Most of the love in ballet can be summed up in aba, the total score.
Two people always meet at first sight, have to (but) separate basically because of the villain, whether life or death can always meet again.
Because of this, the audience always can't help but start with emotion, the middle section is difficult to help themselves, and the end is self-defeating. But the same aba, aba in love and aba in classical double dance are quite different.
Say the right thing dividing line
This drama will show you the correct way to open the aba-style classical double dance.
What exactly does aba mean? Why is there such an aba? How should the audience enjoy aba? These three questions begin with the story of "a Frenchman in Russia."
When the Frenchman Marius Petipa was still a petty petitpa, he was hired by the Mariinsky Theater and went to St. Petersburg alone to become the male protagonist of the theater. Later, because of his "too much" outstanding choreography ability, he was appreciated by the ballet master San Leon of the theater at that time, and took over the position of ballet master of the Mariinsky Theater, where he served for 41 years. In the past 41 years, he has continuously created, rearranged and choreographed nearly 100 dance plays, and more importantly, he has developed and perfected aba-style double dances and character dances in classical ballets.
Therefore, Petipa was also called the "father of classical ballet" by later generations.
The aba syllogism he founded was a common core model in classical ballet, often referred to as the grand pas deux. But the big duo isn't just about two people dancing together. (Scratch the point!) It refers to the actor and actress who bowed in a double dance and then appeared again, first together, then apart, and finally together. (For details, please slide down)
The first a in the aba stands for the slow board dance (adagio), and the actors and actresses usually dance in the slow board music, flying in both places, and at a glance, they can feel "confirmed eyes, I met the right person".
b stands for variation of men and women, usually male and female actors appearing in the Allegro section, a solo solo of "spinning and jumping I don't stop", which pushes the showmanship moment to the climax.
Male actor variations
The last a of the actress variations is the ending (coda), when the super physical strength of the actors and actresses is perfectly reflected in their faces and hearts. After the second solo showmanship, two more people show off together (yes, it is so willful), and finally after the pose freeze-frame appearance, this feast of the peak of the technical flow ended perfectly.
Double showmanship
The establishment and development of ending pose big double dance is actually based on the long-term development of ballet, men's dance vocabulary is slightly thinner than that of women, and more often it occupies the position of female mechanical assistance. However, the establishment and development of the big double dance has broken the status quo of "favoring women over men" to a certain extent. Brilliant's technical solo fragments not only balance the characters, but also present different aesthetic expressions of physiological structure.
As the saying goes, "the family has a family law, the line has rules", and the big double dance has formed a set of customary "fang posture (fa)" over time. When the audience enjoys the double dance, they will applaud desperately and appreciate it with their hearts in each exciting performance.
As a model of the golden age of Russian classical ballet, "Don Quixote" can be said to be a "dragon head example" and a "gala must-have", and this drama is also a case study of this beautiful dance drama to lead everyone to learn the correct way to open the big double dance.
After learning the correct posture (fang) posture (fa), you can try different cases to choose your favorite big double dance, whether it is the feminine "Nutcracker", the gorgeous "Sleeping Beauty", or the extravagant "Maihime", there is always one that will shock your heart.
At the end of the business, the theater invites friends to talk about their self-feelings about the big double dance in the message office, or write down the artistic knowledge points they want to know, next time, you can look forward to the theater courtyard exclusive to your VIP-style explanation of the small class ~ ~
This issue of WeChat | Plum video copywriting | Zixin Video Production | Wang Yuanshu Audio Production | Miao Ying Video Dubbing | Zhang Liqun Video Coordinator | Yang
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