#戏儒人生 #
Spicy, sharp, pertinent, "poisonous tongue" Li Chengru's personal video column "Drama Confucian Life" after the broadcast, gained a good reputation, but also caused a lot of attention.
The latest issue of "The Life of Confucianism" still revolves around "biography", and Li Chengru's views are still sharp.
In the program, Li Chengru mentioned the once-popular palace fighting dramas such as "The Biography of Zhen Huan" and "Yanxi Raiders". As we all know, these two palace fighting dramas have an amazing amount of network broadcasting and wide dissemination, and are even called classics of palace fighting dramas, but as long as the audience with a little historical knowledge knows that the plot of these palace fighting dramas is completely contrary to history.
In the words of Li Chengru, the directors and screenwriters of these palace fighting dramas have connected the history of many dynasties, and then made up a work that attracts attention, and these palace fighting dramas are undoubtedly the products of entertainment to death.
However, these products of "entertainment to death" often produce terrible chemical effects, especially on teenagers.
"The Biography of Zhen Huan" and "Yanxi Raiders" are all based on a certain dynasty as the background, and many of the characters in the play are real in history, but those fabricated plots are not even wild history. Distorting history, giving historical figures some sensational stories out of thin air, and stimulating the audience's pleasure in chasing the drama, but it is precisely these distorted histories that are mistaken by many teenagers as real history, and the negative impact on them is very large.
Zheng drama, zhengshi, and zhengshu could have derived very meaningful works, but in the end, there were works of entertainment to death such as "The Biography of Zhen Huan" and "Yanxi Raiders", which was really painful.
Many people blame the audience for the chaos of entertainment to the death, believing that it is the audience's needs that give rise to these works. Li Chengru said that it is unfair to throw the responsibility of entertainment to death to the audience, "The audience is guided, the audience is guided by what you guide him to see, he will follow the direction to see what, these nonsense plays are all the products of entertainment to death, entertainment to death is right?" , I think it's not right. ”
After that, Li Chengru also used his own experience to explain the chaos of entertainment to death in the film and television circle, "suppressed" for 20 years, and Li Chengru was also fast in the program.
Those who are in the right drama, the right history, and the right words must be added to the right word, and it becomes crooked. At the same time, Li Chengru also made an in-depth and simple analysis of this chaos: many post-80s and post-90s generations were born to watch Hong Kong and Taiwan works, which have little educational significance, more colonial culture; then the Korean Wave hit, Korean actors and their hype methods, which are a great impact on our cultural work.
Finally, Li Chengru also earnestly appealed that our cultural position should not be lost, and the key to solving the problem of entertainment to death is still in the film and television drama creators. "Young colleagues, first read some history, read more biographies, and you can naturally use it when you use it."
The audience paid more attention to Li Chengru because of variety shows such as "Actors Please Take Place", in these programs, Li Chengru and "cutting-edge" directors opened the bar, angry at the exaggerated acting skills of traffic actors, Li Chengru's "poisonous tongue", and even made many bottomless creators and actors tremble on the stage.
Dare to say and do not follow the tide, it is precisely because there are people like Li Chengru, bravely stand out, and continue to speak out about some chaos in the entertainment industry, the public is also paying more attention.
The film and television circle has slowly entered an era of chaos, into 2021, the chaos of traffic star supremacy has been significantly improved, and this year there have also been excellent works including "The Age of Awakening" and "Meritorious Service", which are closely related to history and have a high degree of historical restoration, and these works are well received by the audience and have also gained a very good reputation.
Biography should not be the way to make idol dramas, film and television creators, really should restore a historical truth to the audience, rather than using those fabricated "palace fights" to win the audience's eyeballs and let entertainment mislead the audience to death.
Li Chengru's personal video column "Drama Confucian Life" has been broadcast to the sixth issue, and in each episode, Li Chengru will combine some film and television circle chaos, or film and television drama works, to expound some views. Li Chengru, who has depth, wisdom and strength, makes this column very watchable.
Still dare to say, still not afraid of offending people, "poisonous tongue" Li Chengru, the follow-up "Drama Confucian Life" will have any spicy views? What chaos in the film and television circle will be named by Li Chengru? The excitement of "Drama Confucian Life" still continues, and I really can't wait to unlock a new episode of the show!