On October 22, the seventh program of Teacher Li Chengru's "Drama Confucian Life" was launched on time. In this issue, teacher Li Chengru talked about his personal views on "older actors have no drama", and believes that this statement is not valid. At the same time, teacher Li Chengru once again mentioned the traffic star, self-ridicule, is the first person who dares to criticize the traffic star, fortunately, it is also a fluke, not because of this criticism by the network violence.
First, let's talk about the "first person" that Teacher Li Chengru ridiculed himself. Teacher Li Chengru appeared as an acting review expert on the stage of "I Am an Actor" and criticized some traffic stars for not having acting skills. This criticism is profound and very valuable. To be precise, it should be that teacher Li Chengru is the first time to positively criticize the acting skills of traffic stars through the star platform. And because this criticism is in line with the audience's cognition of this batch of traffic stars who have no acting skills and are stunned, therefore, the criticism of teacher Li Chengru has also won the recognition of the vast majority of the audience.
On the Internet, those who dare to criticize traffic stars and dare to intimidate traffic star fans can be said to be screenwriter Wang Hailin, who should also be regarded as a "tough guy". In terms of the effectiveness of criticism of traffic stars, Li Chengru and Wang Hailin, two professional film and television practitioners, can be described as leading the way. The criticism of the two industry insiders has played a very important role in the healthy development of the film and television industry.
Let's talk about Li Chengru's ridicule of "not being stormed by their Internet". The word "Internet violence" is one of the main reasons why a large number of traffic stars are unimpeded and no one dares to criticize. In fact, since the traffic stars have just filmed film and television dramas and hyped up wantonly, there have been many professional drama critics and film critics who have questioned the acting skills of this batch of traffic. However, a very noteworthy phenomenon at that time was that a large number of self-proclaimed fan accounts, wantonly insulting articles and authors who dared to criticize the acting skills of traffic stars, had constituted a typical form of online violence.
The reason why traffic stars are now "deeply hated" by most practitioners in the industry is precisely because of their unprincipled bottom line of criticism and insults. Drama review articles, film review articles, the most rational communication. In the face of some criticism, the fans of traffic stars do not discuss the content of the article (even if it is a reasonable and well-founded rebuttal), but directly insult, and even create rumors. This kind of misleading behavior has turned the Internet into a miasma. Therefore, many film critics and drama critics with professional qualities have adopted a blind attitude towards traffic stars.
This kind of blindness is not desirable in itself. Professional film review articles and drama review articles are not willing to take care of this kind of traffic star and traffic drama, but it has caused the lack of professional film criticism and drama review articles. And those touted marketing manuscripts, they entertain themselves, and even the phenomenon of bad money expelling good money. This kind of "internet violence" of traffic fans is one of the important reasons for the rampant bad currency. One of the most hateful statements of this group of "fans" is that when you comment on our family's celebrities, you just want to rub the heat of our family's stars. In the face of this hateful statement, I usually respond that when the cleaner cleans the street, it is to serve a clean and beautiful environment, not to rub the heat of garbage.
Then, we can talk about it, Teacher Li Chengru's self-ridicule, wan luck, but also a fluke, did not be because of the criticism of traffic stars by the Internet violence, is it true? It's not really that way. Don't underestimate the traffic fan group, the hundred-footed worm is dead but not stiff. The online language violence brought about by "them" has not stopped. It can even be said that many of the behaviors of creating momentum and responding to the support of traffic stars still exist in the corner.
For example, I have written several articles in a row that discuss the content of "The Confucian Life". After these articles were published, a large number of messages were generated. Among them, some of the messages are verbal violence against Teacher Li Chengru. On the Internet, there is still such a strange phenomenon, who criticizes traffic stars, the "fans" of traffic stars attack whoever. Teacher Li Chengru probably did not feel this attack yet. However, Wang Hailin, a screenwriter who dares to criticize traffic stars, should have to deal with this kind of "fan-type" network violence every day.
Finally, let's talk about what should the film and television industry do in the face of this kind of problem? I think that professional film and television practitioners such as Li Chengru and Wang Hailin should not be left alone, and more film and television practitioners should stand up, especially in their own professional fields, and justify the problems of traffic stars, including their acting skills, including their cultural literacy, including their relationship with fans, including the problems of their fan language violence. Let more professional voices speak out, rather than fearing this kind of traffic "control and evaluation" behavior, the film and television industry can develop healthily.
At this moment, we have to face an old problem, the relationship between actors (stars, traffic stars) and the audience. Actors speak through works, and outside of works, there are no stars. The audience evaluates the work, and the only way for the actors to communicate with the audience should be based on the work. As for some traffic stars, taking a "private room photo" and having a "birthday party", there are fans who respond to a large area of assistance, which is really just right and very happy. (Text/Ma Qingyun)