I've always felt that the amway of anime should be separate from its reviews.
Amway itself carries with it an element of shared desires, praises, expectations, and benefits.
If this animation is actually only 6 points (more refer to the Douban score, or a score given by my own cognition in my heart), when Amway is around, I will make it 8 points, and I will hold a vague point of view to lay this fan, intentionally amplify its advantages, and let The amway's friends focus on its advantages or the story itself.
As for the comments, I think they are personal and tendentious, and even have a suspicion of leading to war.
If the anime actually scored 8, I might give him 10, or I might just give it a 6 or fail. It depends on where I start when I comment, or at the stage of commenting, my level of cognition. However, in most cases, the actual 8 points, in my mind, are generally 7 or 6 points.
"Wine of Eternal Life" is such an animation with a relatively high actual score (9.0 points), but in my mind it is probably only 7-7.5 points.
Let's talk about the reasons for his high ratings: narrative style, character development, fight scenes, music (op, ed, bgm), voice actors are all pluses.
First of all: about narrative style.
Friends who have seen the Amway chapter of "The Wine of Eternal Life" that I wrote should start flashbacks about what I said in it: "Its narrative style, multi-perspective narration at the same time." There are flashbacks and interludes in flashbacks, flashbacks and flashbacks in interpolations, flashbacks and interpolations at the same time..." This sentence has an impression.
Yes, this is the narrative style of this series, the three elements of the narrative: time, place, and characters, Presumably everyone knows.
Regarding time and place, at the beginning of the story, the vice president and his assistants argue about the determination of time and place, and they also have different views on who is the protagonist.
Ultimately, and at the very beginning of the story, the vice president said, "The same event, with different people as the central perspective, the story will be ever-changing, that is, there is only one event, but there are as many stories as there are characters." ”
In a word, it sets the tone for the style of this film.
This is probably why this series is fascinating, painful and happy in its narrative style.
You never know which point in time, where, which character the director will pull the perspective to. Without seeing the end, you can never string together all the lines and all the causal relationships. Even if the final outcome is seen, the development of the final outcome is still unknown.
This is also an uncomfortable point.
It looks very messy, but if you look at it carefully, carefully (in fact, do not have to be too careful) to sort out the connection between the links, and notice the foreshadowing in it, you will be addicted. I think this is why there are friends on the Internet who play a star, because they say: I didn't understand...
Next, there's characterization.
Most people who have seen this drama can always say some of the personality characteristics of two or three characters.
The nonsense, spontaneity, and kindness of the "stupid couple";
The decisiveness and kindness of the girl Nice in the tattoo couple, the cowardice, crying and morality of the boy Zakji;
Rad's rage, cruelty, and credibility (feelings?) of the murderous Rad ）；
The handsome car chaseer shows horror, blood, and sticks to his principles;
Little Zhengtai Cheswolf, who has lived for more than 200 years, has a dark belly, suspiciousness and easy contentment;
As for the justice of the green hat brother Philo, the gentleness of Mezaar, the greed of the old man Serad... Each person, because of one or more of their own personality traits, drives the story forward.
Because of the nonsense of the "stupid couple", they dug up gold, stole, accidentally hit and stole and drank the "wine of eternal life"; because of kindness, they saved Xiao Zhengtai; and because of their casualness and kindness, they made a lot of friends;
Because of Nice's decisiveness and kindness, zakji was saved; because of zakji's cowardice and crying, it led to the first discovery that the conductor was killed, and at the same time, it was also a key factor triggered by the events of 1931; and because of his morality, he and his friends always survived;
Because of the horror and bloodshed of the car chase demon, there will be so many corpses on the train that have been split, and it is also because of his principles that he is not really killing innocents;
Because of Rad's rage and cruelty, he got on that train and killed those people for no reason; and because he had to insist on killing them with his own hands (rescue?). His own lover, he will jump out of the car at the same time, but also for his lover to block the danger;
……
It is the different personality traits shown by these characters that will have the above story, and it is precisely because of these personality traits that they add a sense of mystery to the uncertainty of the development of the story after they have obtained immortality.
For example, the black-bellied Little Zhengtai was saved by the "stupid couple" and adopted by the artificial man Ennis, he is very content, and enjoys such love, but he is suspicious, from the animation, he seems to be a little bit to Ennis deliberately conceal his origins, so how the story develops is intriguing.
So, about the fight scenes, the music:
I myself am a plot oriented, and I don't know much about the picture and music, so I took the answer of a big god
(Excerpt from the animation "How to Evaluate the Wine of Eternal Life" by Author You Yang?) part of the answer):
The editing and camera sense of this work is also excellent, and the fights on the train, gunfights, and torture are full of movement, and I still remember when Xiao Zhengtai and the white-clad pervert confronted each other, and the camera rotated back and forth across the two and kept getting closer, which was quite cinematic. Cass is powerful, jazz bgm is also very pleasant, op enough can be included in the textbook for future generations to learn tribute.
As far as music is concerned, as far as I personally describe it, it feels very emotional, well, honey juice with feeling.
As for the voice actor lineup, I think it's more convincing to go straight to the card division table:
Isaac Diane CV: Masaya Onosaka Miria Havent Cv: Sayaka Aoki Firo prochainezo cv: Hiroyuki Yoshino Maiza Avaro Cv: Miyamoto Szilard Quates CV: There is Ben Chinlon Ennis cv: Kobayashi Sha miao Ladd Russo Cv: Keiji Fujiwara Zakji Splot (Jacuzzi Splot) Cv: Daisuke Hanguchi Nice Holystone Cv: Yu Kobayashi Chane Laforet (Chane Laforet) Cv: Hirohashi Ryo Czeslaw Meyer Cv: Kanda Zhuwei Claire Standfield Cv: Narita Morita Rachael CV: Shizu Ito Rucker. Luck Gandor cv: Zi An Wu people Lua Klein Cv: Eri Yasui Eve Genoard Cv: Marina Inoue Graham. Graham Spector CV: Tomokazu Sugita Huey Laforet CV: Chiba Progress Carole CV: Chiwa Saito Gustave st. germain cv: Johannesan
Finally, here's one reason why Wine of Eternal Life has so many virtues, but it doesn't reach the 8-point line in my mind: it doesn't resonate with me.
Yes, no matter how exquisite a work is, how new the narrative is, how wonderful it is in fighting, how good and powerful the music and casts are, if it does not resonate with us, it is difficult to say that it is a classic.
Or let me put it a little more simply: when it comes to "Wine of Eternal Life", many people are entangled in the points of "multi-perspective", "multi-protagonist" and "open structure", only to say that I understand what kind of story it tells. Now, and then what? After you understand the story?
That's what I mean by resonance.
Just like singing, there are many skills you can use to show off, but those skills will eventually be learned, taken away, and eventually become rotten, or eventually have to become something that every singer must master.
But "resonance" is different, it is a kind of emotional factor that the work directly brings to the audience, it is a desire that the audience wants to express, rather than just staying at the technical level.
As far as the song itself is concerned, it is mostly sung to us who do not understand technology and ordinary people.
In the case of the book The Little Prince, for example, is it a bestseller because the story is wonderful? No, it's just an ordinary travelogue, probably, a little bizarre. However, in the infinite fantasy of the brain hole now, its strangeness has become very ordinary.
But it still sells well, that is, the resonance of the story itself: people in love see love; management understands the true meaning of management; separated people see thoughts; children see a fairy tale; adults see the philosophy of life... But it does not prevent some people from understanding, from seeing harvest, respect, love, growth and loneliness. Personally, every time I watch it, it feels different.
This is actually resonance, resonance is not necessarily excellent, but if people can't resonate, as far as the big tree is concerned, it is really difficult to say that it is excellent.
That's why I admit that Wine of Eternity is a great look. However, as far as whether it can be truly or not, in addition to being "good-looking", the so-called "divine work" still needs to be considered.
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Author today: Loronoa Tree
Edit: New Fanjun
Picture "The Wine of Eternal Life"
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