV is a more civilized kind, six point five is quite low, nothing about the audience is lagging reaction, no sound. The result is not only 6.5 points, but on this basis, it is directly discounted by 5%. It's okay, Yomiuri still can't hold his breath and didn't directly get off the knife, civilized people first invite people from Tokyo movies to drink a cup of tea, what leaves are put in this cup of tea, we will continue next time.

Lupin III (III) - Lupin against monkey fist

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Original: m.anitama.cn/article/ec9a7bf076d47c67?utm_source=toutiao

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