Words such as after the door, after the famous door, and the bookish door can often be seen in some literary works or materials, and these words are mostly used to introduce some celebrities with great origins.
It is not difficult to find that from ancient times to the present, except for a few well-known people who rely on their own self-made and make a name for themselves, many well-known people have extremely strong backgrounds, and most of their elders are celebrities.
Even if you don't "inherit the father's business", most of them can break out of the world and create a great reputation. So why are the descendants of celebrities mostly celebrities? In this regard, Wu Huan, the son of Xin Fengxia and Wu Zuguang, once said: "My whole life is the answer."
<h1 class="pgc-h-arrow-right" data-track="4" >, the combination of shuxiangmendi and artistic families</h1>
It is often said that marriage is not a matter of two people, but of two families.
Since ancient times, the marriage of Happy Knots has to pay attention to a door-to-door pair, and the marriage of Wu Huan's father Wu Zuguang and his mother Xin Fengxia is like this.
Speaking of Wu Huan's father, Wu Zuguang, who was also an official eunuch, was born in Shuxiang Mendi.
Although Wu Zuguang's father was an official, he had an extraordinary study of calligraphy and painting, and was a senior expert in cultural relics appreciation.
Since he was a child in this atmosphere, Wu Zuguang has developed an extremely strong interest in literature, calligraphy and painting, and later through the careful cultivation of his father, he gradually has some achievements in literature.
When he was in middle school, Wu Zuguang published some literary works, which received many praises. Based on this, it also deepened Wu Zuguang's confidence and determination in literary creation.
When he grew up, Wu Zuguang inadvertently came into contact with Peking Opera, and was deeply attracted by the Peking Opera culture, and would secretly go to the theater every day to listen to the opera and indulge in it.
Perhaps in the eyes of some people, this is a kind of "not doing the right thing", but in Wu Zuguang's eyes, this is a kind of appreciation and yearning for art, and it turns out that it is during these days that Wu Zuguang's fascination with the art of Peking Opera has enabled him to create countless popular classic drama works later.
Later, Wu Zuguang was invited to teach at the National Academy of Drama. During that period, Wu Zuguang also met many friends and provided him with many valuable suggestions for his creation in theater, which allowed him to greatly improve his theater creation.
In 1937, the Anti-Japanese War broke out, and Wu Zuguang created his first drama work "Phoenix". Once this work was staged, it was well received and loved by everyone, especially in Hong Kong, which received great recognition and attention, for which Wu Zuguang also went to Hong Kong.
In Hong Kong, Wu Zuguang's theater career has not only been better developed, but also studied the art of film, which has played a vital role in the development of Hong Kong film. When Wu Zuguang was invited to return to the mainland, he held an important position and made great contributions to the development of film and television culture and drama literature in the motherland.
Some people may say that all this that Wu Huan has is inseparable from his father, but in fact, it is not, although Wu Huan's father is in shuxiang mendi, but Wu Huan's mother is also very human.
Wu Huan's mother Xin Fengxia has followed her "sister" Yang Jinxiang to learn Peking Opera since she was a child, laying a very solid foundation, and at the age of thirteen, she visited a number of opera critics to study drama, and in these years, Xin Fengxia was not afraid of suffering and tiredness.
It is said that "famous teachers produce high disciples", but these "high disciples" must also have certain talents and attitudes, and these things have been well reflected in The New Fengxia.
Solid theatrical performance skills, coupled with excellent talent, as well as the guidance and teaching of famous teachers, and their own hard work, these factors have allowed 15-year-old Xin Fengxia to perform on stage as a starring actor and appear in multiple plays.
In 1950, after the establishment of the Beijing Capital Experimental Critics Troupe, Xin Fengxia has been active in the theater industry as a starring role and the head of the troupe, and since then she has continued to create her own singing voice, adding color to the art of judging, and was named the founder of the "new school" of drama criticism.
Later, many of the roles created by Xin Fengxia have become classics, and many of the plays she has created and starred in have also become classic masterpieces that have been passed down to this day, among which the image she created in the two dramas of "Liu Qiao'er" and "Xiang Lin Sister-in-law" is more deeply rooted in the hearts of the people, causing heated discussion, and she has also become one of the most influential actors in the theater industry.
Xin Fengxia is versatile, and in the later period, she studied painting under the famous painter Mr. Qi Baishi, and many of her works were also widely circulated. Therefore, the marriage between Wu Zuguang, who was born in Shuxiangmendi, and Xin Fengxia, who was famous for his teachers, was not only a door-to-door pair, but also a match made in heaven by a talented and beautiful person.
