The second "fourteen days" is over, I paid attention to the circle of friends, and found that most people's mentality began to stabilize.
Some people are good at cooking, some people are reading a lot of books, some people are practicing abs, and some people are reviewing the examination.
I also work from home, accompany my son to online classes, and re-read the classics, always warm and new.
Today, we continue to talk about "people in the dream of the Red Chamber".
01
Reading "Dream of the Red Chamber" at different ages will have completely different feelings.
When I was young, I liked Daiyu alone, and in my early twenties, I envied Wang Xifeng, and in the year of li, I began to understand the beauty and sorrow of Baochao, Qingwen, Xichun and other women.
And there is one person that I have read many times in the past few years that I prefer the Most, that is, Tanchun.
Jia Tanchun is the daughter of Jia Zheng and his concubine Aunt Zhao, and the half-sister of Jia Baoyu.
Born out of nowhere, but "self-shrewd and self-exalted".
Cao Gong praised her:
"Handsome eyes trim eyebrows, Gu Pan Shen Fei, literary essence, see the vulgarity."
Explore the beauty of spring, feminine and heroic.
She is good at calligraphy and poetic talent, and is the initiator of the Begonia Poetry Society.
In "Wing Bai Begonia", "Jade is incomparable to the spirit, and snow is easy to lose the soul for the muscles and bones", seeing that her realm is pure and aesthetically pure.
She is shrewd and capable, and she does not lose to boys.
Wang Xifeng fell ill, and Lady Wang gave the power of the family to Tanchun.
She established her prestige, promoted the advantages and eliminated the disadvantages, carried out drastic reforms, and proposed that the women who served in the garden be assigned to contract various flowers and plants in the Grand View Garden, and each enjoyed the remaining surplus except for the head grease powder given to the masters.
Li Yibao was firmly supportive, and Sister Feng also gave up three points.
She has courage and responsibility, like a sonorous and sharp "rose".
When inspecting the Grand View Garden, only she dared to publicly call out:
"You are allowed to search my things, but if you want to search my handmaidens, you can't." I was more vicious than the people, and all the things of the servants, I know, are collected here, needle by thread, and they have no collection. To search, so just search for me. You don't follow it, just go back to your wife, only to say that I have disobeyed my wife, how to deal with it, I will go to my own. …… You got up early this morning not to talk about the Zhen family, you are looking forward to a good copy of the house, and sure enough, today you really copied it! We're coming too! It can be seen that such a large family, if it is killed from outside, it will not be killed for a while. This is what the ancients said, 'A hundred-footed worm, dead but not stiff', must first commit suicide from home and kill itself, in order to be defeated! ”
She spoke loudly and loudly, and was chivalrous and righteous, without the weakness of a boudoir daughter.
Ping'er described her: "You are so bold to look down on her, but the egg hits the stone." ”
Bao Yu praised her: "But the third sister is elegant." ”
Even Wang Xifeng commented on her: "Good, good, good, good third girl." ”
02
Tanchun's actor Dongfang Wen Sakura is not a delicate person.
Ouyang Fenqiang described her: "An actor with a director's thinking. ”
Deng Jie said to her half jokingly and half seriously: "Very dragging, very personality." ”
She said that she had a strong desire to perform: "I would like to play ugly and unsightly, and I want to play any role." ”
At that time, Dongfang Wenying's ideal was to be a director, and when reviewing the preparation for the Chinese drama directing department, it coincided with the national selection of actors by the Red Chamber Crew.
Teacher Bai Yuben, who has been tutoring her professional classes, is one of the leaders of the selection of actors, and he believes that Dongfang Wenying is very suitable for the role of "Jia Tanchun" and introduces her to the crew.
When preparing for the Chinese drama, Dongfang Wenying completed 40 sketches of hard practice every day, honing her strong interpretation and creative ability.
At the end of the training class, she became indisputably "Tanchun" and was one of the earliest actors in the crew.
Among the actresses, Dongfang Wenying is different and unique.
She has a rough and brash personality and is a woman.
She has become friends with almost all male actors, such as Ouyang Fenqiang, Gao Hongliang, Hou Changrong and so on.
The actress avoids her, and the only Chen Xiaoxu who has a little friendship is because she regards people as "children".
She is outspoken and outspoken, not afraid to offend people.
When Jia Baoyu was chosen, Dongfang Wenying volunteered to oppose Baoyu and play with Chen Xiaoxu.
She bluntly pointed out that Chen Xiaoxu "can't get into the state, and every time she looks at her, I laugh."
But he also unreservedly and exhausted his tricks to "stimulate" her into the play:
"I acted really well, stimulated her, and she found the feeling, and then she completed the task."
There was also a group scene, an actor could not enter the state, Ouyang Fenqiang was a little anxious, said a few words, the result caused a quarrel.
Director Wang Fulin was in the distance, thinking that Dongfang Wenying was arguing, and began to question her.
The crowd was frightened to see the situation, but Dongfang Wenying directly shouted:
"You have no say without an investigation!"
She is a strong businessman, not only can act, but also can direct.
Ouyang Fenqiang recalled that Dongfang Wenying could memorize the interrupted literary lines in only one night, so he had spare energy to polish the details and arrange the plan.
In the 87th edition of "Dream of the Red Chamber", "Exploring Spring and Marrying" is a major play.
Many people pinched a handful of sweat for Dongfang Wenying, worried about her thick lines, and could not handle the delicate emotions of flesh and bone separation.
For this reason, Dongfang Wenying has also been preparing for a long time.
This scene does not have a single line, it is all driven by emotions. To this end, she did her character homework early and divided her emotions into levels.
