Wang Yue was born in Beijing in 1959. Early childhood teacher Aishin Kyora. Pu Zuo studied Chinese painting. He graduated from Tianjin Institute of Arts and Crafts in 1978, Tianjin Academy of Fine Arts (bachelor's degree) in 1985, and Guangzhou Academy of Fine Arts (graduate student) in 1994. In 1995, he went to the United States and settled in Los Angeles, creating a new painting genre and genre that combines Chinese and Western paintings, and is praised by the art historians as an artist who truly integrates the Western art gene and the essence of Eastern art into a new realm of painting. His works in the North American School of Chinese painting can be divided into four parts: gold brush heavy color, boneless heavy color, comprehensive painting and early works.
Wang Yue's "Horse to Success" is 24 inches x 30 inches in Los Angeles
First, the gold pen is heavy
Gold pen heavy color is a new painting created by the painter Wang Yue after years of exploration and experimentation, and is an important part of the North American school of Chinese painting, which breaks the restrictions of traditional painting methods on pens and materials, uses unique golden pen tools, and develops up to thousands of colorful painting pigments, making the picture color present a naturally rich and elegant and thick visual effect. The gold pen refers to dozens of different nibs made of metal, and the heavy color refers to the hundreds of hand-blended water-soluble pigments (mainly mineral pigments), directly using different strength and elastic nibs, different brushwork and rhythmic lines to shape the image, with the oriental aesthetic taste plus the western visual science painting language of the new form of painting creation. The golden pen heavy color painting method has both the delicacy and refinement of traditional Chinese brush strokes, and the realistic transmission of Western modern and modern oil painting, the painter Wang Yue uses the gold brush heavy color technique to express the rich texture and spiritual connotation of the horse as a breakthrough, greatly exerting the rich expressiveness of the gold pen heavy color painting, and its expression technique is summarized as the following outstanding characteristics: anthropomorphic portrait processing, psychological and emotional portrayal, the state of wanting to move in stillness, the structural color and light effect of oil painting, the rich texture of the dotted line surface, the virtual background space, Flowing and firm hair. These living horses are full of the rich nutrition of their predecessors, but they cannot be labeled in any way, they are the painter Wang Yue's, the living life that comes out of his heart and shows it in his own way. The representative works of the painter Wang Yue include:
Wang Yue's chun ni 24 inches x 30 inches in Los Angeles
Wang Yue's "Listening to the Wind" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Children of the Wind" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Smell the Fragrance" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Treading Green" 24 inches x 30 inches in Los Angeles
Wang Yue's "Far Thunder" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Golden Mane" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Looking at the Moon" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Look in the Mirror" 24 inches x 30 inches in Los Angeles
Wang Yue's "Long Mane" is 24 inches x 30 inches in Los Angeles
Wang Yue's "The North Wind That Blows" is 24 inches x 30 inches in Los Angeles
Wang Yue's "Shy Girl" is 24 inches x 30 inches in Los Angeles
Wang Yue's Linda 24 inches x 30 inches in Los Angeles
Wang Yue's "Horror" 24 inches x 30 inches in Los Angeles
Wang Yue's "Good Morning Mr. Morning" 24 inches x 30 inches in Los Angeles
Second, there is no bone heavy color
After nearly two years of exploration by Wang Yue, he has created a unique method of painting on rice paper with boneless brushwork, which is called boneless heavy color by the theoretical circles, which makes the Chinese and American schools of Chinese and Western painting expand the unique painting method of flower and bird painting and will become more mature. Its style in addition to continuing the Wei and Jin Dynasty's spiritual transmission; In addition to the fullness and rigor of the Tang and Song Dynasties, modern light and shadow, color, texture, texture and other modeling methods have been added. What is more special is that its painting process is not limited by a single painting genre, but a painting process of alternating and coordinating multiple paintings and multiple procedures. We have created a fun and challenging artistic creation method that can take the strengths of each painting genre and avoid the weaknesses, and can make up for each other across the division of painting genres. The representative works of the painter Wang Yue without bones and heavy colors are:
The above is a representative work of the typical Chinese North American painting school of painter Wang Yue with feathers as the content of expression and boneless heavy color as the expression method. Boneless heavy color is heavy on no bone, and no bone is heavy in the penmanship, the pen end moves with the movement of the feathers, and the pen posture is downish and real. Therefore, the pen is tangible, and there is color in the shape.