<h1 class="pgc-h-arrow-right" data-track="6" > two, talking and laughing, no white ding</h1>
It is worth mentioning that Wu Zuguang and Xin Fengxia are not only very important, but also have great achievements, and they are also very hospitable as celebrities and like to make friends.
In order to find a place to spend time with their friends, Mr. and Mrs. Wu Zuguang also specially bought a courtyard in the city of Beijing. At that time, there was a saying in Beijing, "How wide the couple's network is, how lively this courtyard is." ”
It is said that the bustle of this courtyard has never been interrupted since the day the renovation was completed.
In addition, as artists, their husband and wife, the friends they have made must also be some outstanding people, and their circle of friends is completely insufficient to describe it as non-rich or expensive, because there are many people who are rich and powerful, such as Master Qi Baishi, Mr. Lao She and so on. It is no exaggeration to say that at that time, it was already an affirmation to be invited to this courtyard.
At that time, in the courtyard of Wu Zuguang and his wife, they also truly achieved "talking and laughing with Hongru, and coming and going without white Ding." ”
Wu Huan grew up in such an atmosphere since he was a child, and his artistic talent has been well stimulated, and his learning has been guided by the regular visitors in this courtyard. With the guidance of these famous teachers, coupled with the words and deeds of Wu Huan's parents, he has a very high attainment in many arts.
Although Wu Huan has been different from ordinary people since he was a child, although he has excellent calligraphy and painting, and even has extraordinary skills and achievements in writing, he does not show the mountains and does not leak, and he never regards these as pride and bragging capital when he makes friends with people, and at the same time, he will not compare himself with others, thus reflecting the "sense of superiority".
When he was in school, he liked to make friends, and although he was at the top of his studies, he never looked down on students who were inferior to him, and even made friends with them. After graduation, Wu Huan got a job that countless people envied, but because he could not stand being "restricted by freedom", he resolutely gave up the iron rice bowl of tv station work.
As a "brother who has never been short of money", the words iron rice bowl have never attracted him. Wu Huan's creation is casual, and the works he creates are more for "art itself", rather than relying on his works in exchange for profit.
<h1 class="pgc-h-arrow-right" data-track="8" > third, I am the answer</h1>
In the early years, Wu Huan's first novel "Big Black" was popular as soon as it was sold, winning awards, and he became a descendant who was very optimistic about many literary circles, and was called a genius. But just when everyone was full of expectations for him, he suddenly gave up writing and turned painting, and his "writing is too tired to eat this pain." This sentence made many people angry, and even many publishers wanted to take money to "smash" him, hoping that he would continue to write.
After all, this is no use for Wu Huan, who has never been short of money, just like he said, the works he created were only for the sake of art itself, and after he began to paint, he was surprised by many people, even his good friend Jiang Kun said: "I have known him for almost thirty years, I have never seen him write or paint, but his calligraphy and painting are amazing, and they are a must." ”
In terms of writing, Wu Huan is called a genius, and calligraphy and painting are even more hidden, and once painted, they will amaze everyone. At this time, the word genius was no longer enough to describe Wu Huan, but looking back, this was also very easy to understand.
Writing, calligraphy, Wu Huan's father, Mr. Wu Zuguang, is deeply rooted in the essence, and in painting, Wu Huan's mother, Xin Fengxia, also studied under Master Qi Baishi, deeply rooted in the true tradition.
With Wu Zuguang and Xin Fengxia's teachings from childhood, it is not surprising that Wu Huan can have this skill, not to mention, he is still mixed in the courtyard where famous teachers often gather.
In fact, Wu Huan not only learned this skill of her parents, but also had a very similar attitude to her parents.
Wu Huan never looks at each other's identity, nor does he ever divide people into three, six, nine, etc. with the high and low status of their status, and it is very comfortable and comfortable to make friends with him. At that time, the courtyard purchased by Wu Huan's parents had long become a place for Wu Huan and his friends to gather, and there were many friends who got together, and even he maintained a very friendly relationship with the two major consortium families.
Wu Huan's life, in the eyes of others, is to play, to treat art is to play, to treat life is also to play, everything is based on faith. In this regard, he often joked that "he is a living antique for five hundred years".
In Wu Huan's family tree, the ancestors of the family for nearly five hundred years are recorded, including people engaged in various industries, well-known people, and down-and-down people. Therefore, his attitude towards life is also more thorough and more casual.
Why are the descendants of celebrities mostly celebrities? Wu Huan used his life to say an ambiguous answer, perhaps, Leda, contentment, everything will naturally come to fruition.
What are your different views on why celebrities are mostly celebrities?