Zhu Derun character Zemin, suiyang mountain people, also known as Yang Jie, his good at landscape, the beginning of Xu Daoning, the later law Guo Xi, the paintings are mostly xishan Qingyuan, peaks and mountains towering, the forest trees are quite healthy, the mountain stones are made of cirrus clouds, and the trees are crab claw branches, which is quite realistic.
Rainy Mountain Waterfall Diagram Yuan Dynasty Zhu Derun
The painting depicts two gentlemen with a child strolling through a pine forest. In the distance are overlapping mountains, and pavilions loom in the valley. A mountain spring cascades down from the top of the mountain through the pine forest, allowing the whole painting to connect from top to bottom. The painter uses the brush to be steady and composed, and the mountain stones, the jungle are written and the ink has a round and thick feeling.
Xuexi returned to the Yuan Dynasty Zhu Derun
In the distance, the snow-capped mountains in the distance are majestic and reaching the sky, and the cold forest under the mountains is also covered with thick snow, and a person sits in the water pavilion on the shore, falling into deep contemplation. The whole picture gives people a feeling that a thousand mountains and birds are flying away, and thousands of people are gone. This painting is different from the picture of Zhu Derun, which is generally believed to be the main transmission of Guo Xi's painting method, and this painting has the meaning of Fan Kuantang Dashan, and the method is split with a small axe, which is a work of learning the southern Song Dynasty family law.
Qiulin fishing figure Yuan Dynasty Zhu Derun
The picture is yellowed throughout and the ink has blurred, but this figure can be used as a typical "standard instrument" representing Zhu Derun's transition style. The picture adopts zhu Derun's most habitual "one corner and one point" composition in the album scene, the lower right corner is an old tree, and a hermit fishing in a lonely boat in the river seems to be the embodiment of Zhu Derun's thought of retreat.
Lin Xia Mingqin Figure Yuan Dynasty Zhu Derun
Under the mighty pine on the banks of the river, three scribes sat cross-legged and talked, one of whom seemed to be playing the piano. A fisherman in the river paddles closer, and the servant sitting on the stone to fetch water also looks back, making the scribe's piano activity the focus of the whole painting. The slopes on the opposite bank are connected to the distant mountains of the smoke mist cage, and the layers push backwards, interweaving a gentle and remote and pleasant scenery. The painting draws pine trees and vines in a smooth and spontaneous brushwork, which has the meaning of cursive writing; the characters are simple in shape, but they do not lose structure and three-dimensionality. The painter smudges the mountain stones with the changing ink colors of the thickness and light, capturing the empty mist of the changing smoke clouds, resulting in a strong contrast between light and dark, and also making the whole painting wet and full, appearing full of business.
Yanlan Qiujian Figure Yuan Dynasty Zhu Derun
The old trees depicted in the painting are full of branches, slopes and rocks and streams. On the Akibara, one man rode a horse, followed by servants, and in the distant pavilion, two people looked out over the high platform. Deep in the cloud spring, the jungle temple loomed. The performance of the mountain stone is more dyed than the wrinkles, the brushwork of the treetops is similar to the crab claw, and the painting style is slightly Guo Xi's will. Dong Qichang believes that there is a yuanren charm and identifies it as Zhu Derun's work.
Songjian Qiuqin Figure Yuan Dynasty Zhu Derun
The picture depicts two pine trees on the left and the right, with old and fierce branches, pine needles like guns, and teeth and claws. Under the pine tree on the right, there are three gentlemen chatting about the piano, the person on the left pointing back to the flowing water, the person in the middle is stroking the piano, and the person on the right is closing his eyes and listening. At this moment, the sound of pine, the sound of the piano, and the sound of running water are intertwined with each other, giving people unlimited enjoyment.
Panshan Boardwalk Diagram Yuan Dynasty Zhu Derun
In the picture, the distant mountains are towering and crumbling, the near mountains are steep, the water is majestic, and between these mountains, there is a trail that spirals forward according to the mountain, hidden in the mist and clouds in the distance, and the pedestrians on the mountain path are endless, hurrying.
Hideno Xuan Picture Scroll Yuan Dynasty Zhu Derun
The picture shows the pingyuan scenery of the mountains and rivers in Jiangnan, where there are literati sitting in the study between the mountains and forests, with rough and indulgent brushwork, simple ink color, and the meaning of the vastness. The painter boldly transformed the brush and ink of Li Cheng and Guo Xi of the Northern Song Dynasty in depicting the northern landscape into a modeling language that expressed the jiangnan style, and rubbed into the aesthetic interest of the literati. The calligraphy in the painting is "Xiuye Xuan", which paints the literati's study and activities in The Jiashan Xiushui, which is a new landscape painting theme in this period, which directly affects the aesthetic orientation of wu landscape painting in the late Yuan and early Ming dynasties.