preface:
Welcome to Qingyage, the original intention of Qingyage is to inherit the spirit of Chinese culture and carry forward the essence of Chinese art. To build an art exchange platform for the majority of art lovers, we will always uphold the purpose of creating high-quality calligraphy and painting content. If you like our content, please follow, like, favorite, share, retweet. Every time you participate, it's a powerful motivator for us to create quality content.
Disclaimer: This article is the original headline of Qingyage calligraphy and painting, and the copyright of the picture and text belongs to Qingyage; if there is any reprint, please indicate the source, thank you!
Many friends leave messages saying that calligraphy creation is too difficult, and we must pay attention to the harmony of brushwork, chapters and content. In this regard, I can only say that this friend has complicated the understanding of calligraphy creation. Our calligraphy creation is to first throw away the rules and regulations, and then slowly comb through the rules and regulations one by one when they are skilled in writing individually. We should simply understand calligraphy creation. The means of calligraphy creation are simple, but it is written in black on white paper, and the chinese characters written must be recognized by everyone, so it is very limited in creation. The restrictions are very large and the efforts to become a profound art with a variety of colors have to rely on solid basic skills and active "creative imagination" in order to freely write calligraphic images with new ideas and aesthetic value. Literature and art not only nourish calligraphers with ideas and art, and improve their aesthetic taste and ability; they also provide extremely colorful artistic images. To enlighten the calligrapher, absorb the image, and skillfully integrate into the creation of calligraphy. A large number of poetic works and warning aphorisms are often used as carriers with the art of calligraphy, so that they grow in aesthetic infection and complement each other artistically.
(Circle cards have been added here, please check out the today's headlines client)
Chen Fuen (1802-1866), zi shaomo, trumpet crane, alias purple weed. A native of Zhongxian County, Xincheng County, Jiangxi (present-day Zhongtian Township, Lichuan County). Chen Xizeng's second son, Liu Daguan's son-in-law. Jiaqing was born on the eighth day of the first month of October in the seventh year of the seventh year, and died on the twenty-second day of the first month of the fifth year of Tongzhi. Daoguang five years of tribute, the first class of the imperial examination, from the Seven Pins minor official, Shi to the Punishment Department, the Official Department, the Bingbu Shangshu, the Military Aircraft Minister, the famous calligrapher of the Qing Dynasty.
Chen Fu'en, along with Qi Jizao, Zhao Guang, and Xu Naipu, was known as the Xianfeng of the Qing Dynasty and the Late Qing Dynasty During the Tongzhi Period. Its calligraphy style is very similar to the calligraphy of the scholars at that time in smell, and belongs to the style of the Erwang Thessalonians. In the long history of Chinese calligraphy, the "Erwang Theology" series has always been the axis of the wheel of the Thesis, and as a model for learning calligraphy, it has been passed on to posterity not only its aesthetic charm of Yan Li Chonghe, rational and natural chapter brewing, but also the penmanship system that the Later Dynasty Book talks about the most, but wants to cover up like "the heavenly opportunity cannot be leaked".