Next year is the birth of the 21st bullet of the [Detective Conan Theater Edition] animation, which of the Conan series theatrical versions that have accompanied us for 20 years impressed you the most?
Detonate the skyscraper
In the final picture of [detonating the skyscraper], in order to rescue Xiaolan trapped by the time bomb, Xiaolan must be allowed to choose the correct wire by luck to safely defuse the bomb, and Xiaolan chose to cut the blue line because he "did not want to cut the red line of the new one" and finally successfully got out. Shinichi also delivered a touching speech of "I die with you".
Fourteenth goal
In the fourteenth goal, Xiaolan decisively offers a kiss to save the drowning Conan, but he faints, and then writes a chapter of Conan hero saving the Beauty plot, which is also a classic kiss in Conan.
In order to save Yingli as a hostage, Maori Kogoro, as a policeman, still shoots Atori, and Conan understands all this and shoots like Xiaolan, turning the danger into a disaster.
Magician at the end of the century
At the end of the century, the end of the magician, Xiaolan shed tears hoping to get Conan's affirmation of identity, Conan showed an expression of regret that he had never seen before, ready to tell the truth, at this time Kidd appeared disguised as a new one to save Conan's emergency.
The assassin in the pupil
In the face of the assassin's chase, Conan made a deep confession to the amnesiac Xiaolan, "Because I like you, I like you more than anyone else on the earth", which has also become a long-lasting affectionate line for Conan fans.
The Undead of Baker Street
Among the undead on Baker Street, Xiaolan chose to jump down in order to protect Conan he believed, and because of this move, Conan successfully reversed, and finally got the opportunity to get out of the game.
A labyrinth of crossroads
Shinichi's meeting with Xiaolan again was particularly romantic against the moonlight, but the short reunion lasted only a few minutes.
Conspiracy on the horizontal line
Uncle Maori, who is usually very troubled, occasionally handsome, not only beautifully reasoned out the real murderer and the details of the crime, but also did not take the initiative to attack the female murderer, reflecting his gentlemanly demeanor.
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