Recently, the first Chinese soul suspense film "Disappearing Lover" three easy schedule, scheduled to be released in the mainland on January 15, 2016, this film invites Li Ming, Wang Luodan and other A-list stars to help, and the director is a talented Hong Kong female director - Huang Zhenzhen. She herself will be a guest on Peppercorns on December 28 to share the film's creative process and talk about the anecdotes behind the new work.
Huang Zhenzhen graduated from New York University in the United States, the world's top film school, as early as 1999 with the documentary "Woman That Talk" was shortlisted for the Hong Kong Academy Awards "Outstanding Young Director Award", but also for her labeled "feminist" director. Subsequent works that focus on the emotional life of Hong Kong's local youth, such as "The Backseat on the Sixth Floor", "Break Up and Say I Love You" and "The Perfect Wedding Dress", not only earned the box office, but also received a number of nominations. After officially entering the mainland market in 2011, she turned to themes such as marriage and sisterhood, bringing the audience a number of box office works such as "The Five Years That Were Stolen" and "Girlfriend".
In the face of the film industry where male directors are now dominant, Huang Zhenzhen is one of the few female directors who stand up proudly, with her unique female perspective and delicate portrayal of feelings, but also with her talent and love for movies. As an emotionally rich female director, each of her films is full of strong Huang Zhenzhen style, keenly capturing the most sensitive topics in society, and also like a mirror, reflecting the feelings and lives of contemporary young people.
The new work "Disappearing Lover" brought this time tells the story of a person's ghostly love, reminding people to cherish happiness and cherish the present. It also marks Huang Zhenzhen's successful progress from "crazy literature and art" to "mature business".
"Movies are going to live longer than I am, I'm dead, movies are still in that world, so I want every scene to be made with my heart." Such a literary and artistic bottom-line production confession is really the softest part of the hearts of countless literary and artistic young people. Although she grew up in the Commercial Hong Kong Film Market, she refused to win the box office purely and lowered the artistic bottom line to meet commercial needs, and we believe that every thing she did with her heart will eventually be rewarded.