3. Comprehensive drawing method
Next, the painter Wang Yue combined his golden brush heavy color and boneless heavy color technique, which not only improved the expressiveness of animal and feathered subjects in the Chinese north American painting school, but also further enriched the diversity of flower and bird painting methods of the Chinese north American painting school. As a result, the style and techniques of the Chinese North American School of Painting have been further enriched, thus laying a solid theoretical and creative foundation for the Chinese North American School of Painting. His representative works "Four Seasons Lotus Heron Map", "Clear Sound Map on the Clouds", "Lotus Pond Moon Sleep" are the use of "golden pen heavy color" and "boneless heavy color" combination of artistic techniques, so that the work has both the roughness of "boneless" and the delicacy of "golden pen".
At the same time, the painter Wang Yue is a typical poetic painter, and his paintings are all full of poetic artistic conceptions, that is, poetry is outside the painting and painting is in the poem. Chinese painting emphasizes Shen Yun and attaches importance to poetry and the creation of artistic conception in paintings. Yao Mang's "Research on Chinese Literati Painting And Preface" once recorded Wang Wei with a picturesque poem: "Tang Wang's right cheng (Wei) aided the poem into the painting, and then the fun was born from the pen, the law was turned at will, the words did not have to be palace merchants and Qiu Shan rhymed, and the righteousness did not have to be more than happy and the grass and trees became a chant." "It is believed that the great poet Wang Wei was the first person to paint with poetry, and the posterity of the Fazhi. And produced the idea of thinking into painting, drawing with heart, painting with emotion, painting with reason, painting with fun, painting with intention, painting with writing, painting with poetry, writing God in the form, and writing about God with the pen. At the same time, it also emphasizes that poetry comes from the heart, poetry comes from feelings, and only when it enters the painting can it be intended to be in the painting, and the situation overflows outside the painting. "Four Seasons Lotus Heron Map", "Qingyun Qingyin Map", "Lotus Pond Moon Sleep" are all reproductions of his poetic mood:
Four seasons of lotus heron song
"The herons hatch the nest and wait to be fed until the feathers are complete." ChunTang learned of the sound, and the song and dance complained about love.
After several clouds and rain, I was happy with small piles. Busy foraging in summer, vomiting three meals in the day and night.
Patience grows young, and the naughty man is wrapped under the knees. Autumn fat wings are abundant, independent into the new heavens.
In this life, the blessings of the King do not need to be interpreted. Winter and snow are dependent on each other, and the wind and cold are hugged by the neck. ”
"Four Seasons Lotus Heron Map" is composed of four parts: "Early Spring First Love Map", "Midsummer Spit Feeding Map", "Golden Autumn Independent Map", and "Severe Winter Snow Holding Map", which not only shows the birth, prosperity, decline and dryness of the season, but also shows the life story of wild birds and birds falling in love, gathering, leaving and keeping, and thus unfolds the association and perception of nature and life, and it is possible to enter a deeper thinking, so as to complete a complete aesthetic process from inside to outside the painting. This is the meaning of the Chinese North American Painting School's "aiding poetry into painting", and it is also an important creative concept and aesthetic characteristic of the Chinese North American School.
"Four Seasons of Lotus Heron":
《Clear Sound Diagram on the Clouds》
The artistic conception comes from Wang Yue's "Manjiang Hong" words: the calm water surface pours out the cloud shadow, a leaf flat boat, the piano is played in the crane shadow clouds, and the poetic painting scene contributes to this artistic impulse. (Size: 360mm x 82mm Material: rice paper, pigment: comprehensive pigment, technique: dark part: splash ink, bright part: boneless heavy color, splash color, detail: gold pen heavy color)
part
"Man Jiang Hong"
Release the boat and let go,
Looking at autumn water,
Long sky color.
And smelled,
Gollum Crane,
Tick the strings and sums.
The long neon is like a shadow of hanshui,
Flat boats are like feathers floating in the clouds.
Suddenly,
Don't know the song on the river?
Songs on the clouds?
Wait a day,
With a clear stream,
Invite scattered clouds,
Take a look.
Listen again,
Crane rhymes with the piano.
The clear sound of the sky,
The turbid color withers and sinks into the mud.
Gentleman's Delight,
Need to know a few sounds,
Accompanied by cranes.
Painter Wang Yue is an artist with a strong sense of artistic responsibility, Mr. Wang Yue absorbs a lot of western painting techniques, organically connects the essence of Chinese art with the genes of Western art, creatively exerts his talents, his works are full of independent personality like his people, his works are also like his emotions are full of rich connotations, as he usually hangs on his lips: "Painting is like giving birth to a child, can not create defective products, let alone give birth to freaks!" His works will merge into a clear stream and inject into the sea of art, and the paintings of the painter Wang Yue are real works of art that have stood the test of time!
IV. Review of Early Works (Oil Painting)