As an enduring animation work for all ages, "Crayon Novel" is customarily released every year. As the 28th theatrical version of Crayon Shin-chan, Crayon Shin-chan: Guild Wars! Graffiti Kingdom and About Four Warriors draws on the story of the divine pen Ma Liang and tells us the adventure story of Xiaoxin saving the earth.
Why is it said that the Graffiti Kingdom borrowed from the divine pen Ma Liang, it is because Xiao Xin met a mysterious person, and the mysterious person gave him a magical brush that can turn the things he draws into reality. This idea coincides with the divine pen Ma Liang, but the magic pen Ma Liang was born in the 1950s of the last century, so it is inevitable that it will be considered to be a reference to this idea.
There is also the setting of this foursome like the four masters and apprentices of Journey to the West, except for the crayon Xiaoxin and the fat toot left guard, the other two members look too strange. One is Fat Cijun, and the other is obviously a character modeled after Nanazi's sister, but the appearance value is simply a 180° reversal, but Xiaoxin has become accustomed to it, after all, Nanazi's side of Xiao Nin and this passerby is not too much.
In fact, "Crayon Novel" is not just a daily genre work, there are many dramas in it, such as various urban legend series, Fat Toot Left Gate series, and dark fairy tale series, all of which are wonderful. But the theatrical version of the plot is a little too large, originally a movie is two hours long, this "Graffiti Kingdom" also appeared a bunch of characters, each character looks like a supporting role, but there are still many scenes.
On average, our little new has not much plot left, which for the audience who likes the small new, there is a feeling of buying a ticket and being fooled. Especially in the trailer, there are scenes of Xiaoxin and Nanazi's sister, which satisfies the appetite of the audience, and as a result, after arriving at the main film, it is really the same as in the trailer, which makes people unable not to complain.
And every year out of a theatrical version of the speed, to be honest at the beginning of the plot did not have too high hopes, even if "Crayon Xiaoxin" is a very daily work, under such a speed of creation, it may be difficult to have a refreshing feeling for the audience. In particular, the last sensational part of "Graffiti Kingdom" is a bit deliberate, coupled with a bit of dragging rhythm, which is really embarrassing for the audience who is very familiar with "Crayon New".
However, if it is a new mengxin, this "Graffiti Kingdom" is very interesting, and gives the audience a lot of opportunities to understand different characters, which is very friendly for Mengxin. Coupled with the ups and downs of the music of the whole "Graffiti Kingdom", especially the sense of presence in the cinema, it is very easy for people to enter the play.
Although the sensational part is somewhat routine, the tear-jerking effect is still very good when paired with music. After all, this theatrical version is set to save the earth, not only is the idea grand, but the scene is also very spectacular. Coupled with the fact that the small new characters are very infectious, the pair of cute big eyes always care about the audience's heart. In the process of watching, the audience unconsciously fluctuates with the mood of Xiaoxin, and the overall viewing effect is still good.