#李诚儒戏儒人生 #
A sentence "35-year-old actors will not have drama", let the audience notice the workplace plight of older actresses, for a group of actresses with strong acting skills, if they really can't contribute more and better works because of age problems, it is undoubtedly a regrettable thing for the audience.
So for actors, is there a career life cycle?
In Li Chengru's view, the answer is subtle and affirmative, no.
This is the topic of the latest issue of "Confucian Life" - "Older actors welcome the second spring?" Listen to Li Chengru talk about the packaging hype behind the traffic."
"As long as you play well, people are good, there should be drama at any time", this can be combined with Li Chengru's own experience, Li Chengru himself is not a professional film and television college graduate, but in the young karma coincidentally entered the film and television industry, first in the TV series "Journey to the West" as a drama manager, and later in the TV series "Addiction" played Qian Kang, and then his works are also more and more, Zhao Baogang "East Sunrise West Rain" Wu Yongmin, "Serious Case Six Groups" Zeng Keqiang, in recent years TV series "Agitation" Huang Wantao, Contributing to different styles and different types of roles, he has a sophisticated grasp of the role and has a good understanding of interpretation.
In recent years, he has tried variety shows, serving as a judge in "Actors Please Take Place" and "I Am an Actor Season 3", from the promotion of self-acting skills to the improvement of young actors' acting skills, Li Chengru has made many contributions in the film and television industry. And "Drama Confucian Life" is a new program of Li Chengru who "can't hold back his words and is willing to chat with everyone", listening to him speak freely in each episode, and the remarks on the film and television industry are painful for the audience to listen to.
For the controversial issues of the impact on the career of older actors in recent years, such as older actresses who have passed the age of forty, Li Chengru's views are still sharp, he believes that "good drama, good people" is the key to the rapid development of actors, and even "in the next ten or twenty years, there will be no situation where older actors do not act." Of course, this also depends on the actor's own ability and level, such as the actor's own cultural literacy, to have "cultural accumulation, life accumulation and understanding".
That for some actors "brave" to play cross-age works, Li Chengru said that "what age group to play the role of what age group", at present, many actresses are already 30+, 40+, but still have to play the role image of teenagers and twenties, and there was Liu Xiaoqing's experience of playing a young girl at the age of sixty.
In recent years, Zhou Xun's appearance in "Ruyi Chuan", from the perspective of acting skills alone, there is nothing to say, but from the perspective of role positioning, it is indeed quite reluctant, less of the innocence of young girls, showing the characteristics of not matching the role, and these actors who still have acting skills, for some younger traffic-oriented actresses, playing girls at the age of 20+, 30+ also playing girls, on the one hand, their own acting skills are not in place, can not undertake more challenging roles, the drama road is not wide, resulting in only in the original traffic drama, idol drama, The drama that wants to try to transform also makes the audience feel very contrary to the drama, and even the actors of the acting school obviously have a feeling of not being able to catch the drama.
A good actor is a "character actor" who can break through his own positioning, which is barriers, because he can play a variety of roles, but this must also be based on the role that meets his age stage. Combined with Li Chengru's previous righteous words on the variety show, "the sword is stuck here with no expression", even the performance foundation is not there, and speculation /packaging, the judgment of the acting skills of young actors is also the audience's long-suffering feelings.
For the performance of many actors, the performance style, role positioning and even the shape in different dramas are quite close, and they have also been ridiculed by netizens as semi-permanent acting skills and semi-permanent makeup, so that people only stay in the stage of picture viewing, without any sense of substitution.
Li Chengru also said bluntly that in the traffic, no one dares to say, no one dares to touch, and he is the first to dare to fight with them. It is also just in time for the recent rectification of the Radio, Film and Television Bureau, for the traffic, the blow of Internet celebrities, this is undoubtedly an opportunity for the old actors, and in the face of another spring, we must pay more attention to strict self-discipline, high demands on ourselves, starting from the self, which is what an actor really needs to do.