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"Disappearing Lover" is about two middle-aged people who do not call and fall in love. There is no sense of CP between the two people, every time Qingqing I am like a duck on the shelf, but also keep tired of the crooked story, think of themselves romantic, in fact, the whole process is awkward.
After the release of "Disappearing Lovers" for 5 days, the box office only received more than 49 million, which is far from the industry's estimated 150 million, and word of mouth and box office doubled. Some media reported that this film is "pushed by everyone on the wall", and also counted the three deadly sins that were hacked: that is, the title of the film copied "The Disappeared Lover" The audience did not pay; the second is that the middle-aged love cannot resonate; the third is to focus on horror movies to attract the audience, but they do not know that it is just a simple love film...
In fact, the author would like to say that if this work is deliberately hacked, it is really wronged the audience, right?! Because it was a big mess! You should know that 2015 is a year when the quality of domestic movies and the box office fly together, and it is not so simple to fool the audience
Before watching the movie, I was still a little looking forward to it. Because I have been paying attention to director Huang Zhenzhen for a long time, those masterpieces she shot before she entered the mainland market, such as "Break Up and Say I Love You", "The Sixth Floor Backseat", "Women's Words", how interesting and avant-garde ah; after that, although the slot points of "The Stolen Five Years" and "Girlfriend" flew with the box office, the plot bugs and the character pit daddy's love sketches, but at least there was a little emotional resonance...
When it comes to "Disappearing Lover", it is really courageous enough to use this name to try to hold David Finch's "Gone Girl" and rub the heat of porcelain, but it is not of any use. As everyone knows, when I watched "Disappearing Lovers", I said that the true love emotions were moving, I only heard the magic laughter of the cinema, and a good tragedy was seen as a comedy.
The film revolves around the tragedy of dawn and Wang Luodan, a loving couple, who go on a whim to climb Mount Everest and encounter an avalanche. Dawn died in order to save his wife, and Wang Luodan lay unconscious in the hospital due to lack of oxygen in his brain. Because they can't let go of the past and each other, the souls of the two continue to the frontier. This is also the reversal point of the movie, originally dawn summoned the soul to bring his wife back to his side, but did not expect that he left this world.
Therefore, at the beginning of the movie, Dawn misses his wife too much, and the witch on TV says that either love deeply or hate can summon the ghost back. Dawn's classmates boiled a bowl of their favorite instant noodles to express their love for their wives, and then smashed their homes to express their hatred for their wives, Dawn is really a wayward boy. The next day, the ghost of the wife did return, not only the soul, but also the flesh. Being able to cook and kiss at the same time is awesome.
Look at whether to give Wang Luodan this big backlight, or Bai Lily and Wang Luodan are stupid and unclear. It is estimated that half of the negative reviews of the film are aimed at the heroine Wang Luodan, who in this film is not so much playing the "soul" as the "female ghost". Interestingly, the way she appears in the movie is the same as her "classic look" in the movie "Burning Heart". That's right, the face is not clear, first naked back.
It's easier to get the ghost back this year than it is for the living ex to come back, and the godmother also said that only those who love her can see her.
So, Dawn can see her, and my son can see her, I understand, but Dawn's cousin Lin Junjie can also see her?
And speaking of Lin Junjie, this film, as his big screen debut, has also properly completed the burden of funny! I want to say that as long as Lin Junjie moves on the movie, the audience below will laugh wildly?! jj can you sing well, don't sell cute in the movie anymore!
Well, after the soul returns, the film in order to show the lost and regained happiness, let the Dawn family of three never stop eating instant noodles, I just want to ask, which brand of instant noodles they are eating, why is there no implant here? Bad review!
Wang Luodan, as a fashionable ghost in the movie, changed several looks in the film. In the eyes of outsiders, shouldn't what you see be a piece of clothing that floats by? I can only convince myself that the clothes worn by the ghost may also have automatically had invisible special effects...
And every close-up of Teacher Dawn makes people want to crowdfund him to buy a botulone hyaluronic acid package. How much evil Dawn has done, to be tortured into this way by the film, but also to repeatedly use his face full of traces of time to destroy the audience in a close-up way, refusing to leave a trace of beauty for everyone.
If Wang Luodan's performance is too late, then the dawn is a backwater. In the climactic tear-jerking scene under the stars, Dawn was so inarticulate that I needed to stare at the subtitles to understand his Mandarin. Maybe even he himself regretted how he took such a bad book, so he didn't bother to cover up the negativity.
The film itself is actually two middle-aged people who do not call hard to fall in love, there is no sense of CP between the two, every time Qingqing I am like a duck on the shelves, but also keep tired of the crooked story, think that romantic, in fact, the whole process is embarrassing.
Well, after all these unexplained bridge sections were performed, dawn's soul drifted away, and Wang Luodan woke up in the hospital, everything was just a dream of her old man's home! The irrational plot does not need to be explained, and it is also in line with the materialist atheism of socialism.
Hey, the audience watched for half a day, and what a dream to compare.
In fact, this theme of true love, which spans life and death, should have warmed the audience in the winter when the north wind was fluttering. Who knew that the effect of the movie was such a sad and joyful one. At first, I thought it would be a mellow Hong Kong-style ghost film, but later I found out that Nyima turned out to be a chicken blood romance film, and finally found out that it was a family ethics film of mother-in-law and mother-in-law.
Speaking of directors, in the Hong Kong film industry, Huang Zhenzhen, a female director with keen female tentacles, is not completely talentless. For example, her early documentary "Woman's Words" exudes a clear sense of femininity, even if it is a candied romance like "Break Up and Say I Love You".
Unfortunately, Huang Zhenzhen after "going north" stumbled in the more mainstream wave, but even if the reputation of "The Stolen Five Years" and "Girlfriend" was poor, such a chick movie was still paid for, and indeed got a good box office. There is no doubt that this kind of film has found the pulse of the audience (especially the young female audience), and director Huang Zhenzhen is really more magical than the seven wives in "Disappearing Lovers".
But this "Disappearing Lover" with the supernatural gimmick, Huang Zhenzhen's directing of what is love, is always unbearable to look at, and the criticism of "Disappearing Lover" is that the film is not different in style, it has neither the thrill of a suspense film, nor can it deduce how real the emotion is, the length is just tedious, and the final solution is obviously just to play the edge of the censorship.
In the end, I can only say that I hope that director Huang Zhenzhen will be on the road of creation, and he will do it and cherish it!
Text: One One
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