Poet Zhao Fan: Poetry is aristocratic even if it declines

With regard to poetry, I have always regarded it as a force that cannot be discarded, even if it carries more "stains" on its back, it is like the light always shines into the mud of sin, and it must nourish the widest truth, goodness and beauty. Today, regardless of the chaos, the pen does not make a poetry commentary, as the title indicates: Poetry is aristocratic even if it falls; Quan and uses his own clumsy opinion to express several relationships to comfort the poet's perseverance, in order to pay tribute to the righteousness given by poetry!

The relationship between poetry and people

As a language text created by human beings, the relationship between poetry and people is also closely linked. There are poems everywhere in life and life, and it can be said that they have been integrated into the blood, but it is only a matter of seeing and not seeing, knowing or not knowing. It began with trumpets and songs, developed in art and culture, and passed down from philosophy and nature, and there are people in it.

More often, poetry comes out as a human emotion, it is arrogant, elegant, heavy, sad, lingering, violent, sharp, and the expression of feelings that a person has in his heart except sin has it on the stage. Straight to the chest, white and not vulgar, deep but not correct, love without doing, love without hurt, a person should have a positive moral and ethical direction, thinking to take a good seed, as it shows.

To compose poetry is to be a man, if there is no truth, goodness and beauty, there is no poetry, and if there is no poetry, there is no thought, and there is no thought about how humanity comes. The art of poetry is the art of extreme reason, and like being human, that kind of arbitrary and stubborn expression is only the purest respect; the most naked and direct resistance to fate is the warmest and most seductive love and pity of man's life. Many times, a wonderful life is because a wonderful redemption has been found, and poetry and words are a manifestation of going deep into the soul and saving oneself with art, which is wonderful and mysterious.

Poetry is full of infinite power because of man, and man is eternal because of poetry, and the universe connected between the two naturally has brilliance and familiarity. As for understanding or not understanding, that is only an inevitable factor in existence, reasonable to be known by others, and those who know will be praised by themselves.

The relationship between poetry and culture

Poetry is a kind of art, and art is a branch carrier of culture, and the two complement each other, complement each other, and converge on civilization. Tang poetry is the essence and literary wonder created by Chinese culture for world literature, and free poetry is also the language of wisdom for Western culture to connect and exchange the world, both of which have made outstanding cultural contributions to the process of human development and the extension of literary genres. It can also be seen that the most direct relationship between the two is achieved.

Poetry is called a spiritual culture. If the survival guided by material culture is the root of culture, then the life created by spiritual culture must be the branch of culture, and both can be said to have the leaves and fruits of reproduction. In the vein of art expressed in spiritual culture, the lofty status of poetry art is no better than that of the heart and kidney lungs, which can be seen from the perspective of lost art, poetry can be preserved and carried forward.

In the broad sense of culture, only poetry can be omnipresent, and in any narrow sense of culture, poetry can be seen and make it shine. This is the energy of language, the charm of text, the efficiency of communication. The poems can be deep, the songs can be said to be broad, and that is.

And the relationship between poetry and culture is like mother and son, like friends, like acquaintances, and even like comrades-in-arms!

The relationship between poetry and the times

In the great wheel of time of the times, resistance and praise, in the process of society, poetry can be said to be indispensable, it can be said that it is indispensable.

As a social representation of political domination and individual freedom, the poet is always one of the conspicuous figures, and the passage of time has made poetry a high voice in the struggle for human happiness. In the chaotic world, the book is "harsh", the prosperous world is sung and the line is "wedding dress", and the only constant except for disputes is the "conscience" of the times! Even if it is miserable, it is persevering; even if it is happy, it is meditating. If someone asks, what is poetry? This is poetry!

The difference in the times shows different meanings, and also creates differences in the telling of poetry. From the expression of the text to the writing space of the thought, it is always keeping up with the trend of the times, and at the same time advancing, far higher than the changes of the times, and adhering to the thinking and inheritance of history. This is the characteristic of any kind of art, and poetry is just more of a self-awareness.

Day after day, poetry is repeated, and singers are produced from generation to generation. When benevolence comes and goes, people come and think, and they have no intention of having their own soldiers. Right and summed up in the relationship between poetry and the times.

The reason why it is said to be aristocratic is that it is because of its glorious respect, and it is also because of its personality. The people's hearts are self-respecting and noble, and the people's customs are gathered into a family, although there will be a temporary fall, but it will not disappear forever. Regarding poetry, I have always believed in its righteousness, cared for its body, given my own strength, and lived without shame, which is enough.

Zhao Fan: Pen name Qin Ren, a native of Hua County, Shaanxi. Contemporary poet, art agent, practitioner of cultural and educational media. He is the author of the poetry collection "The Self", "The Ten Laurels", and the prose collection "The Secret Is Not in Spring". Chief planner and executive director of the organizing committee of the large-scale public welfare cultural project "Guangtai Cultural Charity Hundred Pavilions", chief planner of the first "Chang'an Cup" poetry competition, and chief producer of the TV program "Oops Mother".