As an actor, playing a variety of different roles is a very common thing, especially for those actors with acting skills and good looks, if you can, one person plays all the roles in the play, it is not impossible, but the question is whether the setting of these roles is in line with the original image in people's minds? If it is in line, it is naturally a joy for everyone, the audience is happy to see it, and the actors are also well received, but if it is not in line, then there will be a phenomenon of full screen spitting.
Take the recently released "Tota King of the List of Gods", which is a good example. We need to know that the "List of Fengshen Gods" can be said to be one of the most popular works in China's mythological stories, so it has also derived many related works, such as "Jiang Ziya", "Nezha" or "Fengshen Yanyi" and other works have its presence. And this "Tota King of the List of Gods" is no exception.
Its story revolves around the Li Jing family in the "List of Fengshen Gods", and what is different from the previous works is that in this work, it is no longer Nezha as the protagonist, but chen Tangguan Li Jing's juvenile period as the background, which is a very rare thing in similar works, plus the role of Li Jing in the play is Chen Haomin, who was once very popular, which is somewhat expected.
However, when this drama really started, I didn't know what to say, the plot was like a patchwork, and the teenager Li Jing, played by Chen Haomin, also gave people a feeling of "not him", which was very contrary. If this sense of discord is related to Chen Haomin's age, then the role of Li Jing's wife in the play, from a fairy to a demon, is really a bit unspeakable.
Because in the eyes of everyone, no matter which version of Li Jing is around, Lady Yin is his only wife, but in this "Tota Heavenly King of the List of Conferred Gods", Lady Yin disappeared without saying anything, and also staged a sadistic love between people and demons. Perhaps this work is to express the young Li Jing's dedication to saving his mother, but the problem is that in this work, in addition to letting people see the ignorance of the young Li Jing and the shrewdness of the hard pretense, it is not seen at all that he is saving the mother.
If it were not for the synopsis of the previous plot and the link of saving the mother that appeared from time to time, it was really difficult for people to treat this work with emotional lines everywhere as Li Jing's growth history. As for the reason for this, I think the friends who have seen it can understand, after all, the young Li Jing has not really worked hard to save his mother since he appeared, in addition to running into trouble and doing things with his own mood, he has not made any effort, even the final rescue of the people of Chen Tang and the submission of the demon dragon are completed by the heroine sacrificing herself.
The reason for this is to give a reasonable reason for the two to meet at the end. Such an arrangement seems to be no problem, but if you think about it carefully, if you go on according to this plot, then Lady Yin will not have the opportunity to appear, so that Jin Zha muzha, or even Nezha, will not have the opportunity to appear? It can be seen that the reason why Chen Haomin's new drama has been complained about, in addition to the 52-year-old teenager, the plot processing also accounts for a large part. It is no wonder that many netizens left a message saying that Chen Haomin should pick a script and stop consuming feelings, so what do you think about it?