Speaking of cross-talk, the more famous are Hou Baolin, Ma Sanli and other traditional craftsmen of the older generation, who have high achievements in art, but there is also a cross-talk person, who is not small in fame, but the strength is not so high, let's take a look at it.
The first is Yang Shaohua
Yang Shaohua, the old gentleman's master is Guo Rongqi, and his professional quality is still somewhat different from that of master Guo Rongqi. Some people feel that his profession does not match fame.
Regardless of the teacher's business, talk about professionalism. He had been partnering with Mr. Ma Sanli for a while before. When Ma Lao's partner passed away, Ma Lao asked Mr. Yang Shaohua to give him a hug, and Yang Shaohua was also considered to have a good reputation. When Yang Shaohua was interviewed, he also talked about this matter, and when he said it, he was still very emotional.
He is artistically a boon, and he is a bad kind. He also cooperated with Ma Zhiming for a period of time, Yang Shaohua talked more, Ma Zhiming as a tease on some opinions, and finally the two people split xue. This matter, in the cross-talk circle, is not a trivial matter, Mr. Yang Shaohua found another one, his name is Zhao Weizhou.
Zhao Weizhou is really versatile and has created many masterpieces, such as "Dead Wood Fengchun" and "Fame in One Fell swoop". The cooperation between the two people made Yang Shaohua angry, but Yang Shaohua had a small problem, that is, the secret of words. In doing so, some of the limelight of the tease will be robbed.
I don't know if it is for this reason that the two people are also separated. Yang Shaohua found his son Yang Yi, and the two of them partnered and talked about crosstalk. As for the goodness of crosstalk, you can search for it. Some people say that Yang Shaohua is not so good at art, but only with commercial propaganda.
It cannot be denied that after he partnered with his son, his fame was much higher, but artistically, as a popular actor, what needed to be done was to listen for the audience and ask questions for the audience. Look at Yu Qian, in the process of cooperating with Guo Degang, Yu Qian does not grab words, highlighting the role of teasing.
When Yang Shaohua and his son were partnered, it was almost impossible to distinguish who was cheering and who was teasing. The cooperation between the two people is good, but it always feels a little awkward. Just like a two-year-old child can't distinguish between his left and right feet, he thinks it's okay, and adults always feel a little awkward.
Yang Shaohua's achievements in art make people dare not compliment, although he has won many awards, people in the industry are not willing to admit him and his son, they do not know which faction. Of course, some people say that there is no longer a way to worship the teacher, but there is always a heritage in art, right? Teacher Yang Shaohua belongs to the Baozi generation? Peers, do you recognize him?
The second is Li Jindou
This cross-talk artist has many representative works, such as: "Mouse Secret Language", "SingIng Peking Opera" and so on. In "Dong Shi Xiao Hao", his characteristics are very distinct, so that everyone has a good impression of Li Jindou. Some people say that his artistic characteristics are mainly rich in body language, but baggage.
This evaluation is also pertinent. His expression is a lot, not upright, can be self-black, and speak with characteristics, fast and clear, this kind of teasing is really quite special. Before Yue Yunpeng came out, his performance style was unique. A lot of people like his performance.
But the way he performed, he modeled it. It is good to be good at using your own characteristics, but it is a little tired to use them often. When Yue Yunpeng performed, he used more expressions, and there was no freshness after that. He changed a platform, participated in a lot of variety shows, and showed his comic ability in it.
Li Jindou is also like this in his performance, although he has the ability, but his expression is too much, which affects everyone's listening baggage. In doing so, the result is that although everyone laughs, it feels like they are being scratched and laughed. Ma Sanli once said that the role of baggage is to make you have a taste after laughing.
This smell is to think about it after going home, and feel that this baggage has an effect on yourself, whether it is a warning or an incentive. This is the charm of crosstalk. Li Jindou's cross-talk gives people the feeling that it is one, making you laugh. Even if it is over, although it is true, it always feels uncomfortable.
Some people say that cross-talk is already very good, and there are Guo Degang and others supporting it, because the charm of cross-talk is interacting and irony. I agree with this point of view, Li Jindou's cross-talk, the combination is OK, but more is the body movement. Looking at Hou Baolin, Ma Sanli and others, their body movements are much less.
