Su Shi (1037-1101), also known as Su Dongpo. A famous writer, calligrapher and painter of the Northern Song Dynasty, he was also one of the "Eight Great Masters of the Tang and Song Dynasties".
Throughout his life, Su Shi successively served as a magistrate in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places, dredging rivers and building lakes, killing locusts and providing disaster relief, fighting floods and building embankments, and achieving outstanding political achievements. He had many ill-fated fates in his life and was exiled several times, but his temperament was bold and talented, leaving behind many popular poems.
In the sixth year of Song Jiayou (1061 AD), Su Shi was admitted to the third class of the "Three Years of Jingcha", which is commonly known as the "Three Years of Jingcha", and was awarded the title of Judge of Dali and the Judge of Fengxiang Province. The highest administrative division of the Song Dynasty was "Lu", and Fengxiang Province was more than 200 miles west of Chang'an, under the jurisdiction of Qinfeng Road, the westernmost part of the Song Dynasty, under the jurisdiction of today's Chencang, Fengxiang, Qishan, Fufeng, Meixian, Linyou, and Zhouzhi areas. In the first year of the Song Dynasty (1064 AD), Su Shi left Fengxiang and served as a historical official.
The Signing Judge of Fengxiang Mansion was Su Shi's first stop on his career. In Fengxiang, Su Shi, who was sincere and sincere and full of enthusiasm, advocated benevolent government, cared for the people's diseases, excavated and dredged through the "Drinking Fengchi Pond", planted lotus flowers, planted willow trees, built pavilions, built small bridges, built east lakes, and wrote more than 100 essays and poems (the first) such as the famous "Records of the Happy Rain Pavilion" and "The Record of Ling Xutai".
During the Northern Song Dynasty of Qianyang, it was under the jurisdiction of Qinfeng Road Longzhou, although it did not belong to Fengxiang Province, but it was adjacent to Fengxiang in the east, and there was frequent personnel exchanges. Su Dongpo, who is proud and unrestrained, not only left a beautiful poem for Qianyang, but also passed on a food story.
He wrote in his Zhilin: "Yu Xi was under the Qi, smelled the pork of The Yang Dynasty, and sent people to ignore it." The messenger was drunk, and the pig was idle, and he was paid for by the pig, and I did not know it, and the guests were astonished, thinking that it was beyond his reach. It has failed, and the guests are ashamed. This means that when he was an official in Fengxiang in the past, he heard that the pork in Qianyang County tasted the most beautiful, so he sent someone to Qianyang to buy pigs and prepare to entertain guests. As a result, the man was drunk at night, the pig also ran away, and the person who bought the pig bought another one in the local area to make up for it, all of which Su Shi did not know. When entertaining guests, the guests praised the taste of Qianyang pork, believing that it was not comparable to pork in other places. Later, things came to light, and the guests were embarrassed. This passage uses the method of flattery to describe that the pork in other parts of the West Province has made the guests "surprised" and "thought that it was beyond his reach", then the "beauty" of Qianyang pork can be imagined. Su Shi, who loves food and is very thoughtful, not only uses this story to praise Qianyang's pork, but also implies the philosophy that "to taste the true taste, you must practice it yourself". So far, due to the historical "advertising" effect of Su Shi, a great literary hero, Qianyang's pork is famous for its green feeding and pure meat quality, and Qianyang's gourmet meat bubble is even more famous.
After eating the delicacies of Qianyang, with Su Shi's pride and talent, he will not fail to visit the beauty of Qianyang and leave a beautiful poem. Sure enough, a song "Double Pond" depicts the twilight scenery on both sides of the Thousand Rivers picturesquely.
Influx castle, 1000 Family Tsuchiwatari.
There is no double pool of water, and the flowers float for ten miles.
(Note: 斖 (wei)斖: Describe diligence and tirelessness.) ）
For many years, there have been many objections to the "Chengguo" written in this poem, including Fengxiang, Chen Cang, and Qianyang. I thought it was written in a thousand yangs without a doubt. There are two reasons: First, there is the word "thousand streams" in the poem, and a thousand streams are a thousand rivers. At the top of the Qianyang South Mountain, there is a double patio with a scenic view, also known as the double heavenly pool, which is consistent with the place name in the poem. The second is "a thousand waters into the city of Guo", the Thousand Rivers into the territory of Baoji in Shaanxi Province, the only two counties flowing through the city of Long county and Qianyang County, the "double pond" in the poem has excluded Long County. The Qianhe River is even less likely to flow up to the county seat of Fengxiang in the Weibei dryland. The Qianhe River joins the Wei River at the bottom of ChenCang, and does not pass through the ancient town of Chencang.
We can imagine that Su Dongpo played a double patio, from the south mountain down to the south bank of the Qianhe River, and saw the stream in the mountain stream under the double heavenly pond slowly merging into the Qianhe River, diligently and tirelessly watering the fertile fields on both sides. As he walked, he looked north, and the Qianhe River nestled in Qianyang County, on the west bank of the Fengfang River estuary, and continued to the east. Where did the double pool water flowing from the ditch go? It floats with falling flowers, floods with waves, and drowns in a patch of smoky willows in late spring.
There is also a song "Takema Pavilion" that is even more wonderful:
The residual flowers are dark with leaves, and the new shoots are fragrant.
But when I saw the green bamboo, I didn't know that the water was yellow.
The trees are high and the birds are falling, and the ponds are sinking into the river bream.
Planting is hard, and the lone monk is thin and awkward.
Like the previous one, some people say that this is a view of fengxiang da lao temple. The Thousand Rivers have never flowed over the Fengxiang Ridge, and the Great Old Temple is not on both sides of the Thousand Rivers, so how can it be said that Fengxiang was written? I thought that this, like the previous one, was done at the same time as when visiting Qianyang. After a spring rain, the shade of the trees is getting thicker, and the thousand rivers are still clear, without the sight of the yellow waves rolling when the summer surges. The spring flowers on both sides of the strait have fallen, the mountains are full of deep green, and the new bamboo next to the Qianyang Pavilion has green leaves and faint fragrance. On the ancient trees on the shore, countless birds gather, and in the river under the trees, pufferfish and other fish play leisurely. It was the busy season of spring planting, the farmers were busy in the fields with sweat, and a hunchbacked old monk walked alone on the path. The "Long bird" here actually implicitly uses the Sentence of the Tang Dynasty poet Wei Zhuang's "Qianyang Pavilion" poem "The land is poor and only sells the Longshan Parrot", "Longshan Parrot" is commonly known as "Starling", which is a unique bird in Qianyang and Longshan, and the use of "Long Bird" in the poem borrows the role of place names, which proves that the author wrote about the scenery of Qianyang.
The story of Su Dongpo eating Qianyang pork and these two poems describing the beauty of Qianyang add a dazzling light to the history and culture of Qianyang.
Original: Love Qianyang Qianyang Micro Life Wen | Yang Huiqiang