Cover reporter Chen Yuxiao
More than 30 years ago, the 1986 version of Journey to the West completed post-production with simple low-end 5-mao special effects such as cutouts and hanging wires, and today the development speed of Film Special Effects in China has been jaw-dropping. On the evening of September 15, Zheng Baorui, Huang Zhenzhen, Chen Desen and other filmmakers collectively appeared in Chengdu Yintai City to discuss the development direction of film special effects production and Chinese film special effects, and the Chengdu branch of more vfx, the vanguard of China's film and television special effects industry, opened, allowing filmmakers to have a new base in Chengdu.
Zheng Baorui has directed "Journey to the West: Sun Wukong Three Dozen White Bone Essence", "Kill the Wolf 2", Chen Desen has directed "October Siege", "Purple Rain Storm", Luo Yongchang has directed "Dark War 2", "Gunfire", Luo Zhiliang has directed "Disappearing Bullets", "Alien Space", "I Am Not a Medicine God" producer Wang Yibing, "Embroidered Spring Knife" producer Zhang Ning, director Huang Zhenzhen, Su Zhaobin, Guo Fan, producer Huang Zhiming, Xu Renhao, screenwriter Yang Qianling, so many well-known directors gathered in Chengdu is rare, Behind these excellent film works they created, they are inseparable from the support of film special effects.
"In the past, when I needed to do post-special effects, I could only find American or Korean companies to produce them, but then I found that Chinese companies can also make very good special effects," said director Huang Zhenzhen. Chinese film special effects company more vfx focuses on the top visual effects and animation production in China, and has a strong strength in the fields of concept design, dynamic rehearsal, biological character animation, fluid and dynamic special effects, and has participated in the production of nearly 100 films, including "The Great Golden Robbery", "The Legend of Wukong", "Shy Iron Fist", "Memory Master", etc., and was nominated for the Hong Kong Golden Film Award and the Taiwan Golden Horse Award for Best Visual Effects. They are also challenging Hollywood-level visual effects production, which includes China's first hard sci-fi films, The Wandering Earth and Journey.
"Now the business model of visual effects is based on the model of predecessors. Film is a process of artistic creation, visual effects production is more necessary to develop a rigorous personnel and cycle plan, nevertheless, it is still impossible to avoid various variables, resulting in visual effects production plans being disrupted, working hours postponed..." More vfx founder Xu Jian freely talked about his views on the visual effects industry and the survival rules of visual effects companies in the general environment, he said that he needs the entire visual effects industry to work together to formulate new industry guidelines, jointly change the inherent model of predecessors, and strive for more living space for China's visual effects.
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