On October 21, the movie "The Eldest Princess She Doesn't Talk About Martial Virtue" was launched on Mango TV. The previous work of this movie was "This Girl Is Not Accompanied". I've already had a film review of this previous work, and I think it's a novel idea and an interesting work. The sequel "The Eldest Princess She Doesn't Talk About Martial Virtue" is better than the previous work, especially in some "philosophical" thinking. The film has a scale in some of the emotional scenes of the male and female protagonists, but these scenes are within a reasonable range and serve the story content itself.
First of all, let's talk about the storyline of "The Eldest Princess She Doesn't Talk About Wude". In the previous work "This Girl Is Not Accompanied", the heroine enters a game world, and must become an empress from the little girl to complete the character task. In the film, this heroine can be said to have opened all the way and helped the emperor, for the eldest princess who plotted rebellion. The final story is that the heroine returns to the world of the game, realizes a happy love with the emperor, and waits for the opportunity to move, waiting for the eldest princess to rebel.
In "The Eldest Princess She Doesn't Talk About Martial Virtue", this story continues and continues to tell it downwards. However, the heroine of this movie has become the eldest princess, and the male protagonist has become a donkey who was dismissed by the eldest princess. After this steed was dismissed, he never forgot the eldest princess and went deep into the Three Qing Taoist Temple and cultivated the Tao. On the eve of the eldest princess's rebellion, the ancestors "talked about three things" in front of them. As a result, the eldest princess was exchanged with the body of the horse. Before the exchange, the eldest princess was domineering, and the horse was gentle and elegant.
After the exchange, the eldest princess's rebellious plan obviously could not be implemented. And the former husband and wife, after the physical exchange, actually gradually discovered many things about each other, and eventually rekindled the spark of love. Especially after the horse was replaced by the body of the eldest princess, it was found that the reason why the eldest princess wanted to rebel was to build a female school, so that all women in the world could receive the same education as men, and to achieve equality between men and women in the world. In terms of the eldest princess, after changing to her own man's body, she found that the horse was deeply in love with herself. As a result, the two fell into a "honeymoon".
Of course, the eldest princess who was stored in the body of the horse still wanted to change her body back. The two used various methods, none of which worked. At this time, there is a woman who is a gamer who enters the game and wants to drug the horse and get the benefits of the game. The eldest princess saw through this trick, but the steed had already drunk the tea. As a result, it turned out to be a drug that made people's bodies have vigorous fantasies.
The following film content is not suitable for a complete introduction to all readers. However, I have always written film criticism articles that I have never objected to such a scene, as long as it meets the needs of the film content, and should not sell the three customs for the sake of selling the three customs. In this husband and wife scene, the picture is point to the point, and the storyline is complete. After the content of this emotional heating up of the husband and wife, the eldest princess and the horse finally exchanged their bodies. This scene, although it has a scale, but the plot is reasonable, a hundred times stronger than the movie that is three vulgar and three vulgar.
After changing back to herself, the eldest princess did not want to rebel. However, the rebellious Yuwen had already been discovered by the emperor. The emperor's meaning is also very clear, he used to see the eldest princess rebel, do not want to worry, because he did not have anyone to love, now, he loves the empress too much, if he dies, the empress will not be able to live, so this time the emperor wants to let the eldest princess die. In the end, the emperor captured the eldest princess and gave her poisoned wine. The horse was imprisoned, and he and the eldest princess drank a cup of poisoned wine, and both died.
Of course, this is not the whole content of "The Eldest Princess She Doesn't Talk About Martial Virtue". In the subsequent story, there are still many reversals. This film work, in addition to the imagination of the explosion, there is another point, worthy of praise, that is, the passage where the eldest princess interrogates the drugged maid. The maid said that the eldest princess, the horse, and others were just characters in the game world, just dolls in another world. At this moment, the cultivating horse reflected that it was no wonder that he was cultivating his own learning, but he always failed to cultivate the great enlightenment.
I think that this section, with a very rich philosophical imagination, is an important essence of the whole film. The horses and princesses in the game world begin to reflect on the limits of their own intellectual thinking, and we who are the puppet controllers are not in a game of a more advanced intelligent body? Will there be limits and ceilings for human intelligence, and will there be more advanced threaders in addition to human intelligence? In the state of life like a drama, how will we live with ourselves?
Fortunately, this film gives a very clever and effective answer: relying on love, poetically stored in the world in which it lives. Love and poetry, regarded as one of the greatest human contents, are in that they can help us better exist in this world. "The Eldest Princess She Doesn't Talk About Martial Virtue", a movie that looks very cheerful and funny, can carry so much philosophical content, which is very rare. (Text/Ma Qingyun)