"From having emotions, to strengthening emotions, to making your emotions full, and when you look back, you are completely released."
(Oriental Wen Ying talks about "Exploring Spring and Marrying": Shaping the role with full emotions)
Not only that, she also analyzed the background of Tanchun's marriage and the author's psychology:
"The far marriage scene is essentially a separate line, so it needs to be amplified in the performance, and this single element must be organically integrated into the entire plot."
When filming, she burst into tears, turned back three times in one step, and her heart was miserable and mournful to the extreme.
This scene not only passes over and over again, but also becomes one of the classic episodes of the whole play.
During the shooting, Dongfang Wenying likes to discuss film and television creation issues with the main creators, and the unique insights are very profound.
Director Wang Fulin also discovered the talent outside of oriental Wenying performance.
When Director Wang was busy with post-production, he handed over to her three scenes, "Liu Grandma Three Entering the RongGuo Mansion", "Baoyu Running Away" and "Wang Xifeng's Death".
Her degree of refinement and strictness is not inferior to That of Wang Dao.
The scenes of "Baoyu running away" and "Death of FengJie" are all in the northeast deer field at minus 40 degrees.
When filming "Baoyu Run Away", Dongfang Wenying designed two sets of shooting schemes: one is the snow where the sun rises in the morning, and the other is the snow at dusk, reflecting Baoyu's different emotions.
She said that she was as handy as a mature director in the play:
"Inner emotions are translated into external behaviors, reflected by rhythmic changes in steps. Not only the rhythm, but also the heaviness. ”
When filming "The Death of Sister Feng", in order to reflect Wang Xifeng's miserable end, she asked Deng Jie to be barefoot and single-dressed, wrapped only in a broken mat, and dragged in the snow.
At that time, the interlude of this scene, "Smart and Tired", had not yet been created, and in order to have enough alternative shots, she shot many strips, almost freezing Deng Jie.
Ouyang Fenqiang admired from the bottom of his heart:
"One dares to act, one dares to shoot, you must know that many men may not be able to have the real strength of the two of them in pursuit of perfection!" 」
Director Wang Fulin was even more praised:
"The comprehension is very strong and the director is very good."
(First from the right: Oriental smelling cherry blossoms, dressing up at that time was also fashionable)
03
In the play, Tan Chun is far away from marrying haiyu, at that time, the feelings of the oriental Wen Ying are "near the water tower platform first to get the moon".
At that time, her boyfriend was Li Yaozong, a famous videographer and chief cameraman of "Dream of the Red Chamber".
Therefore, there is also a saying that:
Li Yaozong was about thirty years old at the time, and in that era he was an elderly youth, afraid of filming for three years of "love is not guaranteed", delaying lifelong events, so he and the director "talked about conditions" and let his girlfriend also join the group.
Coupled with the strong recommendation of Teacher Bai Yuben, Dongfang Wenying entered the crew as a field reporter.
Wang Dao felt that Dongfang Wenying's fierce and resolute personality was very in line with Tanchun, so he fixed her.
In any case, after the completion of "Dream of the Red Chamber", the two got married.
Although the marriage did not last long, the relationship between the two has always been a good story for the Red Chamber crew.
Later, Dongfang Wenying married actor Pang Hao.
Pang Hao later became a director, and he directed "Man to Forty" starring Wang Zhiwen and Jiang Shan.
This marriage also failed to grow old in vain.
For the dissolution of the two marriages, the outside world said that it was because Dongfang Wenying was too strong, but she herself did not respond publicly.
After the Red Chamber, Dongfang Wenying was transferred to the China Television Drama Art Center, filmed several plays, and worked as a director and choreographer.
Ultimately, she felt that being a producer was more suitable for her:
"Being a good director requires a strong imagination, but I'm becoming more and more rational. A good producer must have a strong comprehensive ability, she must know how to coordinate all aspects of the relationship, which is my strength. ”
Producer Dongfang Wenying, as strong as Tanchun, adheres to three principles:
Actors are not allowed to bring assistants, and they must not be too pretentious;
Let the actors understand the situation of the whole play and the role for the first time, rather than having the agent read the script and talk about the remuneration on behalf of the agent as soon as it comes up, turning the art into a commercial thing;
The main creative team is all determined by themselves, and resolutely rejects the so-called "original team", so that the collision of ideas can create a spark.
All articles are "iron-blooded principles", but the final work, the quality of the department is superior:
"Provincial Party Secretary" and "Gobi Mother" have won the first prize of the Feitian Award for long-form TV series, the Golden Eagle Award for Outstanding Long-form TV Series, the Five One Project Outstanding Works Award and the first prize for CCTV Excellent Programs;
"Women's Prison" won the third prize of the Feitian Award for long-form TV dramas and the second prize for CCTV film and television drama programs;
She herself has won the Golden Eagle Award for Television Art Paper Award and the National Television Top Ten Producer Award.
("Gobi Mother" crew, the first from the right is dongfang Wen Sakura)
Today's Oriental Wenying mainly produces TV dramas with political themes and social reality themes.
Every TV series has been planned at least half a year in advance, and she will try to accompany the crew every time she shoots, and silently insist on it for decades.
In "Dream of the Red Chamber", Tanchun once said: "But if I am a man, I can go out, I will leave early and make a career." ”
However, "born in the end of the world fortune is dissipated", born at the wrong time, the daughter of the woman to survive, the ambition is not paid, far away from marriage and relatives, only "a thousand miles of east wind a dream".
If, tanchun is alive in the contemporary era, it should be the appearance of the oriental cherry blossoms.