Why does Yue Yunpeng have more body movements? It was because his previous partner was aggressive and made him very uncomfortable. He figured out how to grab a scene on stage and used body language, which was a good approach. Later, when I partnered with Sun Yue, this habit was retained.
Li Jindou has a lot of body language because he feels that this can make the audience laugh faster. There is nothing wrong with this view, but in understanding. Crosstalk is not a sketch, the sketch relies on the paragraph plus the body, the crosstalk is what Guo Degang said, with a few words to create a scene, so that everyone can quickly integrate into it.
Li Jindou took a more direct approach, which was unacceptable to many people, and I was one of them. I think his way of performing like this is a bit of a sketch. Is the agreed deduction 1 good? Look at how many of your fellow travelers are. Some people say that Li Jindou is not good at virtue, and this is not within the scope of our discussion.
On the artistic level, Li Jindou's fame and strength do not match. He hadn't been in front of everyone in a long time, but he shouldn't be called an artist. If it is said to be an artist, it is also a commercial mutual praise, and it cannot be taken seriously.
The third is Chen Hanbai
When it comes to this grandfather, the vocabulary used by everyone is not very good, and there are several surnames and whatnot. But Teacher Ma Ji once said that Chen Hanbai had not learned crosstalk before, there were not so many rules and regulations in crosstalk, and he did not have to follow the rules so much, so it was easy to form his own characteristics.
Chen Hanbai is characterized by a thick skin. He was on stage and dared to tear off the aura on his body, just to amuse everyone. Some people say that Chen Hanbai can also be regarded as pure fire in this kung fu. He has won many awards in cross-talk competitions, which can also be regarded as powerful.
This strength is not recognized by many people, even the audience. Who can remember Chen Hanbai's representative works? Some people say a lot of dry daddy! It's also drunk, and we're asking about works of art, not characters. In art, it belongs to the style of Teacher Li Jindou, and the expression is greater than the baggage.
As for his design of the baggage and the control of the rhythm, some people say good, some people say bad. He didn't care about this matter, he cared about how to make more money. He endorsed products, and also participated in commercial performances, which made him over-consume popularity, and there were problems with the endorsed products, and his popularity declined badly.
Some say he did it himself. It is even more because he is not serious about his profession, if he can do art seriously, less endorsements and commercial performances, his artistic path may be broader. He has no way to compare with Teacher Li Jindou, but he has a more flexible mind.
Studying more in art can still enhance your own value. However, he did not choose this path, and the fame of Mr. Hou Yaowen's disciples was almost consumed. Some say he's just trying to keep the heat going, just like some show stars. These stars also have works, although the ratings of these works are not high. And Chen Hanbai didn't even produce works anymore.
He thought about how to maintain the heat, and then he made more money. In doing so, the realm is a bit of a problem. As a cross-talk actor, if you don't have the heart to study cross-talk, then the road will become narrower and narrower in the future. Qin Xiaoxian's cross-talk is very general, but people are popular. Even so, Qin Xiaoxian said that he would study crosstalk well and not lose his profession.
Chen Hanbai did not think of these, may be like some small stars, take advantage of the traffic or heat, fish a little, later life, rely on the accumulation of these years. If he looked at Guo Degang and saw how people made art, would he feel something?
Guo Degang studied crosstalk very carefully before the fire, he was not like Yu Qian's teacher, and he would get a zoo to play when he had nothing to do. He stayed at home, reading books, listening to plays, talking about crosstalk. He only had the thick accumulation of hair after that, and it was also because of his artistic strength that he had a reputation.
Chen Hanbai's cross-talk, there is nothing to say, but his fame is not small, it may be that peers give Hou Yaowen teacher face. I don't know what Chen Hanbai thinks, if he is not convinced, he may duel with Guo Degang on the stage to see if he can defeat him?
Some people say that Meng Fangui may not be able to defeat Guo Degang in terms of artistic achievements. Meng Fangui took the students to participate in "There Are New People in Crosstalk", and had exchanges with Guo Degang on it, and it can be seen that Guo Degang has a very good attitude towards him, which shows that Meng Fangui's artistic standards are very high. And Meng Fangui is much stronger than Chen Hanbai, so Chen Hanbai is not as good as Guo Degang.
Chen Hanbai has not appeared in front of everyone for a long time, I don't know if he still has commercial performances, how large-scale commercial performances do you think his artistic achievements can participate?
The fourth place is MiaoFu
Miao Fu Wangsheng's cross-talk is still OK, especially their works such as "Xuefu Five Cars" and "Full belly warp", when I watched it with my children, I felt that their imagination was too rich. If they had such an imagination, there would be no regrets.
Miao Fu's cross-talk has been listened to a lot, and I feel that it is not as amazing as before, and "Xuefu Five Cars" may be their peak work, right? However, Miao Fu did not think so. Miao Fu joined the Qu Association and was still a figure with a not low official rank. But his artistic path is not so strong.
In art, he did not expand further, but at some point, expressed an anti-three-vulgar point of view. Some people think this is aimed at the Deyun Society. This view does not dare to agree, although the Deyun Society is a non-mainstream cross-talk group, they also oppose the three customs. That is, there is no conflict between them.
Miao Fu's pursuit of art is not as good as before. He has no more representative works. In a certain subject, his latest work is to participate in "My Hometown and Me", and the time is 2020. Could it be that Miao Fu has shifted his position, and his focus is no longer talking about crosstalk? This answer can only be answered by himself.
Previously, Miao Fu was a rising star who could replace Guo Degang. But then it turned out that the new star was just a new star in the Supernova Games, and without the corresponding exposure and quality works, his popularity declined. I don't know what Miao Fu thinks in his heart, if you say crosstalk, come up with representative works.
In the cross-talk industry, there is only one big banner like the Deyun Society, is it not possible, should it be three-legged? Qingqu Society is not as good as Deyun Society, so what about hip-hop baggage shops? Some people say that the more famous ones in the cross-talk industry are these three. Of course, there are also some cross-talk groups, such as the Big Comic Cross-Talk, the Starry Night Cross-Talk Hall, the Listening Cloud Xuan and so on.
There are many talents in the Qingqu Society, but Miao Fu's personal strength makes people question, he has been a host, participated in film and television works, so where is his focus? Do you want to take the same path of sketches as Gao Xiaopan, who is a hip-hop bag shop?
The fifth is Gao Xiaopan
Gao Xiaopan is the treasurer of the hip-hop baggage shop, and he and You Xianchao have partnered and have also had many outstanding works. There are also many famous cross-talk artists in this team, such as Jin Fei, Chen Xi, as well as Chen Yinquan, Hou Zhenpeng and other people, who have participated in many cross-talk programs and made people remember them.
But as a treasurer, Gao Xiaopan's energy is not in crosstalk, but in other aspects. He has participated in many film and television dramas, participating in "Seven Fairies of Marriage in Heaven and Earth", playing Dafa in "80 Tones", and playing Gao Xiaodong in "Not Enough Youth", these roles involve him a lot of energy.
In the art of cross-talk, his achievements are there, but it depends on who he compares, if compared with Guo Degang, it should be worse, compared with Yue Yunpeng, it may not be comparable. It is still possible to say that it is far from changing. But Chang Yuan's main energy is on the sketches.
Gao Xiaopan's main energy is in film and television dramas, which may be his beautiful appearance, which makes him feel that crosstalk has delayed him. Cao Yunjin may have had this idea, and after he left the Deyun Society, he created Tingyunxuan. Although there are also performances, his energy is in acting.
Gao Xiaopan has also participated in the sketch, the ranking is not very good, it can be seen that he does not have such a strong strength in the sketch performance, and Jia Ling, who is also a cross-talk actor, has a wonderful interpretation on the sketch. I don't know what kind of thoughts Gao Xiaopan will have after he knows.
Write at the end:
Some people say that the evaluation of cross-talk artists is the same as composition writing, one teacher has one opinion. This is right, but compared with artistry and fame, these masters do not seem to be worthy. If they were like Mr. Ma Sanli in art, their artistic life would be longer.
How their character is, do not comment, but the good or bad is known. I hope that their future life will be better, so that they will not waste the art they learned before. Who do you think is more artistically superior? Who else do you think is overrated?