Wen |
- I have to admit that I walked into the cinema with very low expectations to see the premiere, and even prepared a lot of racial type hell jokes (mistakenly), but I didn't expect to inadvertently create a dramatic effect of first suppressing and then rising;
- Even so, I wouldn't think of Dune as a film for everyone — or most people — space opera is a relic of classical science fiction, and it's not universal in this contemporary market where settings have been nurtured;
- Dennis Villeneuve's camera aesthetic and Hans Zimmer's magnificent soundtrack are absolute pluses, even if there is more dissatisfaction with the plot, it will not affect these two places, so the key recommendation 2d+imax, enjoy the double climax of the retina and eardrum;
- In a way, "Dune" as a film praise is more or less "base" as a foil for American dramas, and the attempt to adapt the classics of the giants is like recreating a top-notch work of art in the Louvre, and hand shaking is inevitable;
- "Dune" of course also shakes its hands, and perhaps the biggest problem with the shaking is that it has not done enough in epic reproduction, and the near-collapse of a powerful family is condensed into a short fight of no more than a hundred people, and the grandeur and sadness of the loss are lost;
- No way, the director is not Peter Jackson's kind, using instagram-style filters to slowly hold up the emergence of a world is a demonstration of the precedents of "Blade Runner 2049" and "Advent", "Dune" does not live up to the label of "both the most cinematographical and the cinematographer among cinematographers";
- George r.R. Martin is said to have been subtly influenced by the "Dunes" before writing "A Song of Ice and Fire", and the tragic openings of the Starks and The Ertridies are structurally highly similar, except that a Tudor dynasty modeled on Westernism, a projection of colonialism on the Arabian Peninsula;
- Everything comes from miui, no, "Lawrence of Arabia", an old film worthy of repeated recommendation, whose intention — a distorted perspective that combines pride and awe — is too representative of generations of Western intellectuals' imagination of the so-called barbarians, full of self-righteous cultural appropriation;
- The design of the fallen prince to win the respect of the barbarians with his martial virtue and lead a large army to rebel against the cruel rule of the empire is also a product of superiority, and in the worldview pioneered by Columbus, there is no option that others may not want to be disturbed at all, let alone play a stepping stone for self-touching;
- Completion of the demonstration;
- The reason why "there are a thousand Hamlets in the eyes of a thousand people" is because classical creation does not pursue the so-called sense of substitution, theatrical performance emphasizes identity on the stage and above, and immersive film playback destroys the traditional experience, thus tearing apart the needs of the two generations;
- This is also the reason for the bad reviews of old Japanese literature works, which are full of three views are not correct, washing the floor for scumbags, isn't this just a bunch of green tea, in the eyes of the new consumers who have been nurtured by the creative way of serving the sense of substitution, a thousand Hamlet-like understandings are not allowed, and qualitative means such as scoring are the universal language of communication;
- So the real pleasure of watching the movie is to jump out of those stereotypical interpretations - I just just just to prove that I can do it - to re-think of myself as - in fact, it is - a spectator sitting under the stage, enjoying the flag hunting, tasting the world, letting the times return to the times, and returning the emotions to themselves;
- The film narrative of "Dune" at least maintains fluidity, in the cosmic scale structure, the development space of the court power plot is much larger, and the sensory effects have paid off on the basis of a high degree of conformity to the original novel, whether it is the granular details of industrial machinery or the planetary ecology dominated by sandworms, they are impeccablely serious;
- The prince must still be a handsome white man who can be blown, but the "princess" of the barbarian tribe can be a brown and black-skinned mixed-race curly-haired woman, which was originally one of the hell jokes I prepared, but the actors' acting skills are really online, which largely supports the charm of the characters in the film, even Zhang Zhen has gone to be an anti-bone boy, sit down;
- Although the pace of the film is slow, it does not appear to be procrastinating, there is no excess of superfluous action, which is a rare element of the 155-minute length, and each character shows great restraint and does not cause a setback to the audience's linear viewing path;
- Anyone who changes directors will definitely slow-motion the closing plot of Jason Momma's sacrifice to protect the prince and the duchess escape, or let the prince have the psychological struggle of the first killing when he finally duels with the Freeman warriors, this technique of focusing on the audience, Dennis Villeneuve will never do;
- This makes "Dune" appear decisive enough in the flat and straightforward white painting technique, and there is no room for stops, just as the hakenam family's attack is also unexpected, the escape of the last bloodline of the Erridi family is also powerless to be carefully planned, and once the wheel of fate of the teenager is turned, no one knows where the angry storm will blow;
- It is precisely because tenacity, courage, growth, and determination are rare in the real world that literary and artistic creations throughout the ages will interpret them over and over again, telling us the fears in our hearts, that those shiny and shiny seemingly flame-like things are not always hot, and that choosing a fate itself is a fearless challenge to fate.
- If I had to score it, I gave Dune's origin work 8.5/10;
- Finally, I would like to share a digital painting with all those who struggle with the idea of "Why can we all travel interstellar and slash with cold weapons", although the original setting of "Dune" has an explanation - the protective device covering the human body can withstand attacks such as bullets, but it has limited effect on cutting at close range - but it is better to pretend not to know the setting, or take a look at this famous painting:
